Anthony Lapaglia

Anthony Lapaglia

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Mad Max Fury Road Premiere

Anthony LaPaglia - Mad Max: Fury Road Premiere held at the TCL Chinese Theatre at TCL Chinese Theatre - Hollywood, California, United States - Thursday 7th May 2015

Anthony LaPaglia and Gia Carides
Anthony LaPaglia and Gia Carides
Anthony LaPaglia and Gia Carides
Anthony LaPaglia and Gia Carides
Anthony LaPaglia

A Good Marriage Review


Good

Slick and haunting, this film delves into the things that hold a marriage together in a way only Stephen King would even begin to attempt. It's an involving, clever idea, never quite as deep as it seems to be, but elevated by sharply honest performances by the terrific Joan Allen and Anthony LaPaglia, with an additional bit of spice from Stephen Lang, playing far against type. Although in the end, it's hard to escape the fact that this is actually just a simplistic, nasty little thriller.

It centres on Darcy and Don (Allen and LaPaglia), a blissfully happy middle-aged couple with grown children (Kristen Connolly and Theo Stockman) who are on the verge of starting families of their own. Then Darcy makes a discovery in the garage that links Don to a series of serial murders terrorising New England. When Don realises that she knows, he says he'll stop the killing if she lets their life go back to normal. But how can it, when she's having terrified fever dreams every night? She can just about hold it together for their kids, but she keeps seeing opportunities to take matters into her own hands. Meanwhile, a shady figure (Lang) seems to be following them.

Yes, King's screenplay is less interested in carrying on with a probing, blackly witty exploration of the stresses of long-term relationships than in making viewers squirm in their seats. And the film certainly does this thanks to another remarkably offhanded performance from Allen. While she sometimes seems a bit panicky and arch, there's real edge to her screen presence. And LaPaglia is superb as the likeable killer who should probably be stopped but is nice to have around the house. Intriguingly, the film doesn't end when we think it will, as the characters have a bit further to go on this grisly little journey.

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2014 GDay USA Los Angeles Black Tie Gala

Anthony LaPaglia and Gia Carides - Celebrities attend 2014 G'DAY USA Los Angeles Black Tie Gala to honor Australians Geoffrey Rush, Jacki Weaver and chef Curtis Stone at JW Marriot at LA Live. - Los Angeles, California, United States - Saturday 11th January 2014

Anthony LaPaglia and Gia Carides

3rd AACTA International Awards

Gia Carides and Anthony LaPaglia - 3rd AACTA International Awards At Sunset Marquis Hotel - Los Angeles, California, United States - Saturday 11th January 2014

Gia Carides and Anthony LaPaglia
Gia Carides and Anthony LaPaglia
Gia Carides and Anthony LaPaglia

'Jack The Giant Slayer' Premiere

Anthony LaPaglia and Gia Carides - Premiere of 'Jack The Giant Slayer' at TCL Chinese Theatre in Hollywood - Los Angeles, California, United States - Tuesday 26th February 2013

Anthony LaPaglia and Gia Carides

Premiere of New Line Cinema's 'Jack The Giant Slayer' held at TCL Chinese Theatre - Arrivals

Anthony LaPaglia and Guest - Premiere of New Line Cinema's 'Jack The Giant Slayer' held at TCL Chinese Theatre - Arrivals - Hollywood, California, United States - Tuesday 26th February 2013

Anthony LaPaglia

Mental Review


Good

Even for a riotous Australian black comedy, this film packs in just a bit too much chaos. It's consistently smart and funny, with lively characters and especially witty dialog, but some of the sideroads never go anywhere. Still, there's so much terrific material in here that it's well worth a look for fans of the genre. And it's great to see Collette return home to reunite with her Muriel's Wedding director P.J. Hogan nearly 20 years after they launched their careers.

