In Smet and Magimel, Chabrol has found willing partners for his bleak little tale -- like the director, they keep things under wraps, playing things close to the vest, which is harder than it may sound, given the high drama plot, taken from a Ruth Rendell novel. Philippe is a cipher straight from a detective story of years past, working as a numbers guy for a contractor in a small French town, he's completely bottled up inside his trim suits and slightly superior demeanor, just aching for something to come along and bust things up. After easing us into Philippe's life with some minor melodrama involving the three women in Philippe's house (mother, two sisters), Chabrol drops Senta in to knock Philippe out of his rut, and she's perfect for the job.
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