With the warm, evocative, sublimely human, sweetly melancholy romantic comedy "Italian for Beginners," the fascinating Danish-born minimalist moviemaking style called Dogme95 has graduated beyond its signature look of shaky-vérité handheld cameras, "found" settings and natural light.
While the Dogme movement has produced several fascinating films, its strict, nitty-gritty code the filmmakers work under -- no soundstages or stage lighting and no stationary cameras among other rules -- has felt conspicuous in many of the 25-odd films certified by the informal genre governing body, the Dogme Collective.
But in "Italian," writer-director Lone Scherfig has dropped the pretense and just made a movie. Her filmmaking is transparent, so nothing stands between the viewer and the picture's wonderful world of curiously interconnected characters.
Continue reading: Italian For Beginners Review
Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The actor plays the titular hero in the forthcoming adaptation.