Oscar and Grammy winner Barbra Streisand is honoured at the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at the Lincoln Center, New York. Snapped on the red carpet are Streisand herself with husband James Brolin, 'Chicago' star Catherine Zeta Jones and 'One Flew Over the Cuckoo's Nest' producer Michael Douglas, and James Bond star Pierce Brosnan with wife Keely Shaye Smith.
Adam (Dancy) lives in a Manhattan flat on his own after the death of his father. He has Asperger syndrome, working as a toy company microchip developer and pretty hopeless at relationships. Then Beth (Byrne) moves into his building, and they strike up a friendship that leads to romance. She's attracted to his honesty, although her parents (Gallagher and Irving) aren't so sure. And the events that follow in both Adam's and Beth's lives put a heavy strain on their relationship.
Continue reading: Adam Review
After the apparent suicide of Alison Callaway (Amy Irving), husband David (Robert De Niro) and daughter Emily (Dakota Fanning) pick up the pieces of their broken lives and escape to the serenity (we know otherwise) of upstate New York. David, a psychologist, feels the move to the countryside will help them recover. Emily is especially devastated, but the pair relocates despite the strong objections of her doctor Katherine (Famke Janssen). They move into a vast, empty mansion with secret rooms and hideouts -- three times the space they really need. The house is clearly used as a plot device more than a place of rejuvenation.
Continue reading: Hide And Seek Review
Carrie is the tale of a high school senior named Carrie White, aptly played by Sissy Spacek, who spends her days at school as the center of nearly every cruel ridicule and her hours at home with a constricting, sadistic, fanatically religious mother (Piper Laurie). Let's just say the mother is like a female version of Sergeant Hartman in Kubrick's Full Metal Jacket, and Carrie is the distressed Private Pyle.
Continue reading: Carrie (1976) Review
"Traffic" is a socially and politically grandstanding soap opera about the narcotics trade and the futility of the "war on drugs." It's a film about how that war is propagated by bureaucratic demagogues in the United States government, not because they think they can stem the flow of illegal substances but because they think saying they want to is a way to win elections.
OK. Point taken.
"Traffic" is also gritty and realistic feat of cinematic logistics, following no less than 15 major characters (and more than 50 speaking parts) through several complex, well-acted storylines about all sides of the drug trade -- from kingpins to cops to policy wonks to addicts. So my hat is off to the picture's ever-brilliant director, Steven Soderbergh ("Erin Brockovich"), who certainly does a fine juggling act, involving the audience in every story on a personal level.
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Disney has always been hit-or-miss when bringing beloved kids' books to the screen, and the studio's latest -- an adaptation of Natalie Babbit's "Tuck Everlasting" -- is a little of both.
It's an early 20th Century story of a curious, affluent teenage girl, stifled by her stiff-upper-lip period parents, who gets lost while seeking an afternoon of freedom in the deep woods behind her estate and meets an enticing young man with a mystical secret -- drinking from a nearby spring has made him and his whole family immortal.
Afraid of being discovered by the outside world that would covet what they've come to consider a curse, the Tuck clan feels they cannot let the young lady go home, even as the area is scoured by search parties. But before long Winnie (Alexis Bledel) isn't exactly aching to leave, having come to know both freedom and romance with the handsome, worldly Jesse (Jonathan Jackson).
Continue reading: Tuck Everlasting Review
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