Ann-margret

Ann-margret

Ann-margret Quick Links

News Pictures Film RSS

Ann-Margret - Legendary actress/singer Ann-Margret was honored at the "Broadway Cares" event at City Center - New York, NY, United States - Tuesday 8th October 2013

Ann-margret
Ann-margret

Stockard Cahnning, Louise Fletcher, Madeline Kahn, Neil Simon, Eileen Brennan, Ann-Margaret, Marsha Mason and Peter Falk - The Cheap Detective (1978) directed by Robert Moore shown clockwise from lower left: Stockard Cahnning, Louise Fletcher, Madeline Kahn, Neil Simon, Eileen Brennan, Ann-Margaret, Marsha Mason center: Peter Falk - United States - Wednesday 26th July 1978

Stockard Cahnning, Louise Fletcher, Madeline Kahn, Neil Simon, Eileen Brennan, Ann-margaret, Marsha Mason and Peter Falk

Ann-Margret and Roger Smith - Sunday 29th August 2010 at Emmy Awards 62nd Primetime Emmy Awards (The Emmys) held at the Nokia Theatre - Arrivals Los Angeles, California

Ann-margret and Roger Smith

Ann-Margret - Saturday 21st August 2010 at Emmy Awards Los Angeles, California

Ann-margret
Ann-margret
Ann-margret
Ann-margret
Ann-margret

Old Dogs Review


Terrible
To call this comedy a disaster is an understatement. It's aggressively awful, and manages to push its worst gags so numbingly off the scale that we're left slack-jawed in disbelief. Amazingly, the cast members just about get out alive.

Charlie and Dan (Travolta and Williams) are old pals and partners as sports publicists. Charlie is a relentless bachelor, teasing Dan about his impulsive, brief Vegas marriage to Vicki (Preston) eight years earlier. What neither of them knows is that Vicki gave birth to Dan's twins (Ella Bleu Travolta and Rayburn), and now she needs him to watch them for two weeks. Nutty antics ensue as these cute kids upset these men's life, dragging them off for a weekend camping trip and of course slowly winning them over in the process.

Continue reading: Old Dogs Review

Grumpy Old Men Review


Good
Grumpy Old Men, directed with general disinterest by Donald Petrie, is 100 minutes of Walter Matthau and Jack Lemmon pulling pranks, calling each other names, complaining and falling in love with Ann-Margret. I am suitably entertained by these things. Whether or not you are will be the deciding factor of what you think of what is ostensibly a geriatric Odd Couple.

Milking a 50-odd year rivalry, John Gustafson (Lemmon) and Max Goldman (Matthau), for reasons where logic dare not tread, live right next to each other in suburban Minnesota. Their lives hinge on very few things: Their kids, fishing, grandkids, fishing, evading tax collectors, fishing, and going to the bait shop to talk with Charlie (Ossie Davis) about fishing. That is when they aren't being a royal pain in each other's asses.

Continue reading: Grumpy Old Men Review

The Santa Clause 3: The Escape Clause Review


Weak
Of the many things I dislike about the Santa Clause series, the one that bothers me the most, the very very most, is this: Now, whenever any of the critics on this site tries to write the name "Santa Claus" they almost invariably spell it "Santa Clause." That extra "e" is absolutely maddening, and it is everywhere I look, unintentionally.

Against all odds, the e-happy Santa Clause series is back with a third installment, which involves Santa (Tim Allen) facing off against the Napoleon-complexed Jack Frost (Martin Short), who's got his eyes on the prize of being the supremo wintertime icon. His idea is to take advantage of a rare "escape clause" which lets Santa step down willingly if he says a certain phrase, so Frost can sieze the big red suit. Naturally, trickery is involved. Apparently Jack Frost is a very bad boy. You can tell by the fright wig hairdo.

