The new film Beowulf & Grendel is an attempt to demythologize the battle between these two mythic beings. Here Beowulf (Gerard Butler) is no badass; he's entirely human and very flawed. He's not the unstoppable warrior from the legends but a somewhat skilled and at times very lucky soldier. And Grendel is not the misshapen monster but a lonely Neanderthal with a grudge against mankind. As played by Ingvar Sigurdsson, he's sympathetic (and very hairy) lout. When he's not shouting with rage into the inexplicable heavens, he's bowling with skulls. The title is a dead give away that this isn't going to be your granddad's Beowulf story. The fact that it's "and" and not "versus" means that Beowulf & Grendel has an agenda, and in tune with contemporary mores this agenda involves demonstrating how both Beowulf and Grendel are outsiders. Beowulf isn't really that good and Grendel's just misunderstood. (This is all explained, naturally, by a sexy but socially conscious witch, Selma, herself an outcast, played by the incredibly miscast Sarah Polley (Go).)
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