Andrea Riseborough

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21st Annual SAG Awards - Arrivals

Andrea Riseborough - 21st Annual Screen Actors Guild Awards - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, United States - Sunday 25th January 2015

Andrea Riseborough
Andrea Riseborough
Andrea Riseborough
Andrea Riseborough
Andrea Riseborough

21st Annual SAG Awards

Andrea Riseborough - A host of stars were photographed on the red carpet as they arrived at the 21st Annual Screen Actors Guild Awards which were held at the Shrine auditorium in Los Angeles, California, United States - Sunday 25th January 2015

Andrea Riseborough
Andrea Riseborough
Andrea Riseborough

21st Annual SAG Awards - Press Room

Andrea Riseborough, Emma Stone, Amy Ryan, Naomi Watts, Edward Norton and Michael Keaton - A variety of stars were photographed in the press room at the 21st Annual SAG Awards which were held at the Shrine Auditorium in Los Angeles, California, United States - Sunday 25th January 2015

Andrea Riseborough, Emma Stone, Amy Ryan, Naomi Watts, Edward Norton and Michael Keaton

21st Annual SAG Awards - Press Room

Andrea Riseborough, Emma Stone, Amy Ryan, Naomi Watts, Edward Norton and Michael Keaton - A variety of stars were photographed in the press room at the 21st Annual SAG Awards which were held at the Shrine Auditorium in Los Angeles, California, United States - Thursday 22nd January 2015

Andrea Riseborough, Emma Stone, Amy Ryan, Naomi Watts, Edward Norton and Michael Keaton
Andrea Riseborough, Emma Stone, Amy Ryan, Naomi Watts, Edward Norton and Michael Keaton
Andrea Riseborough, Emma Stone, Amy Ryan, Naomi Watts, Edward Norton and Michael Keaton

20th Annual Critics' Choice Movie Awards - Arrivals

Andrea Riseborough - A host of stars were snapped as they attended the 20th Annual Critics' Choice Movie Awards which were held at the Hollywood Palladium in Los Angeles, California, United States - Friday 16th January 2015

Andrea Riseborough
Andrea Riseborough and John Lesher

Birdman Review


Excellent

Mexican filmmaker Alejandro Gonzalez Inarritu continues to reject traditional narrative structures with this whizzy, ambitious exploration of celebrity, art and commerce. And the clever casting of Michael Keaton adds another layer of meaning to the whole film, which is shot as one long wildly entertaining single take and pointedly subtitled "The Unexpected Virtue of Ignorance". Blackly hilarious and darkly emotional, this is an exploration of how show business can push a person to the brink of madness. And maybe knock them over the edge.

Keaton stars as Riggan, once a top movie star known for his three Birdman blockbusters. But he hasn't done anything notable since, and is now trying to reboot his career by directing, adapting and starring in a Broadway play based on a Raymond Chandler story. The problem is that no one will let him escape from the iconic superhero character he's best known for, least of all Birdman himself, who mentally haunts and taunts Riggan at every turn. Meanwhile in the theatre, Riggan locks horns with costar Mike (Edward Nortan), a controlling show-off brought in at the request of lead actress Lesley (Naomi Watts). As opening night approaches, Riggan and his producer-friend Jake (Zach Galifianakis) are also struggling with the demands of high-maintenance costar Laura (Andrea Riseborough), plus distractions from Riggan's daughter-assistant (Emma Stone) and ex-wife (Amy Ryan).

Inarritu and ace cinematographer Emmanuel Lubezki tell this story as if it's one continuous snaky shot with the camera following Riggan through the maze-like backstage corridors, into the theatre and out into nearby Times Square streets. The virtuoso filmmaking is simply breathtaking, and it works perfectly because all of the characters are packed with pungent details and fully developed inner lives. The actors find all kinds of quirks that are both hilarious and darkly thoughtful, creating jagged interaction as they cross paths with each other, sparring riotously for attention. Every scene bristles with startling revelations and barbed jabs at the Hollywood system.

