Annabeth Gish

Annabeth Gish

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2015 Weinstein Company and Netflix Golden Globes After Party

Annabeth Gish - 2015 Weinstein Company and Netflix Golden Globes After Party at The Beverly Hilton Hotel at Robinsons May Lot at The Beverly Hilton Hotel, Golden Globes, Beverly Hilton Hotel - Beverly Hills, California, United States - Sunday 11th January 2015

Annabeth Gish
Annabeth Gish
Annabeth Gish

Final season premiere of 'Sons Of Anarchy' - Arrivals

Annabeth Gish - The stars of the hit FX series ‘Sons of Anarchy’ were photographed on the Red Carpet at the TCL Chinese Theatre, in Hollywood, Los Angeles, California, ahead of the premiere for the seventh and final series of the show. - Saturday 6th September 2014

Annabeth Gish

FOX Summer TCA 2013 All-Star Party

Annabeth Gish - Celebrities attend Fox Summer TCA All Star Party. - Los Angeles, CA, United States - Thursday 1st August 2013

Annabeth Gish

Premiere of FX's 'The Bridge'

Annabeth Gish and Brian Van Holt - Premiere of FX's 'The Bridge' at DGA Theater - Arrivals - Hollywood, California, United States - Monday 8th July 2013

Annabeth Gish
Annabeth Gish
Annabeth Gish
Annabeth Gish
Annabeth Gish

Premiere of FX's 'The Bridge'

Annabeth Gish and Brian Van Holt - Premiere of FX's 'The Bridge' at DGA Theater - Arrivals - Los Angeles, California, United States - Tuesday 9th July 2013

Annabeth Gish
Annabeth Gish
Annabeth Gish
Annabeth Gish, Brian Van Holt and Alma Martinez
Annabeth Gish, Brian Van Holt and Alma Martinez

The Chaperone Trailer


Before he was incarcerated Ray Bradstone was one of the best getaway drivers in New Orleans, now his prison sentence has come to an end, Ray is looking to make up for his past mistakes and wants to have an honest future. One of the most important things he feels he must to is to make up for all the lost time with Sally, his daughter, by being the best father he can.

Continue: The Chaperone Trailer

Nixon Review


Good
History has not been much kinder to Nixon the movie than it was to Nixon the man. Grossing under $14 million domestically, the $50 million movie was an enormous box office flop (what 1995-era family wouldn't want to go catch Nixon on Christmas Day?), though four Oscar nominations (it won none) must have softened the blow somewhat for auteur director Oliver Stone.

With Nixon, Stone struggles to present a thoughtful biography of one of history's most reviled leaders and the only President in modern times to voluntarily leave office before the end of his term. Richard Nixon of course needs no introduction, and Stone takes a much different approach to the material here than he did with JFK, which remains one of my favorite films ever. Rather than focus on a single incident -- Watergate -- Stone endeavors to encompass Nixon's entire life and career, from his days as a young Quaker (complete with dying brothers) to two big failed runs at political office to the entirety of his troubled political career. All the highlights are here, at least in part: Kent State, China, Vietnam and Cambodia, and of course the tragic events of Watergate.

Continue reading: Nixon Review

The X-Files: The Complete Series Review


Extraordinary
In the early 1990s, the young Fox network was just beginning to hit its stride with an odd mix of television not found on the major three networks. Fox viewers found irreverent comedy courtesy of the dysfunctional families on The Simpsons and Married... with Children; gripping real-life crime action in COPS and America's Most Wanted; and sappy post adolescent soap drama with Beverly Hills 90210 and Party of Five. Just about the only thing missing from this eccentric network line-up was a show about aliens. Oh, but wait... oeven that show would eventually find a home on Fox; in the fall of 1993, The X-Files arrived.

