California is well-known for playing host to regular earthquakes, being located right on top of the San Andreas fault; in other words, the tectonic plate boundary that separates the Pacific and the North American Plates. However, rarely have earthquakes been seen that have reduced whole cites to rubble, caused huge chasms in the Earth and deadly tidal waves through streets killing thousands of people. The only option for residents is to get as far away as possible, though with such a huge disaster ripping through the state, this one is still going to have an effect on the other side of the country. Meanwhile, chopper pilot Ray and his estranged wife are desperate to find their missing daughter Blake first, and use a Fire Department rescue helicopter to search high and low throughout the state.
Continue: San Andreas Trailer
Conor (James McAvoy) and Eleanor (Jessica Chastain) play a couple who fall in love and get married, before hitting various hiccups in their relationship. However, this film is far from the clichéd love story, and instead tells the tale from both points of view, as well as relatable and engaging look at the relationship of two people still trying to figure out who the other person truly is. The Disappearance of Eleanor Rigby charts the highs and lows in a relationship between two people trying to recreate the past, so as not to let their love fade away.
Ian Gray is a molecular biologist studying the evolution of the human eye. One day, a strange recurrence of the number 11 leads him to a photograph of a pair of eyes that could subsequently reveal the spiritual truth of the universe. The owner of the eyes is a girl named Sofi who, unlike Ian, believes that she has known him in a past life. Ian tends to avoid any non-scientific interpretation of his feelings but cannot hide the fact that he feels complete with her in his life. The pair fall quickly in love and decide to get married, but in a cruel twist of fate, she tragically and suddenly dies. Depressed and empty, Ian receives a call from his lab mate who reveals an impossible discovery; despite the fact that everyone is meant to have totally distinct eyes, she has found a person in India who shares the same irises as Sofi.
Continue: I, Origins Trailer
Viewers of 'The Good Wife' have been left shocked and distraught after one of the show's main characters was shot dead in court on last night's episode (Sunday 23rd March).
Viewers of CBS' The Good Wife have been left distraught after the show's writers brutally murdered one of the main characters. This time though the assassination hasn't been one of rhetoric but of actual violence.
Josh Charles played lawyer Will Gardner on The Good Wife.
If you haven't seen Sunday (23rd March) night's episode of The Good Wife be warned - spoilers included!
Continue reading: 'The Good Wife' Writers Hit Viewers With Murder In First Degree
'American Hustle' stars Jeremy Renner and Amy Adams are greeted with much zeal by photographers on their arrivals at the New York premiere at the Ziegfeld Theater. Jeremy can be seen having has a highly animated conversation with someone standing amongst the paparazzi, while brings her fiancé, 'Date Night' actor Darren Le Gallo, to the event.
Archie Panjabi, star of US television drama 'The Good Wife', left her husband in the UK when she moved to New York for filming.
Archie Panjabi, the British actress known for 'Bend it Like Beckham', has revealed that while filing 'The Good Wife' in New York, her husband remains in the UK forcing a difficult long-distance relationship. Panjabi moved to the United States in 2009 to work on the drama, yet her 12-year-long marriage to Rajesh Nihalani, is under jeopardy since he has not yet followed her to America.
In an interview with 'S' magazine, Panjabi explains: "I see him as often as I can but I've made some of my best friends here (in New York). On set there's about 100 people so I feel like I'm surrounded Monday to Friday. If I have time just to escape from it all, I try to meditate, I walk my dog or I go for a run."
Astutely combining sharp comedy with complex political and theological issues, this film is packed with strong themes and vivid characters that keep us interested even as the plot drifts into silly slapstick.
London cabbie Mahmud (Djalili) is a loving family man and a relaxed Muslim whose son Rashid (Shah) wants to marry the step-daughter (Radford) of a radical Imam (Naor). But just as Mahmud is trying to behave like a better Muslim, he discovers that his birth parents were Jewish. Suddenly, his whole world shifts on its axis, and he turns to rival Jewish cabbie Lenny (Schiff) for advice.
He's also understandably terrified to tell his family the truth, although his wife (Panjabi) suspects that something's up.
While Baddiel's smart, funny script probes the comical possibilities, Appignanesi's direction continually looks for sight gags and rude jokes. The result is a little uneven: even though these two elements come together often, the wacky physical humour sometimes undermines the more provocative themes. On the other hand, this approach keeps us nicely off-balance, never quite sure where the story might go while allowing the cast to make the most of their characters.
Most enjoyable, and telling, is the way this news causes Mahmud to see the world through different eyes. Not only is this amusing, but it also challenges our own perspective on the world around us. Djalili plays this cleverly; we can understand why Mahmud finds it impossible to continue hating Jews. Watching him try to become a better Muslim even as he's studying Judaism is pretty intense, although it's basically played for laughs. When Lenny welcomes Mahmud to "the worldwide conspiracy", it's a joke. Right?
These elements make the film much more meaningful than most comedies, and add offbeat details to the characters and situations. So it's a bit frustrating when the plot takes over in the final act, weaving in a side-story from early on that we knew would come back later, then heading for a big showdown that feels like it was grafted on from Hollywood script-writing software. This milks the emotions more than was necessary, but even here the corny slapstick is intermingled with theology, giving the whole film a potent kick.
At the time, Pearl's kidnapping was like a tertiary aftershock to 9/11, proving that nobody was safe. The World Trade Center, international symbol of dominating Western capitalism, made sense as a target. Pearl, a universally respected journalist (evidence shows that "beloved" would actually not have been too strong a description of people's feelings about him) who wanted only to understand the terrorists and to explain them to the world, made no sense. And it's that swirling fog of frightened confusion that Winterbottom evokes so powerfully in A Mighty Heart, one of the best films yet made about modern terrorism.
Continue reading: A Mighty Heart Review
This sounds like a BBC Kitchen Sink Drama of the week or an early Mike Leigh TV-movie (in Leigh's pre-Naked days), and indeed would end up being just that if it weren't for the fact that East is East is delightfully funny. As the tragedy of a family being torn apart by Muslim upbringing clashing with Christian ideals, East is East journeys further into the realm of absolute absurdity.
Continue reading: East Is East Review
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