The story centres on suburban housewife Shirley (Gibney), who is obsessed with The Sound of Music and wishes her unruly family was more like the Von Trapps. But no, her husband (LaPaglia) is the town's philandering mayor, and their five daughters all think they're mentally ill. Then when Shirley herself ends up in a psych ward, Dad brings in the drifter Shaz (Collette) to watch the girls. She takes no prisoners, whipping them into shape while trying to give them some self-respect. She also shows them that the people society considers "normal" are probably crazier than they are. Meanwhile, eldest daughter Coral (Sullivan) gets a job at a shark exhibit run by a salty fisherman (Schreiber) who has a connection with Shaz.

Writer-director Hogan packs the film with rude references to The Sound of Music, from a pastiche pre-title sequence to Shaz's unconventional Maria-like approach to child-rearing (with heavy overtones of Mary Poppins). The film is colourful and sometimes too hyperactive, with Collette often going way over-the-top as the wildly unhinged Shaz, who also upends the life of their compulsive next-door neighbour (Fox). Much of this is simply too wacky for us to go along with, but other scenes are quietly insightful and very, very funny. Often at the same time.

Continue reading: Mental Review

Django Unchained Alternative Trailer


German bounty hunter Dr. King Schultz is on the hunt for a brutal gang of murderers, the Brittle brothers. His search leads him to the only person who has information on the group, Django, who is a slave living in the deep south of the States. Schultz crosses his path as he finds Django shackled to a group of other slaves who are all being taken to auction. Posing as a dentist, Schultz requests to buy him from his owners. On the owners' refusal, Schultz ruthlessly shoots them to death and takes the slave. The bounty hunter promises to free Django and take him to rescue his wife, Broomhilda, who has been enslaved by a Mississippi plantation owner on the dead or alive capture of the Brittle brothers. On their success, Schultz frees Django as promised but the pair decides to stick together as bounty hunters full time. Their search for Broomhilda leads him to the 'Candyland' plantation owner Calvin Candie who has trainer Ace Woody train slaves to fight each other for sport. The bounty hunters arouse suspicion from loyal house slave Stephen as they arrive to explore the property under a false guise and soon become under threat by a dangerous organisation who are determined not to let them escape with Broomhilda.

This western drama is directed by the award-winning director, writer and Quentin Tarantino ('Pulp Fiction', 'Kill Bill', 'Reservoir Dogs') and includes a star-studded cast. 'Django Unchained' is a thought provoking story set in the deep south of America two years before the Civil War. It was inspired by 60s western 'Django' along with its sequels and includes a cameo appearance from 'Django' star Franco Nero.</p><p>It is set for release on December 25th 2013 in the US and January 18th 2013 in the UK.

Directed By: Quentin Tarantino

Continue: Django Unchained Alternative Trailer

Django Unchained Trailer


German bounty hunter Dr. King Schultz is on the hunt for a brutal gang of murderers, the Brittle brothers. His search leads him to the only person who has information on the group, Django, who is a slave living in the deep south of the States. Schultz crosses his path as he finds Django shackled to a group of other slaves who are all being taken to auction. Posing as a dentist, Schultz requests to buy him from his owners. On the owners' refusal, Schultz ruthlessly shoots them to death and takes the slave. The bounty hunter promises to free Django and take him to rescue his wife, Broomhilda, who has been enslaved by a Mississippi plantation owner on the dead or alive capture of the Brittle brothers. On their success, Schultz frees Django as promised but the pair decides to stick together as bounty hunters full time. Their search for Broomhilda leads him to the 'Candyland' plantation owner Calvin Candie who has trainer Ace Woody train slaves to fight each other for sport. The bounty hunters arouse suspicion from loyal house slave Stephen as they arrive to explore the property under a false guise and soon become under threat by a dangerous organisation who are determined not to let them escape with Broomhilda.

Continue: Django Unchained Trailer

Legend of the Guardians: The Owls of Ga'Hoole Review


Excellent
Spectacular animation and a terrific voice cast go a long way to making this soaring adventure feel much more original than it is. Despite heavy echoes of other movies, it's thoroughly engaging and often genuinely thrilling.

