Annabella Sciorra

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A Month in the Country Opening Party Arrivals

Annabella Sciorra - Shots from the after party for the opening night of 'A Month In the Country' which was held at the CSC Theatre in New York, New York, United States - Friday 30th January 2015

Annabella Sciorra
Annabella Sciorra

Don Peyote Review


The most surprising thing about this comedy is that it's not very funny, but then it's not meant to be. This is a trippy odyssey into the mind of a drug-addled guy who thinks the world is falling apart around him. Sure, it's fitfully amusing, but it's also harrowing and utterly bonkers. And there are some moments of sublime emotion in there too.

Dan Fogler stars as Warren, a 33-year-old unemployed graphic novelist who is haunted by dreams about the world ending on 21st December 2012. But there's another date approaching much sooner that has him even more shaken: his wedding to his rather too-hot fiancee Karen (Kelly Hitchinson), who is trying to get pregnant as she plans the big day. Then in a peyote-induced stupor, Warren becomes convinced that he has been given some sort of psychic insight into the apocalypse, and asks his best pal Balance (Yang Miller) to help him make a documentary film about the strange events going on around him. And things get very strange indeed.

Written and directed by Fogler and Michael Canzoniero, the film flickers back and forth between Warren's luridly coloured drug trips and his even more jarring lucid moments. Every scene is packed with existential chatter, like a Woody Allen movie for potheads, while the tone swings wildly between dark drama, broad slapstick and even a couple of zany musical numbers. Which is appropriate for a film set in the mind of a man who isn't always sober. It's not easy to watch this slobby nice guy lose his mind, but there are observations along the way that add strong resonance.

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Tony Soprano Classic Moments

Annabella Sciorra James Gandolfini - Tony Soprano played by James Gandolfini watches mistress Gloria Trillo, played by Annabella Sciorra, sexy dancing - Thursday 20th June 2013

James Gandolfini, Annabella Sciorra and Tony Soprano
Annabella Sciorra

NY Stage and Film 2013 Launch

Annabella Sciorra - New York Stage and Film 2013 Launch held at Theater Row. - New York City, NY, United States - Wednesday 5th June 2013

Annabella Sciorra
Annabella Sciorra
Scott Elliott, Annabella Sciorra, Daniel London, Jonathan Judge-Russo, Seth Zvi Rosenfeld, Oghenero Gbaje, Thomas Jay Sullivan, Molly Carden and Miles Chandler
Annabella Sciorra

'The Testament of Mary' after party

Annabella Sciorra - 'The Testament of Mary' Broadway opening night after party held at Sardi's restaurant - New York, United States - Monday 22nd April 2013

Annabella Sciorra

A Green Story Trailer

Trailer for A Green Story

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Picture - Annabella Sciorra New York City, USA, Thursday 7th February 2008

Annabella Sciorra Thursday 7th February 2008 at the after party celebrating the Opening Night of the New Group Theatre Off-Broadway play 'Two Thousand Years' held at the West Bank Cafe. New York City, USA

Twelve and Holding Review

Being a kid is awkward and awful, but not in the stick-your-penis-in-a-pie way and certainly not the Peter Pan way. Situations that you can't even fathom happen ad nauseum from ages 11 to 19 on account of wild hormones. After that, the consensus would be to consult some sort of psychiatrist. Hollywood has somehow turned all these stories and occurrences into redemptive stories where every transgression is purely sexual and where things aren't fully blamed on anyone. Even if someone is blamed, the blame is nonchalant and patched up with a simple hug.Michael Cuesta announced himself in 2001 with the vicious and viciously underrated drama L.I.E., which offered a mind-blowing performance from Brian Cox as an aged pedophile and a young, strikingly good Paul Dano as the young poet who befriends him. If the film had any real flaw, it was that it was too stiff; things seemed to structured for a story that was so amorphous and daring.Cuesta now returns packing fire and ravaging humor with Twelve and Holding, an unyieldingly dark look at adolescence and neglect. It starts easy: four kids, all at age 12, sit and watch fireworks at a neighborhood block party. There's Rudy and Jacob (both played by amazing newcomer Conor Donovan), twin brothers to a pair of steady-as-she-goes parents. Their only physical distinguishing trait is a large, purple birthmark on Jacob's face. Then there's Leonard (Jesse Camacho), the terribly overweight offspring of two fat-and-loving-it parents (mom: Marcia Debonis, dad: Tom McGowan). Lastly, there's sweet Malee (Zoe Weizenbaum), who tries to make the most of a psychiatrist mother (Annabella Sciorra) and a no-show dad.Their lives get tossed when Rudy is accidentally burned alive during a prank. Suddenly, Leonard wants to lose weight, Malee gets the hots for one of her mom's patients (stunning Jeremy Renner) and Jacob begins to take out his rage over his brother's death by visiting the kid who's responsible in a juvenile detention center. None of their parents are interested or really take notice of this behavior. Leonard's mother (Debonis works miracles with a tough role) is downright opposed to her son's new found love for health; he refuses to eat any of her fried chicken and opts for apples and salad instead. Malee begins a friendship with the patient and begins to obsess about him and his favorite song, Blue Öyster Cult's "Burning for You," which is used in a terrific scene not unlike the way "Hey You" was used in last year's The Squid and the Whale. Jacob begins to befriend the prankster, but things take a major dark turn for all three.Twelve and Holding encapsulates everything one could hope for from a sophomore effort. Cuesta's style has become more defined and, with ample help from cinematographer Romeo Tirone, his imagery has become even more stirring and efficient. His work with actors has become a thing of beauty: all the child actors are fantastic and the supporting cast gives a resonant tone to the children's world. Cuesta, working from a remarkable script from first-timer Anthony Cipriano, makes sure to define the parents but makes them the ghostly apparitions that the kids see them as. When Leonard finally takes action with his mother, the way he deals with her is still in the way of forced neglect. Squirming in their seats and foreheads cringed, parents might find themselves rushing home from Cuesta's tarnished scrapbook of forgotten embarrassment to spend time with their tykes.

