With the warm, evocative, sublimely human, sweetly melancholy romantic comedy "Italian for Beginners," the fascinating Danish-born minimalist moviemaking style called Dogme95 has graduated beyond its signature look of shaky-vérité handheld cameras, "found" settings and natural light.
While the Dogme movement has produced several fascinating films, its strict, nitty-gritty code the filmmakers work under -- no soundstages or stage lighting and no stationary cameras among other rules -- has felt conspicuous in many of the 25-odd films certified by the informal genre governing body, the Dogme Collective.
But in "Italian," writer-director Lone Scherfig has dropped the pretense and just made a movie. Her filmmaking is transparent, so nothing stands between the viewer and the picture's wonderful world of curiously interconnected characters.
Continue reading: Italian For Beginners Review
The singer was discovered dead on Thursday morning.
It’s only taken 53 years, but veteran Mary Poppins star Dick Van Dyke has at last offered an apology for what he called “the most atrocious...