He would've done an amazing job on the live action reimagining.
The live action remake of 'Mulan' could have been directed by Ang Lee! That would've been one hell of a movie but, alas, he passed on the opportunity because he is wanting to work on an altogether different project. Mind you, we think Alex Graves is well up to the job too.
Ang Lee swaps 'Mulan' for boxing movie
The esteemed director of 'Crouching Tiger, Hidden Dragon', 'Brokeback Mountain' and 'Life Of Pi' is currently promoting his latest movie 'Billy Lynn's Halftime Walk', but with more projects in line just waiting to be completed, he couldn't find the time to deviate from his schedule for Disney's 'Mulan'.
Continue reading: Ang Lee Rejected Disney's 'Mulan' Remake For Boxing Movie
Ang Lee stops for photos on the red carpet at the 54th New York Film Festival premiere of 'Billy Lynn's Long Halftime Walk' held at AMC Lincoln Square Theater, New York, United States - Friday 14th October 2016
Ang Lee , Guillermo Del Toro - Celebrities announce the nominees during the 88th Academy Awards Nominations Announcement at AMPAS Samuel Goldwyn Theater. at Samuel Goldwyn Theater, Academy Awards - Los Angeles, California, United States - Thursday 14th January 2016
Hollywood beware! Netflix are moving into the movie market, announcing their first original film.
Netflix are teaming up with the Weinstein Company to produce the sequel to Crouching Tiger, Hidden Dragon titled, Crouching Tiger, Hidden Dragon II: The Green Destiny. For the first time ever, the movie will be released simultaneously online and in IMAX cinemas, next August.
Crouching Tiger, Hidden Dragon 's Michelle Yeoh
The film marks Netflix’s first foray into movie making after the success of original series' such as ‘House of Cards’ and ‘Orange is the New Black’. The sequel to Ang Lee’s 2000 Academy Award nominee will this time see Woo-ping Yuen behind the camera, while former Bond actress Michelle Yeoh return in the role of Yu Shu Lien.
Chris Dodd confirmed that China has now paid the money owed in full.
The Chinese government has paid six major Hollywood studios in full, following a lengthy dispute over box-office payments, the Motion Picture Association of America announced on Tuesday, reports the Wall Street Journal.
"We are pleased to hear that the Chinese government has addressed the matter and all money due will be paid in full. It is our understanding that the payment process has recommenced," said Chris Dodd, head of the MPAA.
The dispute concerns a 2 per cent luxury tax that China wanted to impose on box-office receipts. According to The Wrap, that tax was not part of the new more Hollywood-friendly trade agreement the sides had hammered out last year and the major studios saw it as a violation of the pact.
Continue reading: China Finally Pays Hollywood Studios For 'Life Of Pi' And Others
Eva Longoria suffered a wardrobe malfunction on Saturday and made sure not to repeat it the following evening.
Eva Longoria suffered a wardrobe malfunction at the Cannes Film Festival on Saturday (May 18, 2013) though managed to have a pretty good laugh about the whole thing. The former Desperate Housewives actress stepped onto the red-carpet for the premiere of Jimmy P. Psychotherapy of a Plains Indians and accidentally flashed too much skin for waiting fans and photographers.
The 38-year-old had tugged up the bottom of her sea foam green Atelier Versace gown in order to avoid tripping while climbing the stairs of the theater. Unfortunately for Longoria, she was sans underwear and exposed her bottom half. The embarrassed actress quickly noticed mistake and pulled herself together to pose for photographs. She laughed off the incident the following night, "Here's my dress for tonight!" she wrote, alongside a photo of herself in a black gown. "No wardrobe malfunctions tonight!"
Everything Seemed To Be Going Swimmingly For Eva Longoria At Cannes, Until She Reached The Dreaded Stairs
Continue reading: Eva Longoria's Wardrobe Malfunction Draws Laughs At Cannes Film Festival
Visual Effects industry protestors angered as Life of Pi Oscars cuts winners' speech short with 'Jaws' music
The Oscar-winning visual effects team behind Life of Pi had their awards acceptance speech cut short on Sunday night (February 24, 2013), it sparked further outrage amongst beleaguered visual effects workers in the film industry. Bill Westenhofer, who led the special effects team (along with Guillaume Rocheron. Erik-Jan De Boer and Donald R. Elliott) had intended to speak about the plight of Hollywood’s visual effects industry, in the wake of the bankruptcy of the very company winning the award. A protest outside the awards ceremony had already taken place, with The Guardian reporting that over 400 people had congregated in support.
Rhythm & Hues, the company behind the special effects in Ang Lee’s Life of Pi, filed for Chapter 11 bankruptcy recently – shortly after winning a Bafta award. Around 250 staff members had been laid off, amidst “mounting losses,” LA Times reports. So, when Westenhofer’s speech was cut short (with the music from the soundtrack to Jaws, no less), the award-winners, along with hundreds of supporters were outraged.
After the awards, Westenhofer was given the opportunity to say what he would no doubt have liked to have said in front of the much vaster audience watching the ceremony itself. “At a time when visual effects movies are dominating the box office, visual effects companies are struggling,” he explained, “I wanted to point out that we aren't technicians. Visual effects is not just a commodity that's being done by people pushing buttons. We're artists, and if we don't find a way to fix the business model, we start to lose the artistry. If anything, 'Life of Pi' shows that we're artists and not just technicians.”
