Armie Hammer (born Armand Hammer 28.07.1986)
Armie Hammer is an American actor famous for his role as both Winklevoss twins in 2010's 'The Social Network' and his upcoming lead role in 2013's 'The Lone Ranger'.
Childhood: Armie Hammer was born in Los Angeles, California. He moved to Dallas, Texas before moving again to the Cayman Islands at the age of seven and then to LA again at the age of 12. His parents are Dru Ann who was a bank loan officer and Michael who owned the companies Knoedler Publishing and Armand Hammer Productions. He attended Faulkner's Academy, Grace Christian Academy which his father founded and Los Angeles Baptist High School. He dropped out in the eleventh grade to embark on an acting career but took courses at Pasadena City College and the University of California. He claims that his parents 'disowned' him when he left school.
Acting Career: Armie Hammer has appeared in several episodes of 'Gossip Girl' and 'Reaper' in 2009 as well as appearing in 'Desperate Housewives', 'Veronica Mars' and 'Arrested Development' where he made his screen debut. He made his break as the titular character in the movie 'Billy: The Early Years' in 2008. In 2010, he had a starring role in David Fincher's Facebook story 'The Social Network' where he played the Winklevoss twins and subsequently won two awards including a Toronto Film Critics Association Award for Best Supporting Actor. He was nominated for a Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role for appearing as Clyde Tolson in 2011 movie 'J. Edgar'. In 2012, he appeared as Prince Andrew Alcott in fantasy movie 'Mirror Mirror' He will play the main part in 'The Lone Ranger' in 2013 alongside Johnny Depp who will star as his sidekick Tonto.
Personal life: Armie Hammer married Elizabeth Chambers in 2010 after being introduced by his friend Tyler Ramsey.
The actor hasn't had any official conversations.
When it comes to the DC Extended Universe, those behind the movies that make up the franchise to-date have been meticulous and careful when casting the beloved superheroes and villains that have graced the big screen. While we've seen the likes of Ben Affleck as Batman, Gal Gadot as Wonder Woman and even Jared Leto as the Joker, there are still some characters left to be cast.
Armie Hammer in 'The Man From U.N.C.L.E.'
One of those is Green Lantern, who will of course play a huge part in the planned 2020 movie 'Green Lantern Corps'. For a while, rumours have been rampant as to who exactly will be taking on the titular role in the flick, with a variety of different names floating around.
Continue reading: Armie Hammer Discusses THOSE Green Lantern Rumours
Filmmaker Ben Wheatley has made a series of critically acclaimed films with increasingly starry casts.
Ben Wheatley is happy that these are small-budget movies made on his own terms. After finishing High-Rise with Tom Hiddleston and Luke Evans, he turned to Free Fire. The idea came from reading transcripts of real police shootouts that are far messier than the movies ever portray them. "That was the beginning point for me," Wheatley says. "I thought maybe there's something in this, a procedural thing about people in a gun battle in real time. I'm not saying that Free Fire is a documentary or massively realistic, but it relies on some of that realism."
Ben Wheatley at the 2017 Empire Awards
Set in 1970s Boston, the film was shot in a warehouse in Brighton, England, over six weeks with an eclectic ensemble of actors led by Brie Larson, who arrived straight from filming her wrenching Oscar-winning role in Room.
Continue reading: Ben Wheatley Threw His Cast Into Free Fire
Basically a 90-minute shoot-out, there isn't a lot to this movie. British filmmaker Ben Wheatley (High-Rise) is using a group of wildly offbeat characters to play a hilarious riff on Tarantino-style dialogue and violence. So while there's not much to it, the actors have plenty of grist to bring their roles to life. Which makes the film funny and intense all the way through, even if there's no emotional connection at all.
The entire film is set in a warehouse in 1978 Boston, where Justine (Brie Larson), Chris (Cillian Murphy) and Frank (Michael Smiley) have gone with their drivers Stevo and Bernie (Jack Reynor and Enzo Cilenti) to buy a cache of guns from the swaggering Ord (Armie Hammer) and his mercurial arms dealer Vernon (Sharlto Copley), who has brought ex-Black Panther Martin (Babou Ceesay) as some muscle, plus bickering drivers Harry and Gordon (Jack Reynor and Noah Taylor). All of them greet each other tensely, but they make the deal with a bit of offhanded banter and wary respect. But just as they're all getting ready to leave, Stevo and Harry spot each other. And both are still feeling wounded after the nasty encounter they had last night.
