Gisaburo was always in the way of Toyoji and Seki, but murder wasn't an option until Toyoji decided to restrain Seki and shave her. Of course, Gisaburo would eventually see Seki's smoothness and know that she's been with another man. And that just won't do. The interesting thing isn't that the two commit the murder together, but that Toyoji's single, selfish desire of the flesh motivates it. When he's with Seki, he's only concerned with dominating her submissiveness. His lustful passion blinds him to the consequences of his actions. And the trouble for the two lovers, and the film alike, begins with Gisaburo's death.
Continue reading: Empire Of Passion Review
Wim Wender's film opens with Travis wandering in a Texas desert. Lost for four years, Travis' brother, Walt, travels to Texas to claim him and takes him back to Los Angeles where Walt lives with his wife and Travis' son. Given Travis' absence, his son has all but forgotten about him -- causing Travis to clean up his act and get his life back in order. Given that Travis doesn't say a word for the first 20 minutes of the film, it's a little bizarre when the film focuses solely on him in the second and third acts -- turning a blind eye to Walt and his wife, who have been moving the story along for the first half.
Continue reading: Paris, Texas Review
Plot-wise, this is refreshingly simple stuff. Paul (Jean-Pierre Léaud), a spray can-toting socialist in 1960s Paris, spends his time rallying against all things American, when he falls head-over-heals for Madeleine (played by real-life yé yé singer Chantal Goya), a pretty but clueless brunette on the verge of commercial breakthrough (she's already burning up the charts in Japan). Broke and evicted, Paul moves in with Madeleine and her roommates, Elizabeth and Catherine (Marléne Jobert and Catherine-Isabelle Duport), where he continues his attempts to reconcile his disapproval of Madeleine's money-driven dreams with his deep-seated hankering to get it on with her.
Continue reading: Masculine Feminine Review
Oskar (David Bennett) is a young lad in 1920s Germany, and at the age of three he realizes that as he gets older, the attention he's given will rapidly wane. He decides to quit growing and hurls himself down the cellar. He achieves his goal. Ten years later, Hitler is on the rise, and Oskar is still romping around with his precious tin drum, physically unchanged since that day but deeply affected by life experience nonetheless.
Continue reading: The Tin Drum Review
Barely 30 minutes in length, the short film comprises a current (for 1955) tour of the various concentration camps intercut with archival video from them. Modern-day documentaries (why they keep making new ones I'll never figure out) show the crumbling facades of Auschwitz and its brethren, but in '55 things were still relatively intact. Although the architecture was already decaying -- a testament to how hastily the camps were constructed -- you can still sense the presence of the victims who resided in the dormitories and gave up their lives in the furnaces. Surprisingly it's not this footage that is the most powerful; rather, when Resnais shows us the present day, with its disintigrating mortar between the bricks and not a soul to be found, we get a real sense of history and how quickly it can create a new identity.
Continue reading: Night And Fog Review
Continue reading: In The Realm Of The Senses Review
The rambling story takes on a semblance of shape when Damiel decides to literally fall from grace and become mortal after falling in love with Marion (Solveig Dommartin), a trapeze artist. Plopped onto the streets of Berlin (shot in color now that he's human), Damiel strides around the city searching for his love, with a look of transfixed delight on his face as he takes in every detail that he was only able to study before, and can now experience; while Cassiel watches with a mournful expression in his black-and-white world.
Continue reading: Wings Of Desire Review
On the surface the film has a straightforward plot. A French actress Elle (Emmanuelle Riva) is staying in Hiroshima for a few days shooting a movie about peace. There she meets a Japanese architect named Lui (Eiji Okada) with whom she has a one night stand. Despite the fact that both of them are married they find themselves falling love with one another.
Continue reading: Hiroshima Mon Amour Review