The production design is murky, as though everything were taking place after a storm, with the actors wearing drab brown under heavy, tangled hair and beards. Everyone looks grim and unhappy, and they don't emote very much. The killers, including Jon Finch's Macbeth, stumble semi-moronically into their choices -- even would-be good guy MacDuff (Terence Bayler) comes off as less of a heroic avenger than an ignorant thug.
Continue reading: Macbeth Review
In the film, Polanski plays a quiet man who moves into a small apartment recently vacated by a woman who committed suicide by jumping out of the window -- for unknown reasons. Polanski's Trelkovsky quickly becomes embroiled in mysterious goings-on, including a dalliance with a stranger (Isabelle Adjani) he encounters at the hospital while visiting the former tenant's death bed, endless creepy apartment-mates, and a slow descent into insanity as he becomes obsessed with the life of the former tenant.
Continue reading: The Tenant Review
In his final big role before his death, Sellers brings to life a man called Chance, a feeble-minded and quiet middle-aged gardener in a Washington, D.C. mansion he's never left. Chance's life - which consists of tending to the small garden, taking meals prepared by another servant, and watching and mimicking television - is shattered when the patron of the manse passes away and the house is sold, forcing Chance out into the harsh world he's never experienced.
Continue reading: Being There Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...