Anna Popplewell

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Celebrities at the Chiltern Firehouse

Anna Popplewell - Celebrities at the Chiltern Firehouse - London, United Kingdom - Thursday 18th June 2015

Anna Popplewell
Anna Popplewell
Anna Popplewell
Anna Popplewell
Anna Popplewell

Star trek afterparty

Anna Popplewell - U.K. premiere of 'Star Trek Into Darkness 3D' - Afterparty at Aqua - London, United Kingdom - Thursday 2nd May 2013

Day 2 of 'Reign' filming at Christ Church

Anna Popplewell - 'Reign', Mary Queen of Scots CBS TV Studios film, shooting at Christ Church - Day 2 - Dublin, Ireland - Tuesday 9th April 2013

Anna Popplewell

Mary Queen of Scots TV movie 'Reign' being filmed at Christ Church

Anna Popplewell - Neighbours actress Adelaide Kane takes up lead role in Mary Queen of Scots TV movie 'Reign' being filmed at Christ Church with other cast members Anna Popplewell & Caitlin Stasey. The project, from CBS TV Studios, chronicles the rise to power of Mary Queen of Scots (Kane) when she arrives in France as a 15-year-old, betrothed to Prince Francis, - Dublin, Ireland - Monday 8th April 2013

Anna Popplewell

Picture - Anna Popplewell , Tuesday 4th September 2012

Anna Popplewell Tuesday 4th September 2012 The World Premiere of Anna Karenina held at the Odeon Leicester Square - Arrivals.

Anna Popplewell
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Anna Popplewell

Payback Season Trailer


Jerome is a Premiership footballer living the dream life: a fancy car, loads of money and a hot girlfriend; not to mention the luxury flat he lives in and vast opportunities for his career. It's a world away from the council estate and the grotty life he grew up with as a child.

Continue: Payback Season Trailer

The Chronicles of Narnia: The Voyage of the Dawn Treader Review


Good
This third instalment in the Narnia series changes the director and studio, as well as the setting (from the land to the sea). The result is a rousing adventure that's enjoyable even if it still feels rather sanitised.As war rages in Britain, Lucy and Edmund (Henley and Keynes) have left London to live with their obnoxious cousin Eustace (Poulter). One day when he's taunting them about tales that they were royalty in Narnia, a painting comes to life and pulls all three of them into its watery depths. Rescued by now-King Caspian (Barnes) and his first-mate mouse Reepicheep (voiced by Pegg), they embark on an epic voyage in the ship Dawn Treader, sailing off the edge of the map on a quest to restore balance to the kingdom.The story is much more cinematic than other Narnia chapters, and director Apted makes the most of both the ship and the islands they visit along the way, adding a sense of scale and scope. Clever camerawork makes the digital creatures feel more matter-of-fact (to everyone except the horrified Eustace), and only a few dodgy effects (mainly the mermaids and a dragon) let things down on the technical side.In addition, the actors are more relaxed this time, giving more confident, natural performances. Franchise newcomer Poulter is especially good, walking the fine line between being a loathsome jerk and a needy young boy. So it's a shame that the plot feels so simplistic, composed of a series of set pieces as the ship stops at various ports of call and our heroes encounter seemingly random inhabitants who helpfully give them information to continue their journey.

Continue reading: The Chronicles of Narnia: The Voyage of the Dawn Treader Review

The Chronicles of Narnia: Prince Caspian Review


Weak
In Clerks II, uber-slacker Randal described the Lord of the Rings trilogy as a series of endless walks. Nothing but nonstop, pointless treks. One has to wonder what his reaction would be to the overwhelming ambulation in the two Chronicles of Narnia films. While The Lion, the Witch, and the Wardrobe had origins and mythos to highlight, Disney's latest entry in the franchise, Prince Caspian, requires a more minimal setup. All returning director Andrew Adamson has to offer as a result is more shoe to footpath action, with the occasional CGI-sparked battle to break up the constant strolling.

