Fair warning! Don't eat a big meal before you watch Rosetta. If you thought the handheld camera motion from The Blair Witch Project was bad, you'll be stumbling out of this one with a splitting headache and nausea that only Dramamine can prevent or projectile vomiting can cure. At least in Blair Witch the technique served a purpose that added an element of mystery to the film. Rosetta, on the other hand, was so dull and convoluted that the hand held style fails miserably in its attempt to create a "realistic atmosphere." Directors Luc and Jean-Pierre Dardenne should issue a warning for theaters to block off the first eight rows of every location that this movie opens so that nobody gets too close to the screen, plus they ought to provide those handy little barf bags, just in case you have a weak stomach like me.
Rosetta, played by newcomer Emilie Dequenne, is a seventeen year-old adolescent suffering through a miserable life in Seraing, Belgium. She lives in a trailer park with an alcoholic mother who prostitutes herself for booze and food. Her home barely has running water and cannot even provide shelter from the cold wind. Despite her horrid circumstances, the film chronicles her incredible perseverance and strength as she attempts to get a job that will provide food and rent money for her desolate family to survive.
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