Find Me Guilty Review


There's a serious losing streak as far as "true stories" in cinema are going. It's an open invitation to drizzle overdone sentimentality and turn crass tear-jerking into box office gold (see Glory Road or North Country?). That being said, that kind of stuff is spun gold in the face of the haphazard bile that is being thrown at the audience in Sidney Lumet's latest film, Find Me Guilty.

The film opens with Tony Campagna (Raul Esparza) making a panicked phone call to an unnamed person. He immediately goes from there to the home of his cousin, "Fat Jack" DiNorscio, a lone shark and cocaine dealer, and shoots him five times. For reasons unknown, DiNorscio survives, but refuses to rat on Tony. To him, ratting on family and friends is worse than death, and he tells his daughter that as she sits next to his hospital bed. Soon enough, Jack is in jail and part of a massive trial with most of the New Jersey crime family. In court, Jack befriends a lawyer (Peter Dinklage) but refuses his council, deciding to represent himself instead, against the wishes of mob boss Nick Calabrese (Alex Rocco). DiNorscio makes terrible jokes, but like all naïve if not honest men, he's endearing in a certain way, especially to Judge Finestein (Ron Silver). His charming and quirky attitude in court is hard to stand but seems to work on the jury, as they go in the room to deliberate on what would become the longest court case in U.S. history.

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Reversal of Fortune Review

Here's the movie that made Jeremy Irons such a memorable villain. (Well, this and Dead Ringers.) And it's all true: Claus von Bulow was convicted of nearly murdering his ultra-rich wife (Glenn Close), who lay in a coma after a massive insulin overdose. The famous Alan Dershowitz (Ron Silver) handles the appeal: While it initially appears to be a no-contest-he's-guilty-slam-dunk, all manner of evidence comes to light indicating that not only is Claus probably innocent, he almost certainly is. How we change our minds into rooting for this bad guy remains one of cinema's greatest tricks. You may feel different about the voice-over narration, provided by the comatose Sunny, the film's one iffy spot. (As for Sunny, she's still in a coma as of 2005, 25 years later.)

True Love Review

Nancy Savoca's tale of a nuptials-planning that looks doomed from the start isn't nearly as much fun as Dogfight, her best and best-known work. Ultimately, much-needed humor is displaced by coarse language, which doesn't serve to make a would-be romantic comedy very funny. Tepid at best.

Highball Review

Noah Baumbach gathered up his Kicking and Screaming and Mr. Jealousy buddies and threw together this little flick in six days. He then stuck an alias (Ernie Fusco) on it, and that was about it. Mostly consisting of recycled jokes that didn't make it into his earlier films, Highball is still frequently funny while it's perpetually random. Gotta love Carlos Jacott no matter what he does, though. And extra points for creative use of two giant lizard suits.

Sam the Man Review

Gary Winick's first -- and biggest -- gaffe is in casting uber-nerd Fisher "Johnny Five!" Stevens as a slick lothario that beds countless women. Christening him "The Man" in the film's title is just adding insult to injury.

And so we come to the strange, sad, and rather crass case of Sam the Man, a creepy and just plain wrong romantic dramedy that's got no romance, few laughs, minimal drama, and a parade of hateful characters. Wrap them up in a cheap, out-of-focus, underlit, and inaudible package shot on cheap digital video, and the recipe for disaster is complete. Microwave on high for three minutes.

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Romeo Is Bleeding Review

Lena Olin is up to her old tricks again, as are Gary Oldman, Juliette Lewis, and Annabella Sciorra, in this twisted tale of a slightly corrupt cop and the company he keeps. Not much about Romeo is Bleeding sticks with you for long, the exception being Olin's shrieking hit-woman who ends up with one arm... Delightfully bizarre.

Cop Land Review

Cop Land was supposed to do for Sylvester Stallone what Pulp Fiction did for John Travolta. Alas, the movie was (rightly) ignored by audiences and shrugged off by critics, thanks to an almost complete lack of anything so much as resembling a compelling story.

The plot is so simple as to defy description: A lot of New York cops live across the water in Jersey, and it turns out they are all beholden to the mob. It's up to fat, half-deaf Sheriff Freddy (Sly) to expose this atrocity!!! Would that there were more to say, Cop Land builds its "mystery" by simply not telling you what's going on. Only after an hour or so do you piece together the whole mob angle, and then the audience realizes, "Hey, there's nothing happening here!" Note to Mangold: Watch L.A. Confidential a few times if you want to see how clever plot structure goes, not to mention throwing in a little wit here and there.

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Annabella Sciorra

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