Continue reading: The Santa Clause 3: The Escape Clause Review

Tales Of The Rat Fink Review


Weak
This animated presentation of hot rods as redesigned by artist-specialist Ed Roth (who became the "Big Daddy" of collector cars), will appeal to car lovers, Roth followers, and automotive hobbyists. For those who don't share the obsessive compulsion about wheeled creations, it's a ho-hum but amiable history of Roth's artistry as it evolved from beat-era printed T-shirts trademarked with the green rat fink image to car model kits and auto detailing. With the advent of fiberglass, Roth's inner muse found the freedom to devise new expression in the use of the hot rod as the motif for a unique, award-winning brand of counter-culture sculpture.

Roth's story includes the elements of iconoclastic rebellion and mechanical genius right up to his death in 2001. The film is immersed in animation by Mike Roberts and a CGI boost to animate available archive stills, all of which suggests the rebel's own grand cartoonish style.

Continue reading: Tales Of The Rat Fink Review

The Break-Up (2006) Review


Weak
In most romantic comedies, some find themselves pining for the two leads to finally put their differences aside and reunite, slow dancing while an overused R&B tune plays in the background and the comic relief best friend tells a last joke. It's a genre that's been done to death, of course, but perfectly enjoyable when all the elements are in alignment. When the elements aren't there, however, the result is fairly ugly. The Break-Up -- a solid argument against real-life couples being allowed to play opposite each other in purportedly romantic films -- spends about five minutes setting up Vince Vaughn and Jennifer Aniston as a couple and then proceeds to fill the rest of its running time with all the reasons why they really should break up; and well before it's over you'll be wishing they'd just call it quits.

Accomplishing the quite difficult task of neutering the normally volcanic presence that is Vaughn and further dampening Aniston's already meek comedic abilities, The Break-Up takes some quite considerable assets and squanders them completely. Vaughn and Aniston play Gary and Brooke, a couple who meet-cute at a Cubs game, are shacked up together in a nice downtown condo before the end of the credits, and are relentlessly bickering and splitting up just a few minutes later. Vaughn plays Gary as a more muted and oafish version of his standard motormouth self -- not a pleasant creation -- which leads one to believe that the film will eventually allow him to use his charm to win back the uptight and angry but still in-love Brooke. The critic's oath precludes this writer from giving away the admittedly surprising (though not necessarily in a good way) ending, but what can be said is that little in this film goes as expected.

Continue reading: The Break-Up (2006) Review

Magic Review


Very Good
The work of early Anthony Hopkins is always worth a gamble, and Magic is easily one of his quirkiest films. Hopkins plays a magician/puppeteer, and any time a ventriloquist's dummy makes it into a picture, trouble can't be far behind. The trouble here begins when, inexplicably, Corky (Hopkins) is about to hit the big time, but flees town when he's told he has to take a physical exam. He ends up shacking up with old girlfriend Peggy Ann (Ann-Margret), and then the body count starts rising as dummy "Fats" gets jealous. Script by William Goldman, direction by Richard Attenborough. Odd combo, but it's creepy and generally works. And to think, Attendborough's next film would be Gandhi.

The Break-Up Review


Weak
In most romantic comedies, some find themselves pining for the two leads to finally put their differences aside and reunite, slow dancing while an overused R&B tune plays in the background and the comic relief best friend tells a last joke. It's a genre that's been done to death, of course, but perfectly enjoyable when all the elements are in alignment. When the elements aren't there, however, the result is fairly ugly. The Break-Up -- a solid argument against real-life couples being allowed to play opposite each other in purportedly romantic films -- spends about five minutes setting up Vince Vaughn and Jennifer Aniston as a couple and then proceeds to fill the rest of its running time with all the reasons why they really should break up; and well before it's over you'll be wishing they'd just call it quits.

Accomplishing the quite difficult task of neutering the normally volcanic presence that is Vaughn and further dampening Aniston's already meek comedic abilities, The Break-Up takes some quite considerable assets and squanders them completely. Vaughn and Aniston play Gary and Brooke, a couple who meet-cute at a Cubs game, are shacked up together in a nice downtown condo before the end of the credits, and are relentlessly bickering and splitting up just a few minutes later. Vaughn plays Gary as a more muted and oafish version of his standard motormouth self -- not a pleasant creation -- which leads one to believe that the film will eventually allow him to use his charm to win back the uptight and angry but still in-love Brooke. The critic's oath precludes this writer from giving away the admittedly surprising (though not necessarily in a good way) ending, but what can be said is that little in this film goes as expected.

