Aunjanue Ellis

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2015 BET Honors - Arrivals

Aunjanue Ellis - A variety of stars were photographed as they took to the red carpet at the 2015 Black Entertainment Television (BET) Honors which were held at the Warner Theatre in Washington, D.C., United States - Saturday 24th January 2015

Aunjanue Ellis
Aunjanue Ellis

Piers Morgan Interviews Celebrities At The MIPCOM Television Content Market In Cannes

Aunjanue Ellis - Piers Morgan interviews celebrities at the MIPCOM television content market in Cannes - Cannes, France - Monday 13th October 2014

Aunjanue Ellis

New York Premiere Of 'Get On Up' - Arrivals

Aunjanue Ellis - New York premiere of 'Get On Up' held at The Apollo Theater - Arrivals - New York City, New York, United States - Monday 21st July 2014

'Get On Up' World Premiere

L to R, Guest, Aunjanue Ellis, Nelsan Ellis and Tiffany Snow - Universal Pictures and Imagine Entertainment present the world premiere of 'Get On Up' at The Apollo Theater - Arrivals - New York, United States - Monday 21st July 2014

Aunjanue Ellis, Nelsan Ellis and Tiffany Snow
Aunjanue Ellis

The Help Review

A strongly issue-based story gives a terrific cast plenty to play with in this hugely engaging drama about the American South in the 1960s. And while the film kind of skims the surface, it's a story that still needs to be told.

After graduating from university, Skeeter (Stone) returns home to Jackson, Mississippi, to seek work as a journalist. But one theme from her childhood haunts her: the maid (Tyson) who actually raised her. But her similarly raised close friends (Howard, O'Reilly and Camp) now take their own maids for granted, and Skeeter wonders why this story has never been told from the help's point of view. After finding an interested New York editor (Steenburgen), it takes awhile to convince Aibileen (Davis) to tell her story, especially as both know it will upset the status quo.

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World Premiere Of The Help Held At The Samuel Goldwin Theater In The Academy Of Motion Picture Arts And Sciences

Jessica Chastain Tuesday 9th August 2011 World Premiere of The Help held at the Samuel Goldwin Theater in The Academy of Motion Picture Arts and Sciences Beverly Hills, California

The Help Trailer

Skeeter has always dreamt of becoming a writer; fresh out of college she attempts to get a job at one of New York's best publishing houses but unfortunately isn't successful at landing the job. Returning home she starts to write a column for the local news paper but is distracted by personal matters when she learns that the family maid, who raised Skeeter, has gone missing.

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The Resident Trailer

When Dr. Juliet Devereau finds a superb apartment she can't believe how lucky she's been. After moving in, Juliet begins to settle into her new life but something just doesn't feel right in her apartment. An unnerving feeling lingers in the air and leave Juliet uncomfortable.

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Perception Review

In too good of a mood today? Park yourself in front of Perception for 104 minutes and you'll be drinking yourself to sleep come nightfall.

As melodrama goes, Perception is filled to the absolute brim with it. What seems like it will start off as a lighthearted, quirky comedy soon becomes something entirely else. Piper Perabo stars as Jen (not "Jennifer"), who's just returned to New York after a failed stint at living in L.A. Here, we find her parents are in rapid mental decline. Her semi-girlfriend (Heather Burns) is clingy and, well, stupid. Her ex-boyfriend (Seth Meyers) keeps coming around. And then Jen, in one of the big "holy crap!" moments of cinema, gets run over by a truck.

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The Caveman's Valentine Review

After working as an actor for some time, Kasi Lemmons (The Silence of the Lambs) wrote and directed her first feature, Eve's Bayou, in 1997. She has since spent the past 4 years putting together The Caveman's Valentine, which took 10-plus producers to come to fruition. Instead of directing original material, Lemmons directs from the book by Georges Dawes Green, who adapted it for the screen.

Samuel L. Jackson (Unbreakable, Shaft) teams up with Lemmons again (he played the philandering husband in Eve's Bayou) to star as the disturbed and homeless Romulus. Thankfully, no easy explanation is ever uttered as to the nature of his psychosis. He lives partially obsessed with a fantasy world in which exotic dancers inspire his hands on the piano, and his ultimate nemesis resides in the Chrysler building.

