Page 2 - No Animals Were Harmed? Ugh, Tiger Was Nearly Killed on 'Life of Pi'

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Movie review: Life of Pi, by Rich Cline

5/5 "Extraordinary"

Working with perceptive writer David Magee (Finding Neverand), Ang Lee creates one of the most thoughtful, artistic blockbusters ever made by a Hollywood studio. Although Yann Martel's award-winning novel was considered unfilmable, Magee and Lee have managed to maintain the delicate balance of an awesome adventure story with provocative themes that echo long after the story reaches its tricky, mind-expanding conclusion.

Suraj SharmaSuraj Sharma Starred in 'Life of Pi'

Imaginative teen Pi Patel (Sharma) grew up in a zoo owned by his parents (Hussain and Tabu) in formerly French India. And when hard times come, they decide to pack up and move with the animals to Canada. But the ship they are travelling on runs into a fierce storm in the Pacific, sinking suddenly and leaving Pi as the lone survivor on a lifeboat with a wounded zebra, a frantic hyena, a seasick orang-utan and a hungry Bengal tiger named Richard Parker. Over the coming months, Pi and Richard Parker survive due to the challenges of coexisting in such a confined space. And with his Buddhist, Christian and Islamic beliefs, Pi now believes the experience also helps explain the existence of God.

The film adds a framing device as a writer (Spall) interviews the older Pi (Khan), essentially putting both us and Martel into the story. This helps open the themes up in intensely personal ways, while grounding the extravagantly visual ordeal at sea with a quietly involving house-bound conversation. And far from removing suspense, knowing that Pi survives brings out the layers of meaning in ways that are suspenseful and challenging. Everything about the story is infused with the idea of faith in God, with intriguing parallels in the relationships between humans, animals and nature. But none of this is overstated: it's subtle and questioning rather than preachy. And much more effective as a result.

Along the way, Lee continually wows us with spectacular imagery, including especially clever editing to astounding effects. Even when we suspect that we might be watching a digital version of the tiger, Richard Parker is such a vivid character that we are never thrown out of the story. And Sharma is wonderful in this seriously demanding role. Stir in the considerable skills of cinematographer Claudio Miranda and composer Mychael Danna, and watching the film feels like taking an amazing journey. Few blockbusters are this emotionally involving. And almost none leave us with things to think about for the rest of our lives.

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