In 1949, Julia Child (Streep) is living in Paris with her diplomat husband (Tucci), looking to fill her spare time. She settles on cooking, and after completing Le Cordon Bleu teams up with two chefs (Emond and Carey) to write a French cookbook for the American market. In 2002 New York, Julie Powell (Adams) needs something to distract her from her job dealing with claims resulting from 9/11. With the encouragement of her husband (Messina), she decides to cook all 524 of Child's recipes in one year while blogging about the experience.
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A more appropriate title for Drive Me Crazy would be "Highway Through Nebraska" -- the plot is flat, has no turns, and is completely devoid of scenery. At least this boring ride only lasts 90 minutes. In this rehashed tale of teen angst, next door neighbors Nicole Maris (Melissa Joan Hart - Can't Hardly Wait, Sabrina, the Teenage Witch, Clarissa Explains It All) and Chase Hammond (Adrian Grenier - Celebrity, The Adventures of Sebastian Cole) are neighbors with almost nothing in common. She's "in," he's in the alternative crowd. When the star of the basketball team snubs her affection and he gets dumped, they find common ground in a plot to scam everyone into thinking they are an item. If the plan works, they hope their ex-loves will come crawling back. Hmmm, care to take a wild guess what happens?
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Autumn in New York, directed by Joan Chen (Xiu Xiu: The Sent Down Girl), is the recycled love story of a man who has it all but nobody to share it with. The tacky promo, "He taught her how to live, she taught him how to love," basically explains the plot in a nutshell. Flourishing Manhattan restaurant owner Will Keane (Gere) sees something in the beauty, wit, and innocence of young Charlotte (Winona Ryder), despite the fact that he dated her deceased mother in the past. On the flip side, Charlotte has merely a year to live and is not afraid to die because she has nothing truly worth living for. The two find sustenance in one another, but as all love stories go, they endure trying times. Winona is either too young or too sick, and he can't control his libido or escape his shady past. So they're meant for one another, but how long can it last?
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By the end, Paul is on the run from an angry mob who thinks he's a burglar, fleeing in fear for his life. Will he escape? Well, rest assured that After Hours is actually a comedy. It's also one of my favorite Martin Scorsese movies (and a massive departure from his grittier fare), fresh every time you see it and full of little touches that you catch more of with each subsequent viewing. Check out the rows of Aqua Net in Garr's apartment. Or the "tie" she's wearing.
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He may have a point, but I don't think For Love of the Game is fundamentally a sports movie. Sure, suit Kevin Costner up in a baseball uniform and you might think you're looking at another Field of Dreams, but For Love of the Game is something we don't see a lot of. Allow me to explain.
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He's certainly not wasting his newfound talents.
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