Soren (voiced by Sturgess) is an idealistic owlet who dreams of one day meeting his heroes, the mythical Guardians of Ga'Hoole. Then he and his brother Kludd (Kwanten) are kidnapped by the evil Pure Ones, led by Queen Nyra (Mirren) and Metalbeak (Edgerton), as slaves for their nefarious plan. In their wasteland hideout, Soren meets the feisty dwarf owl Gylfie (Barclay), and they flee to Ga'Hoole for help. There, Soren meets the quirky Ezylryb (Rush), who helps teach him to fly properly and punctures some of his heroic ideals before they head into battle.

Continue reading: Legend of the Guardians: The Owls of Ga'Hoole Review

Paperback Romance Review


Weak
Unlikely, implausible, and unilaterally bizarre, Paperback Romance gives us the story of a crippled romance novelist (Carides) who falls for a jeweler of questionable moral fiber (LaPaglia) and imagines frequent dalliances between them -- before they become real. Through in an A Fish Called Wanda-like bumbled investigation and Romance gets even stranger. Some will enjoy the film, others will just be really, really confused. I mean, I'd take the mega-pretty Carides with or without the leg brace -- who wouldn't?

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Winter Solstice Review


Grim
The plot in Winter Solstice is more of a subplot, never mind a feature length movie. And that's one of the many problems in writer/director Josh Sternfeld's sluggish account of a New Jersey family under stress.

Anthony LaPaglia plays Jim Winters, a widower living with his two sons, Gabe (Aaron Stanford), a hard-working young man; and Pete (Mark Webber), a teenager who can't get his act together. The three are a tight unit, but the bond between them strains when Gabe suddenly announces he's moving to Florida and Pete faces yet another stint at summer school.

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The Architect Review


Weak
Just what it is about architects that fascinates filmmakers so? Is it the metaphorical possibilities of the job, where one man has the ability to create new buildings -- and thus the potential for new lives, new communities -- out of thin air? Do filmmakers see themselves as a kind of architect, constructing with mathematical precision new realities out of nothing more than light and sound? Or is it simply the fact that having their main character be an architect allows them to have a protagonist who believably lives in a gorgeous home, has plenty of money and time on his hands, but is also a creative thinker? Advertising types are also popular for the same reason.

Whatever the case may be, Matt Tauber's The Architect is a promising but fundamentally flawed effort to use architecture as a metaphor for larger realities; in this case, the yawning chasm between one wealthy and white Chicago family (that of the architect's, natch) and a black South Side community living in a falling-down housing project designed by the architect. Leo Waters (Anthony LaPaglia, playing it gruff but a bit cooler than his usual hot-head persona) is the man of the title, living in pristine wealthy isolation with his bored and resentful children Christina (Hayden Panettiere) and Martin (Sebastian Stan) and his desperately unhappy wife Julia (Isabella Rossellini). While Leo tries to keep his family from imploding around him -- Julia practically wishes him dead, Martin despises him only slightly less, and Christina is a 15-year-old budding painfully and rebelliously on the verge of womanhood -- a mother in the project he designed, Tonya Neely (Viola Davis), is circulating a petition among her neighbors to have the place torn down. When Tonya comes to confront Leo about it in a university class he teaches, not surprisingly, the architect refuses to admit that the problems in the project, whether it's the hopelessness or violence, has anything to do with his design. It's the implementation or people, he insists from his ivory tower.

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Happy Hour Review


OK
Mike Bencivenga has probably seen Leaving Las Vegas a few too many times as well as read too much Bukowski.

And with a title like Happy Hour, I think you know what you have in store. If you like your tragicomedy steeped in whiskey, this is your movie.

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The House of Mirth Review


OK
Draw near and bear witness to Gillian Anderson, a very successful television actress (The X Files) who is still trying to find her legs on the big screen. Like many before her, she will try a tactic that has made stars out of otherwise B-list actors: By taking the leading role in an art house flick.

Welcome then to The House of Mirth, a period piece which bears little happiness for those within. Or, ultimately, for those in the audience.

Continue reading: The House of Mirth Review

Anthony Lapaglia

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