Arno Frisch

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Funny Games (1997) Review


OK
What happened to the good old fashioned insane killer? Where did he go? Can we get him back? Hell, it can even be a she these days. Come on, people, aren't you a little tired of being told "everything is OK?" Earlier this year, Rob Zombie's The Devil's Rejects had a family of murdering hillbillies that slashed and mutilated without rhyme or reason: They just liked it and, sometimes, it served a purpose. But we weren't given a real reason, and it made it all the more chilling. Think of the recent films that have been short of classic because of worn-out explanations; it really is heartbreaking (best example: Mark Romanek's One Hour Photo). Truth be told, you have to look at a movie like Michael Haneke's Funny Games and question what you think about cruelty, brutality, and safety, with stories like these running around.

So, everyone needs eggs, regardless of the cholesterol scares in the country. It is this need that brings Paul (Arno Frisch) and Peter (Frank Giering) to the summer home of a well-to-do couple and their son. Peter, a shy, young man, asks for a few eggs and is given them, but he drops them by accident. This continues to happen until Anna (Susanne Lothar), the wife, gets frustrated and asks him to leave. Then Peter enters, with the homicidal swagger of Frank Sinatra playing Hannibal Lecter. Peter thinks Anna is being rude to his friend and demands more eggs. What happens next? Details shouldn't be discussed further, but Peter and Paul put Anna, her husband Georg (Ulrich Mühe), and their son Georgie (Stefan Clapczynski) through a series of games that range from perverse to blood-curdling.

Continue reading: Funny Games (1997) Review

Benny's Video Review


Grim
It's long been a staple of psychological profiling and often debated furiously, but the assumption that violent movies actually make people violent has some merit. How could it not, to some degree? I can remember very clearly stepping out of Teenage Ninja Mutant Turtles in high school and hoping, praying, that someone would try to jump me on the way back to my car so I could get into some sort of kung fu fight. Sure, it would have been geeky, spastic kung fu, and, sure, I would have been beaten senseless, but I was just so pumped up I would've taken on Jet Li. The question isn't does violence inspire violence. The question is: To what extent? Where does that influence end?

We're bombarded almost daily with disturbing news snippets about teens run amok, filming their attacks gloatingly and enjoying them at parties. Forget Girls Gone Wild, nowadays it's Teens Gone Wilding. Is this the end result of a violent movie culture? Bad parenting? Terrible genetics? All of the above? If I watched Teenage Ninja Mutant Turtles enough times (I know, I know, it's a PG movie with puppets, but still...) would I be transformed into the sociopathic killer at the heart of Michael Haneke's Benny's Video?

Continue reading: Benny's Video Review

Funny Games Review


OK
What happened to the good old fashioned insane killer? Where did he go? Can we get him back? Hell, it can even be a she these days. Come on, people, aren't you a little tired of being told "everything is OK?" Earlier this year, Rob Zombie's The Devil's Rejects had a family of murdering hillbillies that slashed and mutilated without rhyme or reason: They just liked it and, sometimes, it served a purpose. But we weren't given a real reason, and it made it all the more chilling. Think of the recent films that have been short of classic because of worn-out explanations; it really is heartbreaking (best example: Mark Romanek's One Hour Photo). Truth be told, you have to look at a movie like Michael Haneke's Funny Games and question what you think about cruelty, brutality, and safety, with stories like these running around.

So, everyone needs eggs, regardless of the cholesterol scares in the country. It is this need that brings Paul (Arno Frisch) and Peter (Frank Giering) to the summer home of a well-to-do couple and their son. Peter, a shy, young man, asks for a few eggs and is given them, but he drops them by accident. This continues to happen until Anna (Susanne Lothar), the wife, gets frustrated and asks him to leave. Then Peter enters, with the homicidal swagger of Frank Sinatra playing Hannibal Lecter. Peter thinks Anna is being rude to his friend and demands more eggs. What happens next? Details shouldn't be discussed further, but Peter and Paul put Anna, her husband Georg (Ulrich Mühe), and their son Georgie (Stefan Clapczynski) through a series of games that range from perverse to blood-curdling.

Continue reading: Funny Games Review

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