What follows is an explosion of utterly pointless violence. All of these people are nervous and trigger-happy, so it doesn't take much to set them off. The carnage that follows isn't like most movies, because people don't get shot and just lie on the ground; they crawl off injured, regroup and rejoin the fray. Alliances shift, and every moment of panic leads to even more chaos. And right in the middle, there's a bag of cash and a crate of rifles that everyone has an eye on. Wheatley stages this in real-time, with a steady flow of jaggedly witty conversation between the gunshots and constant sight-gags in the action mayhem.
Continue reading: Free Fire Review
It's 1978 Boston and an unlikely gang made up of Justine (Brie Larson), Stevo (Sam Riley), Chris (Cillian Murphy), Bernie (Enzo Cilenti) and Frank (Michael Smiley) - meet up with a criminal insider named, Ord (Armie Hammer) who has contact with someone from whom they can buy a set of guns. They all meet up in an abandoned warehouse, and the gang soon realise that these arms traders are not messing around. Led by the volatile Vernon (Sharlto Copley), things take a violent turn when the traders try to sell the gang the wrong set of weapons. A comedic shoot-out ensues, with everybody turning on each other while trying to stay alive and escape with their money and merchandise. But they find themselves having to work together when an mysterious sniper shows up trying to shoot them all.
Continue: Free Fire Trailer
Armie Hammer and Timothée Chalamet at the 67th International Berlin Film Festival (Berlinale) photocall for 'Call Me by Your Name' held at Grand Hyatt Hotel, Berlin, Germany - Monday 13th February 2017
Lightning McQueen may be a legendary name in the Piston Cup Championship history, but as time wears on, space must be made for the racing cars of the future. He has to start realising that his days of being a freshly-painted rookie are long over, and with each generation the champions only get stronger and faster. He's not coming first anymore because of the expertly designed newest vehicle models; in fact, he's just suffered a major crash at the Los Angeles International Speedway which has put him out of action for some time. But he's just not ready to pack it all in just yet, even with competition the likes of the high-tech Jackson Storm. McQueen enlists the help of an enthusiastic young race technician named Cruz Ramirez, who teaches him that there are ways he can make it to the top again - he's just got to think outside the box.
Continue: Cars 3 Trailer
Armie Hammer seen on Sunday November 20, 2016 at the Lakers game. The Chicago Bulls defeated the Los Angeles Lakers by the final score of 118-110. Held at the Staples Center in downtown Los Angeles, California, United States - Monday 21st November 2016
It's been seven years since designer Tom Ford made a splash with his award-winning writing-directing debut A Single Man, and it's no surprise that his second film is just as exquisitely beautiful to look at. What's unexpected is the complexity of the storytelling. Adapted by Ford from Austin Wright's novel Tony and Susan, this movie has three sides to it: a romantic drama, a darkly personal odyssey and a freaky thriller. These elements kind of fight for the audience's attention, but they're sharply played and packed with intense emotion.
Set in Los Angeles, everything revolves around gallery owner Susan (Amy Adams), who lives in a spectacular home with her banker husband Hutton (Armie Hammer), who's facing financial problems. Susan is shocked when she receives a manuscript by her ex-husband Edward (Jake Gyllenhaal), who has finally finished his long-gestating novel. But as she reads it, she realises that their break-up inspired the story, and she pictures Edward in the central role as Tony, a man travelling through Texas with his wife and daughter (Isla Fisher and Ellie Bamber), who are kidnapped and brutalised by roadside thugs led by the unstable Ray (Aaron Taylor-Johnson). So Tony teams up with jaded detective Bobby (Michael Shannon) to track them down.
The film's central narrative is Susan's deeply internalised discovery of her own dark soul, which plays out both in her scenes with Hutton and figuratively in the fictional thriller narrative. All of these things take complex twists and turns that have vivid moral shadings. But of course the Wild West action element continually steals focus from the more understated personal drama. In this sense, Gyllenhaal has the trickiest role, or rather two roles, as the story's catalyst and victim. Meanwhile, Adams is strikingly transparent as Susan, engaging in jagged interaction with both Gyllenhaal's enigmatic Edward and Hammer's eerily heartless Hutton.
Continue reading: Nocturnal Animals Review
For a short time, Edward and Susan had a happy marriage, they lived in a nice neighbourhood, Susan had a good career and Edward was not far from taking the bar. Susan lives a fast-paced life and as such barely sleeps and Edward would somewhat affectionately tell her that she's a 'nocturnal animal'.
