Anton Walbrook

Anton Walbrook

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Queen Of Spades Review


Excellent
Based on a short story by Pushkin, this drama has echoes of Wilde and Dickens in its tale of supernatural temptation in 19th century St Petersburg. It's also been given a lush digital restoration to show off the stunning direction and cinematography.

Herman (Walbrook) is a German captain in the Russian army who is frustrated when he loses his entire year's salary in a card game. So when he hears the legend that an ageing local countess (Evans) traded her soul for the secret for winning at cards, he plots to learn the trick. To get into her house, he woos her ward Liza (Mitchell), who is also the object of affection for another officer (Howard). And when Herman confronts the countess, her reaction is seriously haunting, in every sense of the word.

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49th Parallel Review


Good
A contingent of Nazi naval officers are stranded on the Canadian mainland after their U-boat, on the prowl in Hudson Bay, is destroyed. They resolve to trek across Canada, then either cross the border to still-neutral U.S.A. or find passage on a non-Allied boat back to the Fatherland. Director Michael Powell stages their odyssey as a series of politically charged set-pieces as the disdainful Nazis find their beliefs tested by a cross-section of Canadian clichés, from French-Canadian trappers (among whom is Laurence Olivier attempting a dead-on imitation of Pepe Le Pew), Native Americans, and Eskimos to a WASP-y outdoorsman (Leslie Howard), ordinary Joe's, and the members of a religious commune. Leading the goose-steppers is Lieutenant Hirth (Eric Portman), maniacally loyal to his Führer and whose sneer can't be anything but villainous.

The title of Michael Powell's WWII propaganda actioner refers to the boundary separating the United States and Canada. A suitably righteous narrator tells us it's the world's only undefended national border and, as such, befits the values of peace and democracy shared by the two countries. 49th Parallel isn't a strident call to arms meant to guilt-trip Americans into re-thinking their neutrality, but rather a tribute to the Canadian (and to all free-thinking) people who were already involved in the anti-Nazi effort. By praising democratic values and warning of the Nazi threat looming over the free world, 49th Parallel was director Michael Powell's roundabout exhortation to the American people to join the good fight.

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The Life And Death Of Colonel Blimp Review


Excellent
The Life and Death of Colonel Blimp is not about a Colonel named Blimp. Instead it is a long, epic film about a British soldier named Clive Candy. Directed in 1943 -- by the amazing duo of Michael Powell and Emeric Pressburger -- the film is not quite as triumphant as their many collaborations, but if you stick with it for its 163 minute running time it is ultimately rewarding.

The film is told in flashback and covers the time period from 1902, well before World War I, to 1943, near the end of World War II. In that time the world went through major changes most specifically in the way wars were fought. Clive Candy (played by the hoarse-voiced actor Roger Livesey) is a relic of the past. He is a soldier who defines war by a 19th century paradigm in which war was considered a gentleman's game - an old-fashioned way of thinking about modern combat.

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