Continue reading: Birdman Review

Birdman - Exclusive Featurette


The cast and crew of 'Birdman' discuss the visionary filming techniques behind the movie in a short featurette. Among them are director, writer and producer Alejandro González Iñárritu, producers John Lesher and James W. Skotchdopole, and stars Michael Keaton, Edward Norton, Emma Stone, Naomi Watts, Zach Galifianakis, Andrea Riseborough and Amy Ryan.

Inarritu explains his initial idea of having the audience see the movie through the eyes of main character Riggan Thomas himself, which resulted in a one-take experience that struck fear in the hearts of the cast who, as Emma reveals, constantly had to be switched on in their roles. We also get a glimpse into the semi-hallucination effects that affect Riggan throughout the movie.

'BiRDMAN (or The Unexpected Virtue of Ignorance)' is released in UK cinemas on 1st January 2015.

Birdman - Clips


Riggan Thomas (Michael Keeton) is faced with a serious problem. In an attempt to make himself appear relevant in the new world following his role as television superhero Birdman twenty years ago, he has written a stage adaptation of sixty-year-old book. But his problem is, that the actor hired to star in the production has dropped out. The plays producer, Jake (Zach Galifianakis) is in the process of explaining how much trouble they are in, when Lesley (Naomi Watts) explains that her lover, the famous Mike Shiner (Edward Norton) is ready and willing to step into the role. 

Continue: Birdman - Clips

Video - Emma Stone And Edward Norton Arrive At Venice Film Festival 'Birdman' Premiere


'Birdman' stars Emma Stone and Edward Norton made their arrivals on the red carpet at the movie's premiere held at the 71st Venice Film Festival. The comedy drama is set for UK release in January 2015.

Continue: Video - Emma Stone And Edward Norton Arrive At Venice Film Festival 'Birdman' Premiere

Birdman - International Trailer


20 years ago, Riggan Thomas (Michael Keaton) played the iconic Birdman - a comic book hero for the big screen. Having watched his career dissolve in the intervening years, Riggan has adapted a Raymond Carver's What We Talk About When We Talk About Love and intends to direct and star in it as part of his big come back. In an attempt to show the world that he still matters, he ends up struggling most of all to prove his worth to both himself and his family. As troubles begin to emerge in the run up to the opening night, Thomas becomes haunted by his early fame, manifesting as a Birdman alter ego. 

Continue: Birdman - International Trailer

Birdman - Trailer


Riggan Thompson used to be a major movie star having played a much-loved onscreen superhero, Birdman, in his more prolific years. However, he's starting to believe he was just a one trick pony as he struggles desperately to get his Broadway debut underway having just written his first play. Things just don't seem to be going right for Riggin, however, when everything surrounding the production begins to fall apart and he has to cast a younger and cockier actor for the main role - a man he utterly abhors and feels he simply cannot work with. Not only that, but his personal life is also taking a massive blow and he must find a way to reconnect with his family so that, maybe, he can re-discover himself along the way.

Continue: Birdman - Trailer

Oblivion Review


Good

With elements lifted from virtually every sci-fi classic in film history, this post-apocalyptic adventure feels eerily familiar but features just enough plot twists and emotional resonance to make it enjoyable. Director Kozinski (Tron Legacy) also makes sure it looks amazing, with cool-looking sets and gadgets and an entertaining use of destroyed New York and Washington landmarks.

It also gives Cruise a slightly more internalised character than he usually plays in big blockbusters. He's Jack, a repairman 60 years after aliens blasted the moon to bits, causing earthquakes and tidal waves. Now it's 2077 and the remnant of humanity is being evacuated to Saturn's moon Titan, while mop-up teams help protect giant resource-gathering machines from alien scavengers. Jack works Sector 49 with his partner Victoria (Riseborough), but has vivid, impossible dreams of a life on pre-war Earth with a mysterious woman (Kurylenko). When she suddenly turns up in an ancient spacepod, and Jack discovers a scrappy group of human survivors led by Beech (Freeman), he begins to wonder what's really happening here.