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Brother To Brother Review

Perry (Anthony Mackie) has a lot going on. He's young, black, and gay, and studying hard at Columbia while also working at a homeless shelter and trying to get noticed as a painter. Disowned by his homophobic parents, he's looking for love, meaning, purpose... all that good stuff. "There's a war inside me," he thinks to himself.

So can he end the war in the course of a 90-minute movie? Brother to Brother tackles so many issues that there's no way Perry will find all his answers, but he does make a good start with the help of the elderly Bruce Nugent (Roger Robinson), a minor figure in the Harlem Renaissance whom Perry encounters on the street and later at the shelter. Nugent, who's also gay, takes Perry back to the days of wild Harlem through a series of black-and-white flashbacks. It's there that we meet the young Bruce (Duane Boutte) along with the superstars of the era: Langston Hughes (Daniel Sunjata), Zora Neale Hurston (Aunjanue Ellis), and Wallace Thurman (Ray Ford). By listening to Nugent's stories, Perry realizes that all the prejudices he's fighting -- black vs. white, gay vs. straight, light-skinned vs. dark-skinned -- are nothing new.

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Men Of Honor Review

Diving movies rule!

I just can't seem to get enough of the thrill of the being submerged in hundreds of feet of water with the ever-present threat of drowning all around me. You know, that feeling of small animals crawling into my wetsuit or larger animals deciding to eat me whole. The intoxicating sensation of my lungs exploding from gas build-up in my lungs. How can you argue with that?

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Undercover Brother Review

The Blaxploitation films of the 1970s starred relatively unknown black actors playing new kinds of male and female superheroes that had all of the style, funk, and butt-stomping moves to tackle any foe. With the exception of the Samuel L. Jackson's remake of Shaft and Quentin Tarantino's Jackie Brown, very few films in this genre have emerged in the last 30 years. Undercover Brother is a throwback to those classic films, but sadly, contains too little of the fashion or the funk that made its predecessors so much fun.

The film stars Eddie Griffin as Undercover Brother, a modern day black man with a wild afro and everything a '70s man could want, including a solid gold caddy, platform shoes, and polyester bell-bottoms. Brother is recruited by the B.R.O.T.H.E.R.H.O.O.D. organization to help overpower the evil efforts of "The Man." The Man, along with henchmen "The Feather" (Chris Kattan) and "White She-Devil" (Denise Richards) are causing havoc with race relations between blacks and whites. In "Operation Whitewash," The Man has influenced black General Boutwell (Billy Dee Williams) to not run for President, but rather to open a chain of fast food chicken restaurants.

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Undercover Brother Review


An "Austin Powers"-style blaxploitation spoof, "Undercover Brother" doesn't miss a single joke. Its title sequence alone -- a montage depicting the rise and fall of African-American culture (from Jesse Jackson and James Brown highs to Urkel and Dennis Rodman lows) -- is a laugh riot, in a sad-but-true kind of way.

So is the plot, about The Man, a megalomaniacal Caucasian corporate billionaire, trying to stop a Colin Powell-like black politician (Billy Dee Williams) from running for president ("He's so well-spoken," says a patronizing white news anchor). The Man has him kidnapped and brainwashed into opening a chain of fried chicken joints that will serve "nappy meals" instead. (Politically correct? What's that?)

There's only one man who can stop this evil plan: Undercover Brother, baby!

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Lovely & Amazing Review


In the 1996 modest and little-seen relationship comedy delight "Walking and Talking," writer-director Nicole Holofcener demonstrated a preternatural knack for capturing the bonds between women with her candid and vicarious style of emotion honesty and funny, true-to-life dialogue. But her second independent film, "Lovely and Amazing," fails to find the same spark as it eavesdrops on a family of gratingly neurotic and insecure women.

Sad-eyed Brenda Blethyn, a specialist at screwed-up moms ("Little Voice," "Secrets and Lies"), is the emotionally messy matriarch, who spends most of the movie in the hospital due to complications from liposuction surgery. Doped up on painkillers and more depressed than usual (in part because her flirtations with her plastic surgeon aren't getting anywhere), she still has complaints about her daughters at the ready.

"One's really f**ked up," she tells the doctor, "and the other one isn't married."

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