Jay's lived a less than honest life, sleeping around with women he could never care about, fritting away money he doesn't have in casinos and at races and drinking away his problems every night at seedy bars. However, when he meets Daisy, a mentally unstable but harmless young girl who has lived virtually her whole life indoors sheltered from the harms the real world can bring, his life begins to change and he endeavours to take her along to his wealthy parents' house on the weekend of his brother's wedding to prove to them that he can change his ways. Having never tasted a drop of alcohol in her life, kissed a boy, gone to school or owned a pair of shoes, Daisy also sees her life turn into an adventure as she seemingly becomes the only one who can change this man's stony heart and force him to love her.
Continue: Barefoot Trailer
In the Mesa high school in Tucson where Fleming sets his gonzo theatrics, culture is either alive-and-well or being beaten to death with a sack full of cantaloupes, depending on who you talk to. The drama department has just finished a stage production of Steven Soderbergh's Erin Brockovich, under the tutelage of Dana Marschz (Steve Coogan). An actor who hit his peak on commercials for herpes medication and Jack LaLanne's Power Juicer (two products that aren't always mutually exclusive), Marschz has moved his wife (Catherine Keener) and random friend Dave (David Arquette) to Arizona to teach acting. It's the first day of the new semester when Marschz finds out that his class has grown from a closeted homosexual (Skylar Astin) and a goody-two-shoes (Phoebe Strole) to an entire class made up mostly of Latino outcasts and some white dude who has a jones for rave culture. It's no small wonder that Marschz's dementia, once goofy and lovable, becomes unstable and leads concurrently to the attempted dismantling of the drama department and the writing of Marschz's titular brainchild, Hamlet 2.
Continue reading: Hamlet 2 Review
But Andrew Fleming's take on Nancy Drew turns out to be a snappy charmer. Though the film takes place in the present, Nancy's life could still be described by the MPAA tags on a trailer for a PG movie: mild peril, brief teen partying; she hasn't been glammed into 2007. But the film uses this mildness to its advantage, starting with the decision not to play Nancy's old-fashioned virtues -- lawful curiosity, modest fashions, and an unfailing politeness even in the face of peril -- for satire. That is not to say that Nancy (Emma Roberts, niece of Julia, son of Eric) isn't oblivious to modern life; she knows about iPods and laptops. She's just old-fashioned (she prefers vinyl and books), which makes her dedication to old-timey detecting (or "sleuthing," as she calls it) all the more individualistic, even touching, as well as sweetly funny.
Continue reading: Nancy Drew Review
Rarely have I been able to totally boil down the plot of a film so succinctly, but with The Craft, it's a piece of cake. What, no intricate subplots, you ask? No involved character development? No story progression from one act to the next?
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The two are spotted in the White House by a gaurd who originally saw the girls at Watergate the night of the burglary. The two are taken to the infamous "West Wing" where they meet and fall in love with President Richard "Dick" Nixon, played by Dan Hedaya, and very well I might add. Unfortunetly Hedaya's very entertaining performance of Dick couldn't save this already ill-fated non-comedy.
Continue reading: Dick Review
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