Amy Brenneman - National Women's History Museum presents the 4th Annual Women Making History Brunch - Arrivals at Skirball Cultural Center - Los Angeles, California, United States - Saturday 19th September 2015
Middle-aged romances are rare on the big screen, so it's frustrating that this one is so badly compromised by a series of contrived plot points. One gimmick wasn't enough for director-cowriter Arie Posin, who continually twists and turns the events in ways that are both bizarre and melodramatic. Within this, Annette Bening and Ed Harris still manage to create intriguing characters, but it becomes increasingly difficult to care when the screenwriters clearly have trouble on their minds.
It opens as Nikki (Bening) is flooded with memories of her husband Garret (Harris), who died five years ago while they were vacationing in Mexico. Now that their daughter (Jess Weixler) is moving away from home in Los Angeles to attend college in Seattle, Nikki has time to think. Although she wants to remain friends and nothing more with her lusty widowed neighbour Roger (Robin Williams), an old friend of Garret's. Then Nikki meets a man who looks uncannily like Garret and begins stalking him. Tom (Harris again) is an art professor, and when Nikki gets up the nerve to talk to him, she knows she's going to a very odd place.
The film is like a variation on Vertigo, as Posin plays up the freaky doppelganger storyline to add a heightened sense of dangerous tension. But it's not so easy for the audience to accept such a set-up, when one honest conversation would solve everything. Instead, Nikki lies to everyone she knows, hides Tom from them and then lies to Tom as well. It's difficult to take a romance seriously when it has such a fraudulent foundation. Thankfully, Bening gives Nikki a fragility that makes her sympathetic, and her interaction with Harris bristles with unexpected connections because they are experiencing their blossoming relationship in such strikingly different ways. Both of them add layers of interest to their characters that make them engaging between the lines. Sadly, Williams' character never gets a chance to evolve.
Continue reading: The Face Of Love Review
Amy Brenneman and Charlotte Tucker Silberling - Stars of the new animated, adventure comedy 'The Boxtrolls' were photographed on the red carpet as they arrived at AMC Universal CityWalk for the films premiere - Universal City, California, United States - Sunday 21st September 2014
‘The Leftovers’ premiered last night on HBO.
The Leftovers has premiered on HBO, giving viewers their first look at Damon Lindelof's disturbing new show and adaptation of by Tom Perrotta's 2011 novel. If you are a complete newcomer to the concept of the series - no, it's not a sitcom about the perils of dating in later life, it's a dark and mysterious drama about the aftermath and enduring confusion following a rapture-like occurrence.
Justin Theroux Takes Centre-Stage In 'The Leftovers,' A Dark, New Drama About Life After An Apocalypse.
The latest post-apocalyptic drama from the Lost writer focusses on a core cast lead by Justin Theroux as police chief Kevin Garvey and his wife, Laurie Garvey, who is played by Amy Brenneman. Lindelof's reputation may be overshadowed by his poorly-received Lost ending but it seems like The Leftovers may just be worth riding out.
Continue reading: ‘The Leftovers’ Premieres: Stick It Out, This Dark Drama Is Worth It
Make your own mind up when the show premieres on June 29
The reviews for David Lindelof’s The Leftovers - which depicts a world in recovery after the disappearance of 2% of its population - are in. And the critics are feeling positive, if not a little confused, by the first few episodes.
Justin Theroux in The Leftovers
“The Sudden Departure” as it has become known in Lindelof’s universe, adapted from the novel of the same name by Tom Perrotta, leaves the residents of Mapletown in relative disarray. And while some claim it was the hand of God – The Rapture (1 Thessalonians 4:16, when the "dead in Christ" and "we who are alive and remain" will be "caught up in the clouds" to meet "the Lord in the air") the characters in this new HBO drama are just as lost as each other – faith or not faith.
Continue reading: Reviews: HBO's 'The Leftovers' Makes A Solid, If Not Controversial Start
Jack Marcus is an eccentric English teacher at a prep school in the country who used to be intensely passionate about his line of work. However, over the years he has become increasingly demotivated by his students' lack of zest; they're well-behaved and polite, but not enthusiastic enough for Jack who spends most of his time drinking away his troubles when he's not working. The school has just employed a new art teacher called Dina Delsanto, who is also bitter about how her life has turned out considering she was once one of the top abstract artists in her field. Jack is facing losing his job if his performance review suffers, but he finds himself deeply attracted to Dina and filled with a new passion as he sets out to prove to the haughty artist that words are much more meaningful than pictures. As the two engage in a creative battle, it seems their lives are quickly becoming reinvigorated.
Continue: Words And Pictures Trailer
'The Leftovers' could be the next big thing.
Fans of Game of Thrones who bothered to pay attention to the ads before last night's season premiere were treated to a preview for HBO's new show The Leftovers, which looked pretty awesome. The handy work of Lost's Damon Lindelof, the forthcoming drama series is based on the bestselling 2011 novel by Tom Perrotta.
Justin Theroux Stars in 'The Leftovers'
It stars Justin Theroux as police chief Kevin Garvey who attempts to maintain calm in the wake of a global Rapture that causes two per cent of the world's population to suddenly disappear. The show focuses on the members of Garvey's suburban community, who are left confused, angry and traumatised by the disappearance of their loved ones.
Continue reading: Is HBO's 'The Leftovers' The New Breaking Bad, True Detective, Etc?`
Adoption is a life changing situation for all involved.The woman who feels she must give up her baby must find a way of life after giving up her child, the adoptee ofter goes through months of unknowing before finally being given a new family member and the child often grows up feeling loved by their adoptive parents but wanting to discover more about their birth parents. Mother and Child is a moving tale of three women all in very different situations but all connected through a similar circumstance. Adoption.
Continue: Mother & Child Trailer
Bello bares her soul, or someone's fumbling interpretation of same, as Nancy, a woman who suffered abuse as a child and is now stuck in a non-abusive but stifling marriage with Albert (Rufus Sewell); she can only feel through pain. Somehow this is meant to relate to the internet, where Nancy, it's implied, spends most of her time and forms her only real relationships, though this all remains largely undramatized. (And not to get too literal, but no one in this movie downloads a damn thing apart from some email).
Continue reading: Downloading Nancy Review
A chick-lit-flick, Book Club is poorly directed by Robin Swicord from her own inconsistent adaptation of Karen Jay Fowler's novel about five women (and one coerced man) who use Austen's novels as a means to escape their broken lives. They cover one book a month, and we roll our eyes as their individual problems mirror the quandaries found in Austen's chapters.
Continue reading: The Jane Austen Book Club Review
Why didn't this movie find more success? I dunno, maybe it has something to do with the fact that there are two scenes of women sitting on the toilet in the first 20 minutes. Or it could be that it's too chatty, too meandering, and too random to ever really engage the viewer. Whatever, I still don't know what I'm supposed to be able to tell, you know, just by looking at her.
Continue reading: Things You Can Tell Just By Looking At Her Review
Based on the play by Joan Ackermann (and adapted by Ackermann for the screen), Off the Map recalls one summer in the life of an offbeat family living off the land in rural New Mexico. It's essentially a series of dialogue-driven scenarios that actors like Joan Allen and Sam Elliott can sink their teeth into; Scott guides them there while avoiding any unnecessary scene-chewing or melodrama that could come with the subject matter. That's an accomplishment in itself -- but the visual dreaminess and charm that Scott weaves into, and wraps around, his performances elevate the film into a poignant and thoughtful work of art.
Continue reading: Off The Map Review
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