25 years later, Susan has remarried a serial philanderer and her life is far from happy. Unexpectedly a manuscript arrives at her door titled 'Nocturnal Animals' and with the dedication to 'Susan'. She pushes the pages aside and decides to leave them but eventually she can't help but start to read the book that she inspired Edward to write.
The story that unfolds is an incredibly dark tale of murder and revenge and Susan is shocked and traumatised that she would play such a pivotal role in the creation of such a dark piece of work. Susan's interpretation and retelling of the story soon impacts on her life and is unsure how Edward's return into her life will turn out.
Continue: Nocturnal Animals Trailer
Adopting a deliciously groovy vibe, Guy Ritchie turns the iconic 1960s TV spy series into a flashy action-comedy. There's absolutely nothing to this frothy romp, but it's packed with hilarious characters and lively action scenes that continually surprise the audience with inventive twists on the genre. And it just might turn the suave, fast-talking Henry Cavill and the brooding, engaging Armie Hammer into A-list stars in the process.
It opens in 1963 East Berlin, where ex-con CIA operative Napoleon Solo (Cavill) is trying to help sexy mechanic Gaby (Alicia Vikander) escape to the West, chased by his nemesis, KGB agent Illya Kuryakin (Hammer). Gaby's father is a nuclear scientist on the verge of selling his secrets to a rogue Italian billionaire couple (Elizabeth Debicki and Luca Calvani) so, even though the Cold War is raging, the CIA and KGB decide to cooperate on the mission. This means that rivals Solo and Illya must work together as they travel to Rome with Gaby, making contact with British agent Waverly (Hugh Grant) and Gaby's creepy uncle (Sylvester Goth). And of course, there are unexpected wrinkles along the way.
As always, Ritchie cleverly subverts each set-piece, letting chase scenes unfold in carefully staged but enjoyably inventive ways, often putting the real action in the background while the characters act as if they're above all this nastiness. As popcorn entertainment, this is first-rate, with a cast that's more than up to the challenge. Cavill is particularly smooth, a Bond-style spy who seems unable to resist seducing every pretty woman he meets. Hammer's role is pricklier, since Illya never quite relaxes, although his petulance makes him just as likeable. Their interplay is snappy and often very funny but, unlike Ritchie's similarly toned Sherlock Holmes movies, this strains to avoid being a bromance. Solo and Illya continue to spy on each other right to the end, maintaining their Cold War distance even as they team up to save the world.
Continue reading: The Man From U.N.C.L.E. Review
Henry Cavill and Armie Hammer star opposite each other in the big screen re-boot of the popular 60s spy series 'The Man From U.N.C.L.E.', out on August 14th 2015. In a new interview, the actors open up about working with director Guy Ritchie, who brought a lot of calm to the otherwise action-packed set.
Continue reading: The Man From U.N.C.L.E. - Henry Cavill & Armie Hammer Interview
America and Russia have never seen eye to eye, but they do have some of the best government spies the world has to offer. Now's the time to put their differences aside in a bid to fight the real enemy - crime - as an international organised gang find themselves in possession of an atomic bomb powerful enough to kill billions. Napoleon Solo and Illya Kuryakin, American and Russian agents respectively, are thrust together as a team to hunt down the criminals and save the world, returning the destructive weapon to the CIA. However, predictably, it's not the most comfortable of duos, but perhaps these competitive professionals can use their animosity usefully, because they're about to face off against some unlikely and dangerous suspects.
Date of birth
28th August, 1986
Basically a 90-minute shoot-out, there isn't a lot to this movie. British filmmaker Ben Wheatley...
It's 1978 Boston and an unlikely gang made up of Justine (Brie Larson), Stevo (Sam...
Lightning McQueen may be a legendary name in the Piston Cup Championship history, but as...
This true story from 19th century America feels eerily relevant today in its depiction of...
It's been seven years since designer Tom Ford made a splash with his award-winning writing-directing...
For a short time, Edward and Susan had a happy marriage, they lived in a...
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Adopting a deliciously groovy vibe, Guy Ritchie turns the iconic 1960s TV spy series into...
America and Russia have never seen eye to eye, but they do have some of...
Napoleon Solo and Illya Kuryakin are American and Russian government agents respectively - and an...
Throughout the early 1960s, the Cold War was in full swing. Two agents, one from...
Everything about this film screams excess, from the ludicrous two-and-a-half hour running time to the...
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