Saskia Holkenborg and Tom Holkenborg - New York premiere of 'Run All Night' at AMC Lincoln Square - Arrivals - New York City, New York, United States - Tuesday 10th March 2015
Ed Harris and Amy Madigan - Shots from the World premiere of 'Run All Night' as a variety of stars took to the red carpet at the AMC theater in Lincoln Square, New York City, New York, United States - Monday 9th March 2015
Reese Holden (Zooey Deschanel) is just another actress trying to make it in New York City. She goes to auditions, works at a bar, and beds other struggling actors who she quickly runs away from the minute the deeds are done. There's one hitch: Reese's father happens to be Don Holden (Ed Harris), a famous writer who specialized in nightmarish scenarios about college students who go on murdering sprees. Reese is propositioned by a publishing agent (Amy Madigan) to go home and retrieve a box of love letters her mother left her and then sell it for publication. After a slight hesitancy, Reese takes the trip to Michigan to get the letters and is surprised when she finds her father living with two strangers. Corbit (Will Ferrell) works as Mr. Holden's personal assistant and Shelly (Amelia Warner) runs the house and cooks the meals. Reese slowly uncovers secrets about her mother's death and her father's neglect that are, to be honest, easy to figure out if you're really paying attention.
Continue reading: Winter Passing Review
In the allegory-seeking hands of director Agnieszka Holland (Total Eclipse), no opportunity is resisted for family dinner flashbacks where sinister dad Sam Shepard knocks over the turkey and throws young Gary around the room. Religious fervor is represented through wide-eyed mania in Shepard's resident madman and Amy Madigan's Carrie-tinged Mormon mother. More interesting are the prison scenes (shades of Oz), where Ribisi and Koteas are boxed in by walls of glass, steel, and wire frames. Unfortunately, the two ferociously talented lead performers are encouraged to conform to Actor's Studio emoting--Koteas can't keep still, Ribisi's hands are constantly kneading handy props (and, barring that, are continually rubbing away thinly veiled tears).
Continue reading: Shot In The Heart Review
Lauren Ambrose stars in this strange and often baffling story of a girl, her mentally disabled sister, and a mother who ignores the former and dotes on the latter. Faced with going to college, Admissions tells us that Lauren shouldn't care because mom (Amy Madigan) doesn't care about Lauren. Admittedly, mom could give the redhead a little more face time, but she truly does have her hands full dealing with the other one (Taylor Roberts -- who gives the least believable "special" performance in history).
Continue reading: Admissions Review
In the '90s, Costner's messianic ambitions - his belief that his aw-shucks Everyman demanded an epic canvas to match his bank account - produced some of the worst films ever made. But his attitude works perfectly in 1989's Field of Dreams (based on the book Shoeless Joe) because the setting is appropriately modest; if we could never buy him as a post-apocalyptic savior, he's just fine as a middle-class hero. Costner plays Ray Kinsella, a rat-race refugee who's moved his wife Anni (Amy Madigan) and daughter Karin (Gaby Hoffmann) to a farmhouse in Iowa. One evening, alone amongst the corn, Ray hears a voice tell him, "If you build it, they will come." A vision of a baseball field is presented before him, and he immediately sets to work re-creating it, believing that it might help him better understand his late father, from whom he was long estranged.
Continue reading: Field Of Dreams Review
Never mind that. If you're willing to suspend disbelief -- completely and utterly -- you might find The Ranch a curious diversion.
Continue reading: The Ranch Review
A good example: Pollock was suicidal, maniacal and violent throughout his 44-year life. The first sentence of Naifeh's and Smith's book -- the very first sentence -- is this quote from Pollock: "I'm going to kill myself." Explains a lot, but for some odd reason, Harris only hints at Pollock's suicidal tendencies in his long-anticipated film.
Continue reading: Pollock Review