Ang Lee is no stranger to awards. His movies have received 38 Academy Award nominations and won 12, but to win Best Director for Life of Pi was nothing short of a shock for most. Its stunning visuals set it up for a win in the cinematography category, but Best Director (without wanting to belittle our expectations of Lee or of the movie itself) certainly seemed a toss up between Steven Spielberg for Lincoln or Kathryn Bigelow for Zero Dark Thirty.
However, we were all wrong, and gladly so. In his acceptance speech Lee thanked the cast, the crew, Fox, and Taiwan itself, all components of which came together to make one of the most beautiful films to watch of all time. "Suraj, where are you?" He said, the Telegraph quotes. "You're a miracle. He [carries] the movie. Every one of you in the cast... You're the golden statue in my heart."
Lee is well deserved of the award. While yes, indeed, the cast, the crew and the country all came together to make it work, it was Lee who brought all those components under one roof, as it were. It was Lee's vision that made the unfilmable, filmable; the impossible, possible. And that is something that should always be commended.
Not to worry, Speilberg, you’ll bag best film, everyone knows it. But this was Ang Lee’s day, and he delivered his speech with the eloquence and grace that he’s become known for. “Thank you so much. Thank you movie god,” he said, looking up to the sky and receiving a titter of laughter from a knowing crowd. “I really need to share this with everyone who worked with me on Life of Pi. I want to thank you for believing the story and sharing this incredible journey. I need to thanks Yann Martell for writing this incredible, inspiring book.” This award was perhaps distorted by the fact were both Ben Affleck and Quentin Tarantino both, inexplicably, missed out on nominations, effectively making the Academy voter’s decisions a whole lot easier.
Continue reading: Oscars 2013: Ang Lee Beats Steven Spielberg To Best Director
As awards season kicks off, today with the BAFTA nominations and tomorrow with the Golden Globe award ceremony, actors, actresses, directors and producers everywhere will be biting their nails and praying for a win from at least one of the big three coming up, the aforementioned two, of the Oscars, nominations for which will also be released tomorrow.
There are very few surprises in the BAFTA nominations as this year has some clear stand-out offerings to the trade, and as announced by Alice Eve and Jeremy Irvine, here's the low down on the biggest prizes.
Nominations for best film are the big five: Argo, Les Miserables, Life of Pi, Lincoln and Zero Dark Thirty. Despite BAFTA being a British institution, there's not a British film in sight (except Les Mis, but the majority of leads aren't from the fair isle). Luckily, however, there's a whole separate award for Brits. In that list, the contenders are Anna Karenina, The Best Exotic Marigold Hotel (that was 2012? it seems so long ago), Les Miserables, Seven Psychopaths and a much deserved Skyfall.
A range of intelligent blockbusters, inventive foreign films and beautifully crafted storytelling made 2012 a good year at the cinema...
1. Life Of Pi
Ang Lee's clever, thoughtful adaptation of Yann Martel's acclaimed novel is an unexpected work of art. It's also one of the richest, most challenging, most visually spectacular movies we've ever seen.
Starring: Suraj Sharma & Irrfan Khan
Read the review of Life Of Pi Here!
2. Rust & Bone
French filmmaker Jacques Audiard follows up his amazing prison drama A Prophet with this startlingly edgy, tough-minded romance about two deeply wounded people who find each other.
Starring: Marion Cotillard & Matthias Schoenaerts.
Read the review of Rust And Bone Here!
Continue reading: The Ten Best Films Of 2012
Working with perceptive writer David Magee (Finding Neverand), Ang Lee creates one of the most thoughtful, artistic blockbusters ever made by a Hollywood studio. Although Yann Martel's award-winning novel was considered unfilmable, Magee and Lee have managed to maintain the delicate balance of an awesome adventure story with provocative themes that echo long after the story reaches its tricky, mind-expanding conclusion.
Imaginative teen Pi Patel (Sharma) grew up in a zoo owned by his parents (Hussain and Tabu) in formerly French India. And when hard times come, they decide to pack up and move with the animals to Canada. But the ship they are travelling on runs into a fierce storm in the Pacific, sinking suddenly and leaving Pi as the lone survivor on a lifeboat with a wounded zebra, a frantic hyena, a seasick orang-utan and a hungry Bengal tiger named Richard Parker. Over the coming months, Pi and Richard Parker survive due to the challenges of coexisting in such a confined space. And with his Buddhist, Christian and Islamic beliefs, Pi now believes the experience also helps explain the existence of God.
The film adds a framing device as a writer (Spall) interviews the older Pi (Khan), essentially putting both us and Martel into the story. This helps open the themes up in intensely personal ways, while grounding the extravagantly visual ordeal at sea with a quietly involving house-bound conversation. And far from removing suspense, knowing that Pi survives brings out the layers of meaning in ways that are suspenseful and challenging. Everything about the story is infused with the idea of faith in God, with intriguing parallels in the relationships between humans, animals and nature. But none of this is overstated: it's subtle and questioning rather than preachy. And much more effective as a result.
Continue reading: Life Of Pi Review
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