The riveting pilot episode quickly sets the framework for the entire series. FBI Agent Fox Mulder (David Duchovny) works outside of the bureau's mainstream on discarded, unsolved cases regarding paranormal activity called the X-Files. His immediate supervisors think his work is without merit, so they assign a young female agent, Dana Scully (Gillian Anderson) to work with Mulder and disprove his wild theories. Mulder believes we are not alone in the universe; Scully believes science holds the key to the unexplained. Their first case together -- teenagers being abducted and killed in Oregon -- raises more questions than answers and leaves Scully with little exculpatory evidence to report back to her superiors.

Continue reading: The X-Files: The Complete Series Review

Buying The Cow Review


Terrible
Any film that equates Bridgette Wilson with a cow has our curiosity piqued, but this godawful sex comedy (about, naturally, the pitfalls of marriage, not cattle) starts off weak and ends up even worse, with one juvenile antic following after another. In fact, calling this a sex comedy is an insult to real sex comedies (American Pie). In fact, it's kind of insulting to cows.

Double Jeopardy Review


Weak
Double Jeopardy does not take place during the latter half of a game show. However, it has a similar amount of credibility.

There's an old adage in screenwriting: You can make something up, and it doesn't have to be real. It just has to be believable. In other words, you can make up the lines for a priest to read at a wedding, as long as they sound plausible. No one's going to know if you miss a few "Amens." However, this liberty does not extend to making up laws on which to base the premise of your film.

Continue reading: Double Jeopardy Review

Don't Look Back Review


OK
Yet another Eric Stoltz drug junkie thriller, only this time it's split between L.A. and Galveston, Texas. Body count = ~11. Oddly, this film has no known producer.

Beautiful Girls Review


Excellent
With a cryptic title like Beautiful Girls, one starts to wonder to whom this film is being marketed. Is it the frat boy model-ogling crowd? Is it a self-help flick for teenage girls? Is it soft porn? The answer, of course, is none of these: Beautiful Girls is a date movie, and quite a good one at that.

Something like The Big Chill meets Generation X, Beautiful Girls is one of those ensemble character movies that really defies description in terms of plot points. The ostensible main character is Willie (Timothy Hutton), who is ambivalent about girlfriend Tracy (Annabeth Gish) so heads back home to Knight's Ridge, Massachusetts to sort things out during his 10-year high school reunion. Here, he hooks up with old pals Tommy (Matt Dillon) and Paul (Michael Rapaport), each of whom is also flailing helplessly in his own romantic mess.

Continue reading: Beautiful Girls Review

S.L.C. Punk! Review


Excellent
Ah, to be a young anarchist in 1985... in Salt Lake City, Utah.

Using the most conservative city in America as a backdrop for the American punk movement proves to be nothing short of brilliance in S.L.C. Punk! This little gem features the always-engaging Matthew Lilliard as "Stevo," a blue-haired college grad in the Reagan years who rages against the machine, his parents, his enemies, and -- of course -- Utah.

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Double Jeopardy Review


Hmmm

Getting knocked up might just be the best thing to ever happen to Jodie Foster's career. Without a pregnancy to get her off the hook, it would have been Foster running from rampant, rabid loopholes in the laughable, pathetic, incoherent thriller "Double Jeopardy."

Poor Ashley Judd got the call to replace Foster in this picture -- about the fantasy revenge of a woman whose shady businessman hubby fakes his own murder and frames her for it -- and the actress barely survives it with her dignity intact.

Built upon the wildly inaccurate legal postulate that if you're convicted of murder and the victim turns up alive, you can kill them for real and the law can't touch you, this movie couldn't be more riddled with holes if the script spent an afternoon at the business end of a artillery range.

Continue reading: Double Jeopardy Review

Slc Punk! Review


OK

In "SLC Punk!" writer-director James Merendino paints such averitable, aggressively freeform and nihilistic portrait of the tiny SaltLake City punk scene, circa 1985, that you just know he was there.

He gets the rabid social politics and understands the necessarycultural bent toward belligerence. He can write a double-caffeinated voice-overbrimming with drug-induced psychological and sociological observationsfrom a punker point of view, yet make them lucid enough for sober consumption.

Continue reading: Slc Punk! Review

Annabeth Gish

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