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Amy Sedaris Thursday 20th September 2012 New York City 2012 Ballet Fall Gala - Inside Arrivals

Amy Sedaris
Amy Sedaris

Amy Sedaris and The Rain - Amy Sedaris, being shielded from the rain by an assistant holding an umbrella New York City, USA - 'The Late Show with David Letterman' at the Ed Sullivan Theater - Arrivals Tuesday 22nd November 2011

Amy Sedaris and The Rain
Amy Sedaris and The Rain

Amy Sedaris Sunday 23rd October 2011 The Los Angeles Premiere of 'Puss in Boots' held at the Regency Los Angeles, California

Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris

Amy Sedaris Tuesday 21st June 2011 'The Late Show with David Letterman' at the Ed Sullivan Theater - Arrivals New York City, USA

Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris

Amy Sedaris Monday 29th November 2010 Amy Sedaris appearing at Chapters Festival Hall for craft demonstration and book signing to promote her latest book 'Simple Times'. Toronto, Canada

Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris
Amy Sedaris

Amy Sedaris and Ed Sullivan - Monday 11th October 2010 at The Late Show With David Letterman New York City, USA

Amy Sedaris and Ed Sullivan
Amy Sedaris and Ed Sullivan
Amy Sedaris and Ed Sullivan
Amy Sedaris and Ed Sullivan

Dance Flick Review


Terrible
The recent spate of dance-based movies is ripe for parody, but this pastiche never manages to find an actual joke. We're left with a painfully convoluted non-plot trying to link together a series of lead-ins to never-realised punchlines.

Megan (Bush) is a perky teen who always wanted to be a ballerina but wound up in the inner-city Musical High School instead of Julliard. She's befriended by the sassy Charity (Atkins), whose brother Thomas (Wayans Jr) catches her eye and offers to teach her some new dance steps. But Thomas and his pal (Crockett) are in debt to a local gangster (Grier). To pay up they need to take on a rival team in The Streets dance-off, which happens to be on the same night as the school's Senior Showcase.

Continue reading: Dance Flick Review

Amy Sedaris and David Letterman - Thursday 21st May 2009 at Ed Sullivan Theatre New York City, USA

Amy Sedaris and David Letterman
Amy Sedaris and David Letterman
Amy Sedaris and David Letterman
Amy Sedaris and David Letterman

Dance Flick Review


Very Good
For crass inconsistency, you can't beat the Wayans family. Sure, they gave us TV's In Living Color, and back when big brother Keenan Ivory was behind the lens, there was I'm Gonna Get You Sucka and Scary Movies 1 and 2. Of course, since then, they up-chucked the horrific White Chicks, and the equally repugnant Little Man on unsuspecting audiences. Now they are back doing what (they think) they do best -- making fun of current cultural trends. In this case however, their parody of the Dance Flick film is, believe it or not, right on the money.

When her mother dies unexpectedly, Meghan White (Shoshana Bush) leaves the suburbs and heads for the big city. There she attends Musical High School and quickly befriends brash unwed mother Charity (Essence Atkins), the chubby Tracey Transfat (Chelsea Makela), and the standard good boy mixed up with a bad crowd, Thomas Uncless (Damon Wayans Jr.). At first, she could care less for her hip-hop loving classmates. But soon, she is turned around by the beat of the music and the attentions of Tom.

Continue reading: Dance Flick Review

Amy Sedaris Thursday 2nd April 2009 at Radio City Music Hall New York Premiere of 'Rescue Me' Season 5 held at Radio City Music Hall.

Amy Sedaris
Amy Sedaris
Amy Sedaris

Amy Sedaris, CBS and David Letterman - Monday 25th August 2008 at Ed Sullivan Theatre New York City, USA

Amy Sedaris, Cbs and David Letterman
Amy Sedaris, Cbs and David Letterman
Amy Sedaris, Cbs and David Letterman

Amy Sedaris - Tuesday 27th May 2008 at Radio City Music Hall New York City, USA

Amy Sedaris
Amy Sedaris

Snow Angels Review


Good
There are about two or three different films fighting for control of the screen during David Gordon Green's powerful but flawed Snow Angels, and in the end none of them win. An adaptation by Green (All the Real Girls) from the novel by Stewart O'Nan, the film is at its core a dispiriting domestic drama in which single mother and waitress Annie (Kate Beckinsale) is trying to raise her daughter and deal with the encroaching return of her ex-husband, Glenn (Sam Rockwell), a onetime suicide case and drunk who has now found Jesus and wants back into Annie's life. Set to swirling all around this ugly and embittered core are several stories that never quite seem to plug into each other dramatically, no matter that their characters are closely interrelated via love, friendship, family, and the shockingly violent turn everything takes in the closing minutes.

