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Ann-Margret Broadway Cares

Ann-Margret - Legendary actress/singer Ann-Margret was honored at the "Broadway Cares" event at City Center - New York, NY, United States - Tuesday 8th October 2013


Ann-Margret And Actor Roger Smith,

Ann-Margret and Roger Smith - Sunday 29th August 2010 at Emmy Awards 62nd Primetime Emmy Awards (The Emmys) held at the Nokia Theatre - Arrivals Los Angeles, California

Old Dogs Review

To call this comedy a disaster is an understatement. It's aggressively awful, and manages to push its worst gags so numbingly off the scale that we're left slack-jawed in disbelief. Amazingly, the cast members just about get out alive.

Charlie and Dan (Travolta and Williams) are old pals and partners as sports publicists. Charlie is a relentless bachelor, teasing Dan about his impulsive, brief Vegas marriage to Vicki (Preston) eight years earlier. What neither of them knows is that Vicki gave birth to Dan's twins (Ella Bleu Travolta and Rayburn), and now she needs him to watch them for two weeks. Nutty antics ensue as these cute kids upset these men's life, dragging them off for a weekend camping trip and of course slowly winning them over in the process.

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Grumpy Old Men Review

Grumpy Old Men, directed with general disinterest by Donald Petrie, is 100 minutes of Walter Matthau and Jack Lemmon pulling pranks, calling each other names, complaining and falling in love with Ann-Margret. I am suitably entertained by these things. Whether or not you are will be the deciding factor of what you think of what is ostensibly a geriatric Odd Couple.

Milking a 50-odd year rivalry, John Gustafson (Lemmon) and Max Goldman (Matthau), for reasons where logic dare not tread, live right next to each other in suburban Minnesota. Their lives hinge on very few things: Their kids, fishing, grandkids, fishing, evading tax collectors, fishing, and going to the bait shop to talk with Charlie (Ossie Davis) about fishing. That is when they aren't being a royal pain in each other's asses.

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The Santa Clause 3: The Escape Clause Review

Of the many things I dislike about the Santa Clause series, the one that bothers me the most, the very very most, is this: Now, whenever any of the critics on this site tries to write the name "Santa Claus" they almost invariably spell it "Santa Clause." That extra "e" is absolutely maddening, and it is everywhere I look, unintentionally.

Against all odds, the e-happy Santa Clause series is back with a third installment, which involves Santa (Tim Allen) facing off against the Napoleon-complexed Jack Frost (Martin Short), who's got his eyes on the prize of being the supremo wintertime icon. His idea is to take advantage of a rare "escape clause" which lets Santa step down willingly if he says a certain phrase, so Frost can sieze the big red suit. Naturally, trickery is involved. Apparently Jack Frost is a very bad boy. You can tell by the fright wig hairdo.

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Tales Of The Rat Fink Review

This animated presentation of hot rods as redesigned by artist-specialist Ed Roth (who became the "Big Daddy" of collector cars), will appeal to car lovers, Roth followers, and automotive hobbyists. For those who don't share the obsessive compulsion about wheeled creations, it's a ho-hum but amiable history of Roth's artistry as it evolved from beat-era printed T-shirts trademarked with the green rat fink image to car model kits and auto detailing. With the advent of fiberglass, Roth's inner muse found the freedom to devise new expression in the use of the hot rod as the motif for a unique, award-winning brand of counter-culture sculpture.

Roth's story includes the elements of iconoclastic rebellion and mechanical genius right up to his death in 2001. The film is immersed in animation by Mike Roberts and a CGI boost to animate available archive stills, all of which suggests the rebel's own grand cartoonish style.

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Magic Review

The work of early Anthony Hopkins is always worth a gamble, and Magic is easily one of his quirkiest films. Hopkins plays a magician/puppeteer, and any time a ventriloquist's dummy makes it into a picture, trouble can't be far behind. The trouble here begins when, inexplicably, Corky (Hopkins) is about to hit the big time, but flees town when he's told he has to take a physical exam. He ends up shacking up with old girlfriend Peggy Ann (Ann-Margret), and then the body count starts rising as dummy "Fats" gets jealous. Script by William Goldman, direction by Richard Attenborough. Odd combo, but it's creepy and generally works. And to think, Attendborough's next film would be Gandhi.

