The story -- as it exists -- concerns a troupe of British actors who descend on Venice to shoot a film version of the play The Duchess of Malfi. We follow the production with Figgis's all-seeing camera (courtesy of a documentarian following the production) -- which has a tendency to dip into slow-motion, cut the sound out, and shoot using an ultraviolet filter in the dark -- and bear witness to all manner of strange goings-on, the description of which I can't even begin to fathom putting on paper.
Continue reading: Hotel Review
Mike Figgis, the genius behind Leaving Las Vegas, has put together one dense piece of celluloid here, his first outing since One Night Stand tanked last year.
Continue reading: The Loss Of Sexual Innocence Review
Figgis, who earned a Best Director Oscar nomination for Leaving Las Vegas in 1996, appears to have gone a little funny in the head last year with his inexplicable and nearly dialogue-free The Loss of Sexual Innocence. Now he's fully gone off the deep end with what may be the most ambitious experiment ever: Time Code.
Continue reading: Time Code Review
On the eve of series three making its debut on Netflix, its creator Charlie Brooker confirmed that Foster was lined up to direct an episode for next...
Almost pathologically buoyant, this brightly colourful animated comedy is so cheeky that it's impossible to dislike.
Chris Pratt, Zoe Saldana and Dave Bautista return.
A report in Variety suggests that Firth could play the role of William Weatherall Wilkins in 'Mary Poppins Returns'.