Warren Beatty writes, directs and stars in the new movie Rules Don't Apply.
Marla Mabrey could be the next talk of the town, having already made a name for herself by being named the local beauty queen in the small town she grew up in, much bigger things await the brunette beauty. Hollywood is on her doorstep and with a little luck she's about to become one of the biggest actresses the town knows.
The year is 1958 and Marla is accompanied to the city by her mother having grown up in a strict Baptist environment, some people might judge Marla as being a little frigid, especially as the city is just on the brink of a feminist uprising. She doesn't drink, smoke or believe in premarital sex but the city might just loosen Marla up and introduce her to a few vices she never thought she'd take up.
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Ed Harris , Amy Madigan - Opening night after party for the New Group production Buried Child, held at the Out Hotel - Arrivals. at Out Hotel, - New York, New York, United States - Wednesday 17th February 2016
Reese Holden (Zooey Deschanel) is just another actress trying to make it in New York City. She goes to auditions, works at a bar, and beds other struggling actors who she quickly runs away from the minute the deeds are done. There's one hitch: Reese's father happens to be Don Holden (Ed Harris), a famous writer who specialized in nightmarish scenarios about college students who go on murdering sprees. Reese is propositioned by a publishing agent (Amy Madigan) to go home and retrieve a box of love letters her mother left her and then sell it for publication. After a slight hesitancy, Reese takes the trip to Michigan to get the letters and is surprised when she finds her father living with two strangers. Corbit (Will Ferrell) works as Mr. Holden's personal assistant and Shelly (Amelia Warner) runs the house and cooks the meals. Reese slowly uncovers secrets about her mother's death and her father's neglect that are, to be honest, easy to figure out if you're really paying attention.
Continue reading: Winter Passing Review
In the allegory-seeking hands of director Agnieszka Holland (Total Eclipse), no opportunity is resisted for family dinner flashbacks where sinister dad Sam Shepard knocks over the turkey and throws young Gary around the room. Religious fervor is represented through wide-eyed mania in Shepard's resident madman and Amy Madigan's Carrie-tinged Mormon mother. More interesting are the prison scenes (shades of Oz), where Ribisi and Koteas are boxed in by walls of glass, steel, and wire frames. Unfortunately, the two ferociously talented lead performers are encouraged to conform to Actor's Studio emoting--Koteas can't keep still, Ribisi's hands are constantly kneading handy props (and, barring that, are continually rubbing away thinly veiled tears).
Continue reading: Shot In The Heart Review
Lauren Ambrose stars in this strange and often baffling story of a girl, her mentally disabled sister, and a mother who ignores the former and dotes on the latter. Faced with going to college, Admissions tells us that Lauren shouldn't care because mom (Amy Madigan) doesn't care about Lauren. Admittedly, mom could give the redhead a little more face time, but she truly does have her hands full dealing with the other one (Taylor Roberts -- who gives the least believable "special" performance in history).
Continue reading: Admissions Review
In the '90s, Costner's messianic ambitions - his belief that his aw-shucks Everyman demanded an epic canvas to match his bank account - produced some of the worst films ever made. But his attitude works perfectly in 1989's Field of Dreams (based on the book Shoeless Joe) because the setting is appropriately modest; if we could never buy him as a post-apocalyptic savior, he's just fine as a middle-class hero. Costner plays Ray Kinsella, a rat-race refugee who's moved his wife Anni (Amy Madigan) and daughter Karin (Gaby Hoffmann) to a farmhouse in Iowa. One evening, alone amongst the corn, Ray hears a voice tell him, "If you build it, they will come." A vision of a baseball field is presented before him, and he immediately sets to work re-creating it, believing that it might help him better understand his late father, from whom he was long estranged.
Continue reading: Field Of Dreams Review
A good example: Pollock was suicidal, maniacal and violent throughout his 44-year life. The first sentence of Naifeh's and Smith's book -- the very first sentence -- is this quote from Pollock: "I'm going to kill myself." Explains a lot, but for some odd reason, Harris only hints at Pollock's suicidal tendencies in his long-anticipated film.
Continue reading: Pollock Review
As an actor portraying the inner turmoil of Jackson Pollock -- the revolutionary abstractionist known for his splatter-and-drip painting style -- Ed Harris gives a commanding, potent performance in "Pollock" that is a torrential mix of the artist's chaotic talent and his more chaotic psyche.
As a director depicting Jackson Pollock's world, Ed Harris (yes, he did double-duty on this film) captures with vivid, lively authenticity both the astute yet pretentious buzz of the 1940s Manhattan art scene and his subject's tumultuous personal life, marked by hard drinking and a stormy long-term affair with fellow painter Lee Krasner (Marcia Gay Harden).
Together Ed Harris the actor and Ed Harris the director create an imposing, invigorating cinematic biography fueled by its subject's stubborn, manic energy and his strangely uncommunicative charisma.
Continue reading: Pollock Review
He's certainly not wasting his newfound talents.