Set in a small and snowbound Pennsylvania town, Snow Angels at the very least looks like a town from reality, as opposed to the idyllic villages filmmakers create when they want to tell moral fables about violence and family (see Reservation Road, In the Bedroom, and so on). It starts with a high school marching band practicing in the cold, performing in a lackluster fashion that brings about a hilariously stern lecture from their instructor (played to icy perfection by Tom Noonan). Then a pair of gunshots are heard cracking through the cold air and the film flashes back to "weeks earlier."

Continue reading: Snow Angels Review

Romance & Cigarettes Review


Weak
John Turturro's dream project Romance & Cigarettes is a gutter-style jukebox musical with chutzpah to spare and which doesn't know when to quit. It's all here: Singing garbagemen! Catfight in a SoHo lingerie store! Hot-to-trot Kate Winslet as a scorchingly foul-mouthed Irish hussy. Toe-tapping Christopher Walken in full strutting peacock mode, driving an old Detroit beater with a license plate reading "BoDiddley." A wife screaming at her husband, recently discovered cheating, "I trim your nose hair!" Family, infidelity, and a basketful of pop tunes for everyone to sing along to -- Ute Lemper to Connie Francis to Bruce Springsteen to James Brown to Tom Jones to....

Somewhere in all Turturro's chaos is a story about Nick Murder (James Gandolfini), a blue-collar schlub with a stolid wife, Kitty (Susan Sarandon), and a trio of slightly cracked daughters -- Constance, Baby, and Rosebud (Mary-Louise Parker, Aida Turturro, and Mandy Moore, respectively) -- who function partially as a junior set of Furies but are mostly there to bash out songs in the backyard as part of the three-piece bubblegum garage band they've formed. In short: Nick's a two-timing bastard who's stepping out on the wife with Tula (the previously mentioned Irish hussy), a fact Kitty doesn't take to overly well, and numerous friends and family get dragged into their scuffle and forcing everyone to occasionally bust out in song.

Continue reading: Romance & Cigarettes Review

Chicken Little Review


Good
Now that Disney finally has gotten rid of that albatross of Pixar, the Mouse can finally get on with making computer animated movies by itself. Gosh!

But seriously, Chicken Little is Disney's first solo stab at a CGI kiddie flick, something that was going to happen sooner or later and which, given Disney's recent track record in animation, has had most moviegoers scared silly. Chicken Little takes an age-old fable and hands the story to director Mark Dindal (who directed the best animated Disney movie in recent memory, the under-seen The Emperor's New Groove). Nice start, but... Chicken Little? "The sky is falling, the sky is falling?" In the original story, Chicken Little gets beaned with an acorn and gathers up all his friends to tell the king that the sky is falling. As they trek to visit the king, they are captured by Foxy Loxy and (depending on how gruesome the interpretation you're reading is) are promptly eaten.

Continue reading: Chicken Little Review

Strangers With Candy Review


Very Good

Amy Sedaris' Comedy Central series Strangers with Candy was an absurdist deconstruction of after school special conventions, following the wacky travails of 46-year-old ex-junkie, ex-con, ex-prostitute Jerri Blank (Sedaris) as she reentered high school as a freshman student. A potent cocktail of vulgarity, farcicality, and switchblade-sharp wordplay, the show was a mild cult hit for the then-fledging cable channel (as well as its first original live-action program), running for three brief seasons and eventually launching the career of Stephen Colbert (The Colbert Report). Unceremoniously cancelled in 2000 just as it was hitting its ludicrous stride, Strangers with Candy seemed destined to become another footnote in television history, consigned to the same overlooked fate as Chris Elliot's Get a Life and Fox's recently canned Arrested Development. Until, that is, Sedaris and co-creators Colbert and Paul Dinello somehow convinced David Letterman's Worldwide Pants Inc. to produce a feature-length version of the disregarded pseudo-sitcom, which now arrives in theaters like a giant middle finger to every inspirational Hollywood melodrama that tries to argue that people can transform themselves for the better, hard work is rewarded, and heroin is bad.

