In his isolated farmhouse, Boonmee (Saisaymar) is dying from a kidney condition. So his sister-in-law Jen (Pongpas) and nephew Tong (Kaewbuadee) come to spend time with him as he's cared for by his Laotian farmhand Jaai (Kugasang). Then one night at dinner, they're joined by Boonmee's wife Huay (Aphaiwonk), who died 19 years earlier, as well as their son Boonsong (Kulhong) who disappeared several years later and has now become a kind of monkey-man.
And when his death gets closer, Boonmee wants to be taken back to an isolated cave.
Continue reading: Uncle Boonmee Who Can Recall His Past Lives Review
Inspired by his parents' initial meeting and slowly-built romance, the film is split in half like duel panoramas, each full-bodied and with their own array of who's-its, what's-its, and how's-thats. The first half takes place around the time of the filmmaker's birth, flourished with a more colorful, hazy pallet. Dr. Toey (Nantarat Sawadikkul) floats through hospital corridors and the surrounding terrain, only really being bothered to deal with trifles and gently-approached flapdoodles. Besides interviewing Dr. Nohng (Jaruchai Iamaram), a military medic, Toey also sustains a marriage proposal from a shy orderly, a flashback to an affair with an orchid specialist and a conversation with a monk who eats too much chicken, makes potions for menstrual flow, and tries to scam meds for his order. There's also a dentist who sings karaoke to his patients and doubles as a town-celebrated crooner with designs on a monk who once had aspirations to be a DJ.
Continue reading: Syndromes and a Century Review
In a nutshell, director Apichatpong Weerasethakul (say that five times fast) wanders through the whole of Thailand, capturing random people as they tell random stories. Fir 85 minutes we overhear radio broadcasts and hear fanciful tales, largely set against the backdrop of the ridiculously poor. The stories aren't really related, and they aren't necessarily true and they aren't necessarily fiction. It's a curious documentary on the subject of... absolutely nothing.
Continue reading: Mysterious Object at Noon Review
The literal translation of "Sud Pralad," the Thai title of Tropical Malady, is "strange animal," and it's a good choice. This movie is indeed one strange animal, and it's full of strange animals, from sick dogs and ghost cows to talking baboons. But before we see all that we meet the young farmhand Tong (Sakda Kaewbuadee) and his friend, the soldier Keng (Banlop Lomnoi), whose friendship blossoms into a kind of effortless love that's nothing short of charming. We follow the two around Thailand on their daily rounds, from the forest to the shopping malls and pool halls and movie theaters of Bangkok. They play little games of slap and tickle. Keng gives Tong a Clash tape and later says, "When I gave you the tape I forgot to give you my heart. You can have it today." Awwww. It's a slow, documentary-like courtship.
Continue reading: Tropical Malady Review