Angelica Torn

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Angelica Torn and Maria Cooper Janis - Angelica Torn and Maria Cooper Janis New York City, USA - Opening Night of the off-Broadway play "Edge" held at The ArcLight Theatre - After Party Sunday 9th September 2007

Angelica Torn and Maria Cooper Janis
Joan Copeland, Angelica Torn and Celeste Holm
Angelica Torn and Her Father Rip Torn
Angelica Torn and Her Father Rip Torn
Angelica Torn and Her Father Rip Torn
Angelica Torn and Her Father Rip Torn

Fast Food, Fast Women Review


Weak
My brother describes Anna Levine as "Skeletor," and damn if that isn't pretty near the truth. And Levine's not just scary to look at, she's a poor actress and a bad dancer. The fact that Amos Kollek's script is stilted and his direction is iffy makes matters worse, but unfortunately Fast Food, Fast Women is just a vain attempt at making a movie about the perils of romance in the modern age. It of course succeeds at exposing none of them.

Fast Food, Fast Women Review


OK

"Fast Food, Fast Women" is a considerably imperfect movie, the intangible charm of which has to grow on you.

Most everything wrong with it can be summed up by the fact that it absolutely screams "my first low-budget indie," yet writer-director Amos Kollek has been making movies for 15 years (all small independent films, straight-to-videos or quickie sequels).

It's uneven and under-rehearsed. It's clear that Kollek had only one or two takes to choose from in editing some scenes. It has all the trappings of a Woody Allen wannabe, including Allenesque opening credits, Allenesque handheld camerawork, an Allenesque ensemble ranging in age and recognition, Allenesque quirky characters (how about a stuttering hooker?) and nervously insecure Allenesque leads. The picture even co-stars Louise Lasser ("Mary Hartman, Mary Hartman"), Woody Allen's ex-wife and frequent collaborator.

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Fast Food, Fast Women Movie Review

Fast Food, Fast Women Movie Review

"Fast Food, Fast Women" is a considerably imperfect movie, the intangible charm of which has...

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