Meara was one half of married comedy duo, Stiller & Meara who performed regularly on TV in the 1960s.
Actress and comedian Anne Meara has died aged 85, her family has confirmed. An award winning performer, Meara enjoyed a six decade long career in both film and television and was the wife of comedian Jerry Stiller and the mother of actor Ben Stiller.
Meara was married to comedian Jerry Stiller for 61 years.
The Stiller family released a statement to The Associated Press on Sunday, writing that Meara is survived by her ‘husband and partner in life Jerry Stiller’. "The two were married for 61 years and worked together almost as long.” the statement read.
Continue reading: Actress And Comedian Anne Meara, Mother Of Ben Stiller, Dies Aged 85
Former cropduster plane turned racing sensation Dusty Crophopper overcame his crippling fear of heights during the events of 'Planes', but he's about to show even stronger feats of bravery in his latest escapades. Discovering that some serious damage has been done to his engine, he sadly contemplates that he may have to abandon his racing dreams. Instead, he decides on a new path: aerial firefighting. This time he teams up with Blade Ranger, a long-serving fire and rescue helicopter who's currently recruiting several crafts to take on a big job in the forest as a brutal wildfire sweeps the trees. Joining him is a group of fearless ground vehicles called The Smokejumpers, and together they work to save lives in what could be the most heroic venture of their lives. But will this be a career that Dusty decides to stick with?
Continue: Planes: Fire And Rescue Trailer
Jerry Stiller and Anne Meara - Jerry Stiller and Anne Meara New York City, USA - After party for the new cast of the Off-Broadway production of 'Love, Loss and What I Wore' at B. Smith's Restaurant. Thursday 28th April 2011
As the story goes, it is the second day of school and the fall is in full swing. David Gold (Aaron Harnick) has returned to his parent's home after spending time working in the film business in California. He runs into old high school classmate Judy Berlin (Edie Falco - from HBO's Oz and The Sopranos), an outspoken yet dimwitted aspiring actress on her way to Hollywood that very evening. The story follows their respective families as Judy and David spend the day reminiscing while a solar eclipse darkens the town.
Continue reading: Judy Berlin Review
Seriously, Chump Change follows Burrows' real-life adventures in Hollywood. A Wisconsin doughboy, Burrows stars in a jock itch commercial, but can't get any more work in L.A. Eventually he gets into a feud over an outburst on Wheel of Fortune, which culminates in his becoming a minor celebrity even while he has dropped out by returning to Wisconsin. Burrows encounters a cast of kooky characters -- from cliched brain-dead agents to milk-fed local girls in cow country (most memorable among them are Tim Matheson as Burrows' primary contact in L.A. and Traci Lords as his galpal back home). From one random encounter to another, Burrows celebrates his up-and-coming success as a comedy screenwriter, while making gentle fun of his quaint home town (in other words, prepare for lots of drive-by shots of Milwaukee hot dog stands).
Continue reading: Chump Change Review
Continue reading: A Fish In The Bathtub Review
Remember that great Z-grade 1969 protest picture "Brothers Divided," about the conjoined twins drafted to serve in Vietnam?
No? How about the blaxploitation classics "Venus De Mofo" and "The Foxy Chocolate Robot?" Or the tree-hugging girlie biker flick "The Eco-Angels"? Or the midget Gidget movie "Teenie Weenie Bikini Beach"?
Those don't ring a bell? Surely you've seen at least one of the 427 movies directed by schlock filmmaker Morty Fineman over the last 38 years, right?
Continue reading: The Independent Review
By all rights, "Like Mike" should be a lousy movie. Designed as a slap-dash kiddie flick, built around a dumb plot device (magic sneakers turn a young orphan into an NBA all-star) and starring a flash-in-the-pan novelty hip-hopper (Lil' Bow Wow), its overall concept is thick with seemingly predictable, third-hand story elements. Will the kid find adoptive parents? Will his team win the big game? Well, duh.
But director John Schultz ("Drive Me Crazy") doesn't use the shoes as a storytelling crutch (they account for about four minutes of the whole movie), he gets charismatic performances from his cast of talented players, and he beats down almost every encroaching cliché, creating in their stead a smart kids' picture of delightful surprises.
Sure, as the film begins street-smart but endearingly sweet 14-year-old Calvin Cambridge (Bow Wow) is living in a laughably diverse group home (his two best friends are a white boy played by "Jerry Maguire's" Jonathan Lipnicki and an Asian girl played by Brenda Song), where he's picked on by a teenage bully and dreams of being adopted. "Parents only want the puppies," he moans.
Continue reading: Like Mike Review
A sardonic yet adoring, antic allegory about a menagerie of neurotic Long Island oddballs following and/or abandoning their dreams, "Judy Berlin" is a strange little film that got left behind like a red-headed step child at last year's Sundance Film Festival.
Its creator Eric Mendelsohn won Best Director in Park City, but went home without a distribution deal -- which is the undeclared movie meat market's unspoken parting gift for award winners.
Then along came indie house Shooting Gallery, which has made this movie the flagship release for a touring series of six pictures the distributor feels went unfairly unnoticed during their festival tours.
Continue reading: Judy Berlin Review