In The In-Laws (based on the 1979 film of the same name), like most other Michael Douglas vehicles, his gaunt face is rarely off the camera. Wisely, director Andrew Fleming inserts a hilarious Albert Brooks as the perfect remedy for Douglas's self-absorption.
Continue reading: The In-Laws (2003) Review
Samuel L. Jackson (Unbreakable, Shaft) teams up with Lemmons again (he played the philandering husband in Eve's Bayou) to star as the disturbed and homeless Romulus. Thankfully, no easy explanation is ever uttered as to the nature of his psychosis. He lives partially obsessed with a fantasy world in which exotic dancers inspire his hands on the piano, and his ultimate nemesis resides in the Chrysler building.
Continue reading: The Caveman's Valentine Review
After seeing Steve Buscemi's sophomore directorial effort, Animal Factory (following 1996's Trees Lounge), I nearly reconsidered choosing film criticism as a career path. For the first hour of this film, it seemed the way to go was to become a convict. (By the way, ma, they don't call 'em inmates in the pen, they call 'em convicts.)
Continue reading: Animal Factory Review
Continue reading: If... Dog... Rabbit... Review
By my calculations - and this is far from scientific - Seagal appears in approximately 15% of his own scenes. The rest of the time, director Don Michael Paul uses quick-cuts, (very) large shadows and wide-angle shots taken from a distance to hide the liberal use of a body double. So why use Seagal at all? Is he really a draw? An effective marketing tool?
Continue reading: Half Past Dead Review
Helming the project are brothers Timothy Lihn Bui (director/screenwriter) and Tony Bui (story/producer), previously responsible for the Harvey Keitel film Three Seasons. For Green Dragon, the film uses a refugee camp as purgatory for the Vietnamese people and constructs a vivid backdrop for examining the attitudes and actions of a displaced people forging new lives.
Continue reading: Green Dragon Review
But movies like The Spanish Prisoner, Things Change, and The Winslow Boy display a roundness to Mamet's innate abilities. And it's almost a crime to witness how all of that goes awry in his latest film, Heist.
Continue reading: Heist Review
Heck, even Stevie Wonder jokes are fresher than the Ballistic script. Blessed with the most ridiculous title in recent memory, Ballistic pits icy cool Antonio Banderas against smoldering hot Lucy Liu and watches the sparks fly. And fly. Then explode. And then fly some more. Liu, as rogue DIA agent Sever, kidnaps a child who's unknowingly carrying the latest invention of an unidentified shadow government. The device turns soldiers into flawless assassins. Eager to get their own hands on the device, the FBI blackmails former agent Jeremiah Ecks (Banderas) into stopping Sever and retrieving the boy.
Continue reading: Ballistic: Ecks Vs. Sever Review
3000 Miles to Graceland is not the realization of that dream.
Continue reading: 3000 Miles To Graceland Review
After working as an actor for some time, Kasi Lemmons (The Silence of the Lambs)...
Dear Ma,After seeing Steve Buscemi's sophomore directorial effort, Animal Factory (following 1996's Trees Lounge), I...
Martin Boris Velanov is the hardest working man in show business. According to the...
The Vietnam War is a time and place most people have chosen either to forget...
David Mamet is a good director. Mamet's an even better screenwriter and playwright....
Pay good money to see Ballistic: Ecks Vs. Sever and you have nobody but yourself...
Those of you hoping to hear about a clever casino heist picture in the style...
When one thinks of a Big Kahuna, Kevin Spacey suits that title just fine....