Veronica enjoys a life of luxury with her rich husband, though work has never been something she's warmed to. During a big party celebrating her husband's success, she bumps into an old school friend named Ashley - an artist making very little money from her passion who has been employed as a caterer at the event. Naturally they clash over their very different lives which results in a full-on drunken brawl. Unfortunately, it doesn't end well Veronica who wakes up from a coma in hospital two years later and finds herself penniless and alone.
Meanwhile, Ashley's life has changed dramatically; she and her girlfriend are expecting their first baby and she's managed to make something of a success out of her artwork. Veronica has no choice but to get a job as a maid, and she subsequently swears revenge on the woman who knocked her out. More fights ensue and it only gets more and more brutal.
Scheduled to hit theatres on March 3rd 2017, 'Catfight' is new comedy written and directed by Onur Tukel ('Summer Of Blood', 'Applesauce', 'Richard's Wedding').
Harriet Lauler knows that she is in the twilight years of her life, and has had a long time to contemplate her legacy as a successful entrepreneur after she's gone. She's not willing to leave the writing of her obituary to chance, and so enlists the help of a the obituary writer at the Bristol Gazette Anne Sherman to write it the way she wants. Anne tracks down a bunch of people from Harriet's life to get a taste of the sort of woman she was - unfortunately, no-one appears to have a single nice thing to say about her. Harriet is determined to touch someone's life in an important way before she goes and visits a youth centre to get started. It's there she meets an adorable, street-smart young girl named Brenda who she employs as her 'intern' when she decides to become a DJ at the local radio station. The more Anne gets to know this woman, however, the more she finds her own life being changed by her new friend.
Continue: The Last Word Trailer
Jason Statham may be playing essentially the same character he always plays, but this noir-style thriller has a somewhat groovier tone thanks to the Las Vegas setting and a scruffy William Goldman script. It's also directed with wit and energy by Simon West, who keeps everything moving very briskly. Although not fast enough for us to miss the fact that it's all rather thin and pointless.
As always, Statham is a former black-ops agent whose jaded, frazzled exterior obscures his fighting-fit action moves. His name this time is Nick Wild, and he works as a bodyguard for wealthy clients like Cyrus (Michael Angarano), who needs protection as he visits Vegas casinos with vast sums of money. He also has a lot to learn from Nick about gambling and wants to learn some of those action moves too. Meanwhile, Nick's ex-girlfriend Holly (Dominik Garcia-Lorido) asks him to help her get revenge against the swaggering gangster Donny (Milo Vengimiglia), who kidnapped and viciously terrorised her. Nick knows that getting even with Donny will put him on a collision course with mob kingpin Baby (Stanley Tucci), but he can't resist a challenge.
Nick is one of those characters who can't resist much. He's addicted to high-stakes blackjack, life-threatening confrontations and his own seedy poverty. So clearly the goal of the screenplay is to find some sort of uneasy redemption. Statham has played this role before in his sleep, so he looks almost bored here, which makes him vaguely intriguing. His gimmick this time is an ability to turn everyday objects into lethal weapons, including a seriously nasty moment with a pair of hedge clippers. It also helps that the film is packed with colourful scene-stealers who add plenty of badly needed spark, including a ripped Ventimiglia and the reliably wonderful Tucci, plus lively cameos from the likes of Sofia Vergara and Anne Heche.
Continue reading: Wild Card Review
Nick Wild (Jason Statham) is working as a Las Vegas bodyguard for hire, mainly due to his lethal professional skills, but also because of a slight gambling problem he has. Unfortunately for Wild, he allows business to get mixed up with his personal life, as he chooses to help a friend of his that gets savagely beaten by a Vegas thug. After extracting a bloody revenge on the thug, Wild finds his simple little existence challenged by an entire crime family that seem hell-bent on sending him to a shallow grave in the desert. Wild knows that one way or another, he's not gonna be in Vegas by the morning.
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Nigerian filmmaker Jeta Amata clearly feels passionate about the problems in his country, but despite the presence of Hollywood stars the movie is made in a style that will feel amateurish to Western audiences. Obvious screenwriting is the main problem, ramping up melodrama when political intensity is needed. Essentially, a more organic approach to storytelling, with attention to the characters instead of the themes, would have made this a much more powerful thriller.
After studying in America, 21-year-old Ebiere (Mbong Amata) returns home to her Niger Delta community just in time to witness a horrific oil-company accident in which most of her family perishes. As the most educated person in her village, she rises to a position of leadership among the rebels fighting for fairer treatment from petrol executive Tom (Mickey Rourke) and the corrupt military, which responds with relentless violence, betraying and brutalising the villagers. As she falls for rebel commander Dede (Hakeem Kae-Kazim), Ebiere becomes even more important. And things take a further turn when she's charged with murder after a protest turns fatal. Meanwhile in Los Angeles, desperate Nigerians (including Wyclef Jean and Akon) take Tom hostage along with a local reporter (Kim Basinger) to demand justice for Ebiere's plight.
Writer-director Amata made this film three years ago, then reworked it to add the L.A. sequences in an effort to make Nigeria's struggle feel more current in the context of global activism. This works to an extent, as it stirs the hot topic of terrorism into the mix. But the big action set pieces are directed and edited in a choppy way that feels undercooked. The story of desperate political activism amid heavy-handed corruption is compelling, but it's watered down by some rather soapy interpersonal plot points. Still, the film remains involving, a powerful tale of little guys standing up to forces much bigger than themselves simply in the name of what's right.
Continue reading: Black November Review
Dave (Harrelson) is struggling to hold his fractured family together while covering up his dodgy activities as a cop in L.A.'s rough Rampart district. He lives with his two ex-wives (Heche and Nixon) and two daughters (Larson and Boyarsky), while developing a tentative relationship with a lawyer (Wright).
But his vigilante-style approach to his job leaves him with few friends, while his addiction to prescription drugs is sending him into a downward spiral. And now he's being harassed by the D.A. (Weaver) and her investigator (Ice Cube).
Continue reading: Rampart Review
In the midst of the 1990's Rampart Scandal, Dave Brown works for the LAPD and is the most corrupt cop you're ever likely to meet. He is racist, homophobic and chauvinistic and that's just the tip of the iceberg. In his mind, he thinks he is an action hero and he has dedicated himself to doing 'the people's dirty work'. In his personal life, he has two ex-wives - both of them sisters - and has fathered two daughters between them.
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New York cops Gamble and Hoitz (Ferrell and Wahlberg) have been relegated to unimportant positions by two teams of flashier detectives (Jackson/Johnson and Wayans/Riggle). But when Gamble arrests a millionaire investor (Coogan) for a minor infraction, he and Hoitz are plunged into a murky case involving a ruthless Aussie goon (Stevenson) and bribed city officials. Even their captain (Keaton) tells them to leave it alone, but Gamble can't let go and Hoitz sees this as a chance to stop being the "other guys".
Continue reading: The Other Guys Review
Veronica enjoys a life of luxury with her rich husband, though work has never been...
Harriet Lauler knows that she is in the twilight years of her life, and has...
Jason Statham may be playing essentially the same character he always plays, but this noir-style...
Nick Wild (Jason Statham) is working as a Las Vegas bodyguard for hire, mainly due...
Nigerian filmmaker Jeta Amata clearly feels passionate about the problems in his country, but despite...
Wallace Avery is struggling with the hardships that life is throwing at him; a boring...
Harrelson reunites with The Messenger writer-director Moverman for this grim drama about police corruption in...
This goofy fish-out-of-water comedy is deeply endearing. As it follows its central character on a...
A sharp script sets this fast and furious action comedy apart from other brainless summer...