Unfortunately, however, the cinematic Strangers with Candy - directed by Dinello, who also reprises his role as idiotic, effeminate art teacher Geoffrey Jellineck - only maintains its antagonistic inappropriateness long enough to fill out its first 45 minutes; after that, the tank runs pretty dry and the proceedings become akin to a mediocre TV episode in which plot, rather than scatological silliness, is the main focus. Its story is a prequel of sorts to the Comedy Central series. The film kicks off with a credit montage of Jerri's hilarious exploits in prison (murdering a fellow inmate, enjoying a shower with a naked female) before following her home, where she discovers her dad (Dan Hedaya) is in a coma, mom is dead and replaced by hateful stepmonster Sara (Deborah Rush), and she now has a loathsome jock half-brother named Derrick (Joseph Cross). When the family physician (played by Ian Holm!) suggests that Jerri might cure her father by trying to undo the past thirty-two years-worth of depraved behavior, she decides to enroll at Flatpoint High, where she finds herself both tussling with barely-in-the-closet science teacher Chuck Noblet (Colbert) and blissfully moronic principal Blackman (Gregory Holliman), and hanging out with friends Megawatti Sukharnabhoutri (Carlo Alban) and Iris Puffybush (Dolores Duffy).

Continue reading: Strangers With Candy Review

Chicken Little Review


Good
Now that Disney finally has gotten rid of that albatross of Pixar, the Mouse can finally get on with making computer animated movies by itself. Gosh!

But seriously, Chicken Little is Disney's first solo stab at a CGI kiddie flick, something that was going to happen sooner or later and which, given Disney's recent track record in animation, has had most moviegoers scared silly. Chicken Little takes an age-old fable and hands the story to director Mark Dindal (who directed the best animated Disney movie in recent memory, the under-seen The Emperor's New Groove). Nice start, but... Chicken Little? "The sky is falling, the sky is falling?" In the original story, Chicken Little gets beaned with an acorn and gathers up all his friends to tell the king that the sky is falling. As they trek to visit the king, they are captured by Foxy Loxy and (depending on how gruesome the interpretation you're reading is) are promptly eaten.

Continue reading: Chicken Little Review

Bewitched Review


Weak
Campy-revamp remakes and Nicole Kidman just don't mix.

But the problem is not the actress's performances. Sheadded bite and ironic melodiousness to last year's slapdash, self-destructing"TheStepford Wives," and she keeps the newself-aware, big-screen version of "Bewitched" afloat with herdelightful spark of perky naivete as a witch trying to live a mortal life.She has a deftly silly sense of comedic balance and timing.

The problem is, when she's just looking to have some funbetween dramatic roles, the girl can't pick a script.

Like "The Stepford Wives," this new comedy isa mess at the screenplay level. It changes mood, direction and (like "Wives")the rules of its own reality in every other scene. The plot is sloppy andstructurally unsound. Fictional characters from the original "Bewitched"come to life in single scenes for no explored reason ("The Daily Show's"Steve Carell is bloody awful as queeny Uncle Arthur) -- and this happenseven though the bulk of the meta-cinema plot takes place in real-worldHollywood. You see, Kidman plays an actual witch who becomes an actressand gets cast as TV sorceress Samantha Stevens in a network remake of thetitular 1960s sitcom.

Continue reading: Bewitched Review

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Amy Sedaris Movies

Chef Movie Review

Chef Movie Review

Like comfort food, this movie has very little nutritional value, but it sure goes down...

Chef Trailer

Chef Trailer

Carl Casper is a chef working at one of the top restaurants of Miami. Food...

Chef Trailer

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Carl Casper is a well-known chef from Miami who works in a trendy LA restaurant...

Puss in Boots Movie Review

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This Shrek spin-off continues the theme of mashing up fairy tales with movie genres, and...

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As Fernanda enters her final year at Tanner Hall, a rundown boarding school in New...

Puss In Boots Trailer

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Puss in Boots first appeared in Shrek, sent by Princess' Fiona's father King Harold to...

Old Dogs Movie Review

Old Dogs Movie Review

To call this comedy a disaster is an understatement. It's aggressively awful, and manages to...

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Shrek Forever After Trailer

Shrek Forever After Trailer

Watch the trailer for Shrek Forever AfterOnce again we return to the land of Far...

Old Dogs Trailer

Old Dogs Trailer

Watch the trailer for Old Dogs Dan and Charlie are middle-age best friends; they work...

Jennifer's Body Movie Review

Jennifer's Body Movie Review

A snappy script and a lively approach to the genre make this a gleefully grisly...

Dance Flick Movie Review

Dance Flick Movie Review

The recent spate of dance-based movies is ripe for parody, but this pastiche never manages...

Snow Angels Movie Review

Snow Angels Movie Review

There are about two or three different films fighting for control of the screen during...

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