Continue reading: The Break-Up Review

Taxi Review


Good
Meet Belle (Queen Latifah), a classic New York loudmouth with a hunky boyfriend and a dead-end job. By day, she works as a bike messenger, hustling from destination to destination, utilizing garbage truck roofs and crowded department store floors as shortcuts. By night, she spends her time skipping out on dates and transforming her Crown Victoria into supercharged yellow taxicab. After all, if she's going to drive at NASCAR someday, she will need a lot of practice, and if she can win the title as the Big Apple's fastest taxi driver, it might help her chances.

Now, meet Andy Washburn (Jimmy Fallon), a bumbling misfit of a New York City police officer. He screws up nearly every case his lieutenant -- who also happens to be his ex-girlfriend -- throws at him. Most recently, he blew an undercover assignment by getting his partner shot in the arm just before crashing the police car into a street market. His driver's license has been revoked (not that he could ever drive), and now might fight the streets of New York on foot.

Continue reading: Taxi Review

The Cincinnati Kid Review


Extraordinary
A fairly obvious attempt to make The Hustler of poker, with Steve McQueen playing the role of Fast Eddie (McQueen and Newman were rival screen heroes at the time). The Cincinnati Kid artistically falls just short of that standard -- the characters are not as fully developed as in The Hustler -- but it's just as much fun, and one of McQueen's best films.

McQueen is the Kid, a young card player who believes he is the best in the country. Edward G. Robinson is the Man, the aging veteran that McQueen must knock off his pedestal. McQueen is cocky, confident, appealing, and fundamentally decent; Robinson is complex and opaque, with one of the greatest poker faces in cinema. The inevitable showdown between the two is a battle of wills and nerve which lasts a night, most of the next day and another night.

Continue reading: The Cincinnati Kid Review

Any Given Sunday Review


Good

There's only about 22 minutes of plot in "Any Given Sunday," Oliver Stone's innovative, bone-crunching ballet of sound and fury football, so lets get that out of the way right now:

Al Pacino stars as the embattled, old-school coach of a fictitious pro football team. Cameron Diaz, is the willful, profit-zealous daughter of the franchise's recently deceased owner. Jamie Foxx is a hotshot young quarterback whose know-it-all attitude and colossal ego threaten team unity. He's just replaced the injured, aging, Elway-esque veteran QB Dennis Quaid, whose compound back injury has spelled curtains for his career -- if only his ruthlessly ambitious, harpy of a wife (Lauren Holly) would accept that fact.

During the last two minutes of the fourth quarter of the Big Playoff Game that serves as the film's climax, each of these characters (especially the selfish ones) will have an epiphany about what's really important in their lives.

Continue reading: Any Given Sunday Review

Ann-margret

Ann-margret Quick Links

News Pictures Film RSS
Advertisement

Occupation

Actor


Ann-Margret Movies

Old Dogs Movie Review

Old Dogs Movie Review

To call this comedy a disaster is an understatement. It's aggressively awful, and manages to...

The Santa Clause 3: The Escape Clause Movie Review

The Santa Clause 3: The Escape Clause Movie Review

Of the many things I dislike about the Santa Clause series, the one that bothers...

The Break-Up (2006) Movie Review

The Break-Up (2006) Movie Review

In most romantic comedies, some find themselves pining for the two leads to finally put...

The Break-Up Movie Review

The Break-Up Movie Review

In most romantic comedies, some find themselves pining for the two leads to finally put...

Any Given Sunday Movie Review

Any Given Sunday Movie Review

Football is as engrained in our society's mores as deeply as war, family values, and...

Taxi Movie Review

Taxi Movie Review

Meet Belle (Queen Latifah), a classic New York loudmouth with a hunky boyfriend and a...

Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.