And so do we, since we have begun doubting the entire set-up from Jack's opening narration. Mission commander Sally (Leo) looks very shifty indeed, and there's something vaguely fishy about all of the sleek glass, steel and plastic technology. As Jack's gleaming white leather outfit becomes increasingly murky, so does his simplistic view of his own life. And Cruise holds the film together nicely with an introspective turn as a man who's just enigmatic enough to engage our interest. Riseborough and Kurylenko, meanwhile, get much juicier roles, providing strongly emotional layers to the story. And Freeman and Leo add a bit of class.

Continue reading: Oblivion Review

Welcome to the Punch Review


OK

After the tiny drama Shifty, British filmmaker Creevy turns to both Hong Kong and Hollywood for inspiration, creating an unusually glossy, explosive London cop thriller. But for all the sleek filmmaking and energetic action, the film struggles to make us care about characters who are dark and troubled. Their complexity is interesting, but not hugely engaging.

Adding to the visual sheen, the action is set among the gleaming glass and steel skyscrapers of Canary Wharf in East London, where detective Max (McAvoy) is still struggling to accept his inability to stop a heist three years earlier. The mastermind Jacob (Strong) managed to escape then, but he's back in town now, so Max is chomping at the bit to grab him. Max's lieutenant (Morrissey) tells him to back off, but he secretly works with his partner Sarah (Riseborough) to join the hunt. Meanwhile, Jacob teams up with an old pal (Mullan) to find out why one of the gang members (Harris) is on a murderous rampage. Which puts Jacob on a collision course with Max.

With so much full-on gunplay in a city where cops aren't actually armed, the film feels like it's set in some sort of parallel reality London. And Creevy augments this fantasy tone by indulging in shootouts that are sudden and brutal - like John Woo crossed with Michael Mann. The plot is full of clever twists, as motivations are revealed and a political conspiracy becomes apparent. It's all a bit convoluted and implausible, and the details are annoyingly murky, but within this premise the cast are able to find some emotional resonance.

Continue reading: Welcome to the Punch Review

Disconnect Trailer


With the 21st century world revolving around the it, people are becoming gradually more and more dependent on the internet, and it isn't without consequences. Derek and Cindy's marriage is on the rocks as he struggles to curb his online gambling habits and she enters into an extramarital affair with a stranger on a social networking site. Unfortunately, their secrets are forcibly uncovered when they realise that money is going missing from their accounts, due to an alarming case of identity fraud. Elsewhere, a teenaged social outcast is delighted when a girl online becomes seemingly interested in him leading him to send her some intimate pictures on her request. However, when the pictures show up around school, he is devastated to learn that he has been the victim of a cruel joke at the hands of a cyber-bully who created a fake account. Meanwhile, an ambitious journalist is curious to learn about young teenagers being intimate via webcam with strangers and sets out to get the scoop on the shocking practise despite ruining lives on the way.

Continue: Disconnect Trailer

Welcome To The Punch Trailer


Max Lewinsky is a determined police detective who remains bitter about never managing to find and arrest the elusive criminal that is Jacob Sternwood. However, he is in with another chance of victory when Sternwood leaves his hideout in Iceland to return to the streets of London where his son Ruan is lying unconscious in a hospital bed after suffering a near-fatal bullet wound to the stomach during a heist that went wrong. Knowing that Sternwood will attempt to sneak in to the hospital to see his son and also attempt to smuggle him out under the police's nose, Lewinsky pulls out all the stops in the biggest effort of his career to catch this former criminal and reinstate his flawless reputation. However, as they come face to face, the both of them find themselves in the middle of a much bigger scheme and the pair must work together to uncover the shady truth.

Continue: Welcome To The Punch Trailer

Andrea Riseborough

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