The 10th Kingdom Review

Want to visit this mysterious 10th Kingdom? You're soaking in it.

A seven-hour epic miniseries now released on DVD (and that's with the commercials cut out), The 10th Kingdom is a hit-and-miss affair. Through a pure contrivance, we find our heroes, the lovely Kimberly Williams and John Larroquette, playing her father, whisked into "the nine kingdoms," an amalgam of fairy tales all rolled up into one crazy place. They are simply trying to escape back to New York -- but if they save the kingdom along the way, all the better.

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The Swinger Review

Ann-Margret proved she could get her freak on (remember Tommy's baked beans?) in this 1966 farce, wheren a young Ann joins the "swinger underground" as an observer and makes up wild stories about her crazy life to sell to Girl Lure magazine. Mostly these comprise song and dance routines... that is, when the plot makes any sense at all. Ann's fab as ever, proving that she can make the crappiest of stories look, well, passable.

Taxi Review

Meet Belle (Queen Latifah), a classic New York loudmouth with a hunky boyfriend and a dead-end job. By day, she works as a bike messenger, hustling from destination to destination, utilizing garbage truck roofs and crowded department store floors as shortcuts. By night, she spends her time skipping out on dates and transforming her Crown Victoria into supercharged yellow taxicab. After all, if she's going to drive at NASCAR someday, she will need a lot of practice, and if she can win the title as the Big Apple's fastest taxi driver, it might help her chances.

Now, meet Andy Washburn (Jimmy Fallon), a bumbling misfit of a New York City police officer. He screws up nearly every case his lieutenant -- who also happens to be his ex-girlfriend -- throws at him. Most recently, he blew an undercover assignment by getting his partner shot in the arm just before crashing the police car into a street market. His driver's license has been revoked (not that he could ever drive), and now might fight the streets of New York on foot.

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Twice In A Lifetime Review

Gene Hackman as tender steelworker/father in Seattle? We don't think so either, and this movie's ultimate plotline -- about Hackman's falling out with wife Ellen Burstyn and falling in with local hussie Ann-Margret, just doesn't play well today. It probably didn't play well in 1985, either, which is why you haven't heard of it. Despite a few interesting performances from some of cinema's biggest names, this one still merits a pass.

The Cincinnati Kid Review

A fairly obvious attempt to make The Hustler of poker, with Steve McQueen playing the role of Fast Eddie (McQueen and Newman were rival screen heroes at the time). The Cincinnati Kid artistically falls just short of that standard -- the characters are not as fully developed as in The Hustler -- but it's just as much fun, and one of McQueen's best films.

McQueen is the Kid, a young card player who believes he is the best in the country. Edward G. Robinson is the Man, the aging veteran that McQueen must knock off his pedestal. McQueen is cocky, confident, appealing, and fundamentally decent; Robinson is complex and opaque, with one of the greatest poker faces in cinema. The inevitable showdown between the two is a battle of wills and nerve which lasts a night, most of the next day and another night.

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Newsies Review

"Headlines don't sell papes. Newsies sell papes."

Well, now telemarketers sell papes, and I sure as hell wouldn't want to see a movie about that. Especially if they were singing all the time. But back in 1899, when Joseph Pulitzer (played by Robert Duvall) and William Randolph Hearst raised newspaper prices, that meant the newsies had to pay more for their copies, and they couldn't pass that along to the consumer. So the newsies organized a union and went on strike. And the strike failed.

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The Final Hit Review

Interested in a movie called The Final Hit? No? Okay, how about The Final Hit -- A Burt Reynolds Film? That's worth seeing on camp value alone!

The film, starring and directed by Reynolds himself, follows a washed-up movie producer searching for $50,000 to option a kid's hot screenplay before a bigshot studio man (Benjamin Bratt) snaps it up. His comedy of errors in search of someone with some money takes him through the highs and lows of Hollywood, from rich actors (including Robert Goulet) to Armenian loan sharks. Does he get his money? Who cares!? The movie's got Ann-Margret in it!

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