James Tupper , Anne Heche - Women's Brain Health Initiative celebrated its West Coast debut at Gagosian Gallery at Gagosian Gallery - Beverly Hills, California, United States - Thursday 15th October 2015
Anne Heche and James Tupper - The Imagine Ball presented by John Terzian & Randall Kaplan benefiting Imagine LA - Inside at House Of Blues - West Hollywood, California, United States - Thursday 4th June 2015
Anne Heche and James Tupper - The Imagine Ball presented by John Terzian & Randall Kaplan benefiting Imagine LA - Inside at House Of Blues - West Hollywood, California, United States - Friday 5th June 2015
James Tupper and Anne Heche - A host of stars were photographed as they attended the Los Angeles premiere of 'Ride' which was held at the ArcLight cinema in Hollywood, California, United States - Wednesday 29th April 2015
Anne Heche and James Tupper - Celebrities attend 22nd annual Race To Erase MS at Hyatt Regency Century Plaza. at Hyatt Regency Century Plaza - Los Angeles, California, United States - Friday 24th April 2015
Wallace Avery is struggling with the hardships that life is throwing at him; a boring job, a failed marriage, an estranged son and an unfulfilling relationship; and decides that something must be done in order for him to find happiness again. He fakes his own drowning and purchases a new identity, becoming golf pro Arthur Newman and landing himself a job at a golf club away from Florida. It's then he meets Michaela "Mike", who is actually named Charlotte Fitzgerald and has assumed the identity of her twin sister who's suffering from mental health problems. They set out on a road trip together to Indiana but it isn't long before they both discover each other's true identities. With that in common, their bond strengthens and a romance blossoms as they take comfort in each other's dissatisfactions in life. But when it comes down to it, this couple have some serious decisions to make about the kind of people they really want to be.
Continue: Arthur & Mike Trailer
In Brown Valley, Wisconsin, Tim (Helms) is an earnest mid-30s insurance salesman in love with his 7th-grade teacher (Weaver), who's only using him for sex. Oblivious to the moral failings of people around him, Tim heads to an insurance convention in Cedar Rapids, the biggest city he's ever seen. There his worldview is smashed by the outrageous antics of his colleagues, including party boy Dean (Reilly), married but flirty Joan (Heche) and repressed nice guy Ronald (Whitlock), as they all contend with insurance president Orin (Smith) for coveted Two Diamonds status.
Continue reading: Cedar Rapids Review
Adapted from Elizabeth Wurtzel's memoir (unread by me, and despite its bestseller status it seems to be almost universally disliked) of depression and dysfunction at Harvard, Nation casts the always-watchable Christina Ricci as the self-absorbed author. The film doesn't exactly have a story; it's more about Elizabeth using college to gauge the depths of her mental instability. She writes in binges for the school paper, introduces countless substances into her system, and embarks on destructive relationships and non-relationships. Ricci, it must be said, displays skill and gusto in the areas of binging, abuse, and destruction; she throws herself into the part, though what she gets in return is questionable.
Continue reading: Prozac Nation Review
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Continue reading: Auggie Rose Review
Never mind that I am saving up all my real praise for Spice World next week... I'll try to lay it on again for Wag the Dog. It's a great little premise: what would happen if you tried to produce a phony war as a diversion away from a lecherous President's leisure time? A lot of wacky hijinks, from the looks of it! With everything from a "We Are the World" parody to a memorial for a P.O.W., Wag the Dog is really just a send-up of America's fascination with war from WWII through the Gulf War, where combat truly became a ridiculous exercise in soundbites and TV footage.
Continue reading: Wag The Dog Review
Washington, as John Q. Archibald, is today's blueprint, American blue-collar worker. He's an experienced Chicago machinist, a proud guy only able to work part-time hours due to the lack of work. The resulting scant paychecks lead to embarrassing situations, such as the repossession of his car, leaving his wife pissed off and his young son confused. The timing with today's marketplace couldn't be better in gaining the audience's sympathies.
Continue reading: John Q Review
Based on the poorly-received novel of the same name, The Third Miracle follows a down-and-out drunk of a priest named Frank Shore (Harris), on his assignment to debunk (or bunk) a claim of sainthood regarding a Chicago woman named Helen. The main case for sainthood? A young girl who prayed to the woman has been cured of lupus. Now the statue where that girl prayed is crying Helen's Type-A human blood. People are flocking from around the nation.
Continue reading: The Third Miracle Review
And not at all a bad movie, and the most aptly titled film out right now. Walking and Talking is basically just that, focusing on best friends Laura (Anne Heche) and Amelia (Catherine Keener) and their comedic struggles with life and love at the dawn of the big 3-0.
Continue reading: Walking And Talking Review
Continue reading: I Know What You Did Last Summer Review
Now I now I'm the only critic who is going to say this in the world, but I thought Vince Vaughn was more effective as Norman Bates than Anthony Perkins was. There, I said it. Vaughn had a presence and a confidence on screen that paid off for him. Tony Perkins was great. So was Vaughn. Almost every aspect of the movie is better in a way except for the roles of Marion Crane and her boyfriend. Janet Leigh was more attractive and definitely a better actress then Anne Heche. Viggo Mortinsen is too dead-voiced for a major role in a thriller/horror movie. I just want to give this guy some coffee and get him to wake up.
Continue reading: Psycho (1998) Review
From its very first scene, "John Q" feels as if it's designed to put a choke leash around your neck so director Nick Cassavetes can give it a good, hard yank whenever he wants you to feel something.
In this opening scene we watch a pretty blonde in a white BMW passing cars on a winding mountain road with a double yellow line. I'm sure I don't have to tell you what's coming, but Cassavetes toys with the viewer, dragging out a couple close calls to make your heart race before -- whammo! Squashed blonde.
What does this have to do with a movie about factory worker Denzel Washington taking over an emergency room at gunpoint to get his dying son a heart transplant? You guessed it -- the girl's an organ donor. But "John Q" doesn't get back to her until 10 minutes before the end of the movie. Cassavetes just puts it at the beginning for shock value.
Continue reading: John Q Review
"Birth" opens with a scene of surprising emotional magnitude that is driven entirely by its score. Instantly and viscerally evocative, the elaborate orchestration -- which plays over a long tracking shot following an anonymous jogger through Central Park during a beautifully moody snowfall -- is a curious, captivating combination of flute, triangle, French horn and (quite startlingly) tympani that has an uplift and an ominousness at the same time.
This gripping music, by the brilliant Alexandre Desplat ("Girl With a Pearl Earring"), does all the work in this scene until the man -- seemingly young and healthy from behind, which is all we see of him -- pauses suddenly, then collapses under a bridge.
The next scene takes place 10 years later. The jogger's widow, Anna (played by a serious, sophisticated, melancholy, unabashedly pushing-40 yet intriguingly elfin Nicole Kidman) is about to get married again, to Joseph (subtle, pensive Danny Huston), a man who is really more a hopelessly devoted dear friend than he is a lover. Soon after their engagement party, a somber 10-year-old boy (Cameron Bright) sneaks into their grand Park Avenue apartment and refuses to leave. "You're my wife," he tells Kidman. "It's me -- Sean."
Continue reading: Birth Review
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