It's not easy being typecast, especially when you only ever get the chance to be an extra. Nick DeMaio is tired of his gruff demeanour, Italian American heritage and New York accent constantly thusting him into gangster roles and dreams of expanding his work to include a broader range of characters. But, alas, it's not easy to convince casting agents he's more than just a one trick pony, and so he rounds up a bunch of actor friends who are equally determined to be more than just mobsters and sets up to organise a producation of Shakespeare's 'Julius Caesar'. Unfortunately, the stereotyped mass of aspiring stars has caught the attention of the cops, who start to get suspicious that their play is an attempt to cover up a major criminal plot after the murder of a Broadway producer. They enlist an undercover agent to audition for the play, but little does he know that he's only going to find a passion for the stage among these long-suffering gentlemen.
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Beer League is a loose collection of threads of plot surrounding Artie: His baseball team is so rowdy they are threatened with expulsion from the league unless they can beat their arch-rivals. He's got girl trouble with "used goods" Linda (the impossibly gorgeous Cara Buono). And he's throwing a bachelor party, which is bound to get him into trouble.
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This pretty much sums up the early attitude of the title character in Party Girl, a new film by Daisy von Scherler Mayer, about the misadventures of a New York City diva who finds her life suddenly falling apart. Parker Posey plays Mary, the Party Girl in question, whose flair and style are matched only by her inability to do anything productive with her life.
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Feige thinks a "new thing" could be on the horizon.
The Netflix original series is in hot waters with mental health experts.