Litchfield is getting overcrowded with no less than a hundred new inmates getting crammed into the place. Plus, it's not getting any easier for Piper Chapman, who already feels like she's in danger of serious harm most of the time. Now she's got a new enemy within the walls of the Litch who is intent burying her. She may only have a short sentence compared with some of the other inmates, and maybe she's a lot more educated than most of them, but none of that has helped her out yet. There's a new prison guard at the facility too, who is really not getting on well with the female inmates. Meanwhile, Sophia Burset is having a hard time as the only transgender woman on the site, which has always put her as a target for transphobic cattiness but now more so than ever. She's even the victim of a violent attack, and the prejudice threatens her hairstyling business.
Andrew McCarthy - A host of stars were photographed as they attended the 2015 Disney Media Distribution International Upfronts event which was held at The Walt Disney Studios Lot in Burbank, California, United States - Monday 18th May 2015
Pretty In Pink star Andrew McCarthy has apparently secretly married his girlfriend and stage manager Dolores Rice. The press were evidently pretty slow to catch up on it too, as the union reportedly happened last year.
The actor-turned-travel writer exchanged vows with Rice on August 28th of last year after several years of dating. McCarthy has been married previously, when he wed his college sweetheart Carol Schneider, and he admitted that it took him a while to get over that failed attempt and pluck up the courage to get wed again. He confessed that he only agreed to settle down with the mother of his six-year-old daughter Willow after taking a remote trek through South America.
Talking to Us Weekly magazine, the actor said "Dolores and I had a great life, and yet I was yearning to hit the road. Some people go to therapy to figure it out; I sailed down the Amazon!... I told her, 'I'm going away from you so I can come home to you.'" McCarthy's last marriage ended when he divorced Schneider in 2005, the pair of them having had one child together, Sam, aged 10. McCarthy's had a relatively quiet year work-wise, perhaps this surprise marriage explains why.
Lovelorn singer-songwriter Alex (O'Nan) is struggling to survive in New York after the departure of his latest musical partner (Ritter). And when he loses his day job, he decides to head back across country to stay with his older brother (McCarthy). Before he leaves, he has an encounter with crazed stalker-fan Jim (Weston), who proposes that they become a double-act and take a cross-country tour to an L.A. battle of the bands. He reluctantly goes along with this, and is even more nervous about letting the rather aggressive Cassidy (Kebbel) join them.
Continue reading: The Brooklyn Brothers Beat The Best Review
Ditched by his beloved, budding musician Alex thinks things can't get much worse. But when he's fired by both his band mate and eventually his real estate office boss, it's safe to say that he hits rockbottom. Performing gigs at every opportunity (including a special needs school), he is in dire need of his big break. That's were Jim comes in. Jim is a musical enthusiast who develops big ideas after hearing Alex perform. He books a string of US tour dates for the two of them to embark on together to Alex's initial resentment and utter reluctance. Their amateur performances kick off at a wobbly start but the pair eventually start to bounce of one another and create a new sound that sparks interest from audiences. However, the tour comes to an abrupt halt when their unreliable 'tour manager' Cassidy abandons them and Alex is forced to quit the tour and escape to his brother's house where he goes on a journey of self-discovery.
Against his will, teenager Tommy (Denton) is sent to a Camp Hope by his deeply religious parents (Delany and McCarthy). More like a military bootcamp than a week of summer fun, the camp is run by a cult-like covenant community. The rules Father McAllister (Davison) enforces are painfully strict, although Tommy scores points because he's reading Dante. Fortunately, no one knows about his crush on Melissa (de Angelis). Meanwhile, after a violent demon-related incident, Daniel (Eisenberg) has been in a mental health facility for six months.
Continue reading: Camp Hell Review
Andrew McCarthy and Dolores Rice - Andrew McCarthy, Dolores Rice New York City, USA - Chanel Tribeca Film Festival Dinner in support of the Tribeca Film Festival Artists Awards Program at Odeon Wednesday 28th April 2010
Pretty in Pink stands out as the perennial ladies' favorite from the Brat Pack era, with Ringwald turning in an unforgettable role (and role model) as a poor girl named Andie who takes care of dad (Harry Dead Stanton playing a stereotypical drunk), makes great grades (and her own clothes), all while finding herself pursued by no fewer than three guys. The real competition comes down to a war between the rich kid (Andrew McCarthy) and Andie's fellow poor-boy (Jon Cryer, whose wannabe hipster "Duckie" has become a legend of the era).
Continue reading: Pretty In Pink Review
Though it's too limited in scope and budget to be -- as the ad copy would have it -- a celebration of the "style and sensibility of Technicolor musicals," co-writers Robert Cary and Isabel Rose have put together a fairytale story line with a Sweet Home Alabama dilemma: Their heroine has to choose between the rich guy and the dedicated, artistic type; between financial independence and a hazardous career.
Continue reading: Anything But Love Review
Litchfield is getting overcrowded with no less than a hundred new inmates getting crammed into...
Fans of whimsical American indie movies will enjoy this ramshackle road comedy about a couple...
Ditched by his beloved, budding musician Alex thinks things can't get much worse. But when...
Even with some unnerving supernatural elements, the scariest thing about this low-key horror film is...
The youth of today -- the kids just entering their teens -- will they regard...
The production values in Anything But Love are primitive, the story is derivative, performances are...