Anita Ekberg

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Anita Ekberg, Star Of "La Dolce Vita" Dies Aged 83


Anita Ekberg Lauren Bacall John Wayne

Anita Ekberg, the actress who danced in the Fontana di Trevi in Federico Fellini’s film “La Dolce Vita,” has died at the age of 83. Ekberg had been hospitalized recently after a series of illnesses, her lawyer, Patrizia Ubaldi told the Associated Press. She died at the Rocca di Papa Hospital in Rome.

Continue reading: Anita Ekberg, Star Of "La Dolce Vita" Dies Aged 83

La Dolce Vita Review


Essential
Fellini's La Dolce Vita and Antonioni's L'Avventura were the dawn of the Italian New Wave in 1960, movies about the decadence, glamour and emptiness of middle class life. Placed side by side, they're a portrayal of Rome after the post-World War II economic boom, which led to a new distribution of leisure time for the privileged.

Antonioni's world is stark, cold, confounding, and filled with dead end corners. Fellini's world is more like a circus -- and while his characters are no less doomed than Antonioni's, coming face to face with a great emptiness underneath the glamour, they'll drown with pasted smiles on their faces, dancing the conga.

Continue reading: La Dolce Vita Review

La Dolce Vita Review


Essential
Fellini's La Dolce Vita and Antonioni's L'Avventura were the dawn of the Italian New Wave in 1960, movies about the decadence, glamour and emptiness of middle class life. Placed side by side, they're a portrayal of Rome after the post-World War II economic boom, which led to a new distribution of leisure time for the privileged.

Antonioni's world is stark, cold, confounding, and filled with dead end corners. Fellini's world is more like a circus -- and while his characters are no less doomed than Antonioni's, coming face to face with a great emptiness underneath the glamour, they'll drown with pasted smiles on their faces, dancing the conga.

Continue reading: La Dolce Vita Review

Intervista Review


Bad
It is movies like this that give Fellini -- and foreign films altogether -- a bad name. A compilation of nonsense and leftovers from dozens of years in the moviemaking biz, Intervista is self-described as a celebration of Fellini's love affair with the movies.

Au contraire. Intervista is little more than a celebration of Fellini's love affair with himself.

Continue reading: Intervista Review

4 For Texas Review


Bad
One horrible idea from start to finish -- perhaps the Ishtar of its era. In fact, 4 for Texas has a lot in common with that film -- big stars (Frank and Dino), a desert setting, and a series of failed attempts at comedy. They even brought in The Three Stooges but nothing can help this train wreck, as our two Rat Packers and two of their favorite gals (Anita Ekberg and Ursula Andress) spar over the poker table in 1870s Galveston.

Continue reading: 4 For Texas Review

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