Dr. Bennet Omalu is a pathologist who loves his job and, in many ways, the patients that he looks after. His methods are his own but they work for him and he's very successful at his job. When ex-American Football star Mike Webster turns up on his morticians table, Omalu treats his body just like he would any other. What isn't initially known to Omalu is that after years of playing professional football Webster had become something of a recluse whilst suffering with Dementia and depression.
Bennet's initial findings with the late Mr Webber is that he died of cardiac arrest, but unhappy with this conclusion, the pathologist begins to dig deeper. Looking at every possible outcome, Bennet beings to study the brain of the ex-footballer and what he discovers is a new disease that hasn't been seen before.
Before this point, people knew about a condition called Punch Drunk, a disorder often associated with contact sport such as boxing, but up until Dr. Bennet Omalu's discovery the disorder hadn't been seen as a physical effect.
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Debra Winger and Arliss Howard - Opening day for Wolf Hall Part 1 and 2 at the Winter Garden Theatre - Arrivals. at Winter Garden Theatre, - New York City, New York, United States - Thursday 9th April 2015
Kathryn Erbe and Arliss Howard - An opening night party was held for the play adaptation of the 1970's Swedish TV series "Scenes From a Marriage" at Phebe's Tavern and Grill in New York, New York, United States - Tuesday 23rd September 2014
And in the end, the film compellingly explores the nature of relationships while quietly moving us to all kinds of tears.
Clay, like so many men before him, tries to block out the pain by intense concentration on thoughts of Jessica Alba (playing his girlfriend Sam -- though oddly enough, Clay's strongest memories reveal nothing more explicit than Alba's demurely exposed back). His focus breaks down when he overhears some, shall we say, less than reassuring words from his doctors, and from there a trapped Clay races against time, desperately attempting to alert Sam and/or his possessive mother (Lena Olin) of the danger he's in.
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I said "aims," of course. A Map of the World is deeply flawed yet still worth a look, especially if you're into grandiose, weepy, self-important dramas. And hey, who isn't?
Continue reading: A Map Of The World Review
With his highly anticipated Jurassic Park sequel, Steven Spielberg grubs through the filmmaking archives for every plot device, camera trick, and clichéd scene you can think of, and rolls it into one big mess. Only with dinosaurs. Lots of 'em!
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Leon is a shiftless alcoholic, though obviously still a talented writer with his mixture of adjective clauses and ability to envelop anyone around him into an environment he is describing. He's separated from his wife (Debra Winger) with whom he had two children, and he has difficulty playing the part of father, even as he tries to win back his ex-wife's affections.
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"Birth" opens with a scene of surprising emotional magnitude that is driven entirely by its score. Instantly and viscerally evocative, the elaborate orchestration -- which plays over a long tracking shot following an anonymous jogger through Central Park during a beautifully moody snowfall -- is a curious, captivating combination of flute, triangle, French horn and (quite startlingly) tympani that has an uplift and an ominousness at the same time.
This gripping music, by the brilliant Alexandre Desplat ("Girl With a Pearl Earring"), does all the work in this scene until the man -- seemingly young and healthy from behind, which is all we see of him -- pauses suddenly, then collapses under a bridge.
The next scene takes place 10 years later. The jogger's widow, Anna (played by a serious, sophisticated, melancholy, unabashedly pushing-40 yet intriguingly elfin Nicole Kidman) is about to get married again, to Joseph (subtle, pensive Danny Huston), a man who is really more a hopelessly devoted dear friend than he is a lover. Soon after their engagement party, a somber 10-year-old boy (Cameron Bright) sneaks into their grand Park Avenue apartment and refuses to leave. "You're my wife," he tells Kidman. "It's me -- Sean."
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"Map of the World" is a slice-of-life tale of emotional anguish that gives the capable, wonderful Sigourney Weaver her first truly challenging role in ages.
As a once unflappable rural wife facing overwhelming calamity when a neighbor's daughter drowns in her backyard pond, Weaver offers up an oddly droll but moving depiction of the pressures and joys of ordinary motherhood, fallen under a very dark cloud.
Riddled with guilt and self-loathing, Alice (Weaver) retires to bed for days at a time. She neglects her own two girls and leaves managing the household to her neglectful but hard-working, farmer husband (David Strathairn). Then, as if she's being tested on a Biblical scale, misfortune strikes again: A temperamental child at the elementary school where she's a nurse invents misguided charges of molestation against her.
Continue reading: A Map Of The World Review
Feige thinks a "new thing" could be on the horizon.
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