It's been a year since Lucy (Georgie Henley), Edmund (Skandar Keynes), Peter (William Moseley), and Susan (Anna Popplewell) Pevensie have been to the magical land that they once ruled as kings and queens. However, 13 centuries have passed in Narnia, and a race of humans known as Telmarines have overrun the kingdom. They have systematically killed off almost all the creatures, and rule by blood and violence. Within the court, Miraz (Sergio Castellitto), brother of the late King Caspian IX, has taken over and threatened the life of the true, titular heir (Ben Barnes). With the help of the returning foursome, Prince Caspian will rally the remaining Narnians, leading them to victory over their evil oppressors.

Continue reading: The Chronicles of Narnia: Prince Caspian Review

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) Review


Grim
Since the first comparison made with C.S. Lewis' Narnia fantasy series is to his friend and colleague J.R.R. Tolkien's Lord of the Rings books, it is worth noting that - as recently mentioned in the New Yorker - Tolkien hated the Narnia books because their ideological underpinnings constrained the fiction itself. Tolkien was as devoutly religious as Lewis but you didn't see the hobbits going to church on Sunday; Middle Earth was a pretty pagan land where mythology, not theology, was the rule of the day. Lewis was a different sort, of course, and though the seven Narnia books were brilliant fantasy, they also had an irksome tendency towards preachiness. This same problem afflicts The Lion, the Witch and the Wardrobe, the (potentially) first Chronicles of Narnia film, a crass product of merchandised morality from Disney and Walden Media, a media company owned by Christian evangelist billionaire Philip Anschutz.

Director Andrew Adamson makes his live-action debut here after the two Shreks, but it's an easy transition for him, given that a good portion of the film has a CGI/character complexity ratio about as high as the last few Star Wars films. Although Narnia doesn't lend itself well to the cheeky pop culture reference-o-rama that Shrek did, it shares those films' same treacly sentimentality and market-researched plasticity.

Continue reading: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) Review

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) Review


Grim
Since the first comparison made with C.S. Lewis' Narnia fantasy series is to his friend and colleague J.R.R. Tolkien's Lord of the Rings books, it is worth noting that - as recently mentioned in the New Yorker - Tolkien hated the Narnia books because their ideological underpinnings constrained the fiction itself. Tolkien was as devoutly religious as Lewis but you didn't see the hobbits going to church on Sunday; Middle Earth was a pretty pagan land where mythology, not theology, was the rule of the day. Lewis was a different sort, of course, and though the seven Narnia books were brilliant fantasy, they also had an irksome tendency towards preachiness. This same problem afflicts The Lion, the Witch and the Wardrobe, the (potentially) first Chronicles of Narnia film, a crass product of merchandised morality from Disney and Walden Media, a media company owned by Christian evangelist billionaire Philip Anschutz.

Director Andrew Adamson makes his live-action debut here after the two Shreks, but it's an easy transition for him, given that a good portion of the film has a CGI/character complexity ratio about as high as the last few Star Wars films. Although Narnia doesn't lend itself well to the cheeky pop culture reference-o-rama that Shrek did, it shares those films' same treacly sentimentality and market-researched plasticity.

Continue reading: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) Review

The Little Vampire Review


Unbearable

If Jonathan Lipnicki is washed up at 18 and looking back on his career as a button-cute child star, "The Little Vampire" is will very likely be the picture that embarrasses him most.

A quick, sloppy production of a throwaway script about a little boy who befriends a family of bloodsuckers and helps them recover a magic amulet, it suffers from a pungent collective apathy that wafts off the screen from the cast and crew. The little kids in the picture seem like they're just playing vampire in grandma's dusty attic and not really trying to participate in the plot. The grown-ups in the cast (including respectable actors like Richard E. Grant and John Wood) give let's-get-this-over-with performances and most scenes feel like the director didn't say "Cut!" so much as "Oh that's good enough let's just move on."

Lipnicki ("Stuart Little," "Jerry Maguire") plays Tony, a kid from California who has just moved into a small, renovated Scottish castle with his completely vanilla mother (Pamela Gidley) and father (Tommy Hinkley), a golf course designer hired to build new links for a local lord (Wood).

Continue reading: The Little Vampire Review

Anna Popplewell

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