Andreas Grosch

Andreas Grosch

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Monster (2003) Review


OK
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster (2003) Review

Lucky Number Slevin Review


Good
Pay attention. This is going to be confusing.

Everyone thinks the mysterious Slevin (Josh Hartnett) is Nick. The confusion is understandable; after all, Slevin does look like Nick, and he's staying at Nick's apartment for a few days while the real Nick (Sam Jaeger) is somewhere else -- though nobody knows where, or even if he's alive. The only person to know that Slevin isn't Nick is Nick's neighbor, Lindsey (Lucy Liu). She discovers Slevin when she knocks on Nick's door to borrow ingredients, but accidentally she catches a glimpse of Slevin as he's getting out of the shower -- flames of lust ignite.

Continue reading: Lucky Number Slevin Review

Monster Review


OK
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster Review

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