Amy Adams (born 20.8.1974)
Amy Adams is an American actress, born in Italy. Her breakthrough role came with 2005's Junebug, for which she won an Academy Award.
Childhood: Amy Adams was born to Kathryn and Richard Adams in the Vicenza area of Italy. She is the fourth of seven siblings raised as Mormons. Richard Adams was a US serviceman and the family was stationed in Italy when Amy was born. They eventually settled in Castle Rock in Colorado when Amy was around eight years old.
Whilst she attended County Douglas High School, Amy Adams sang in the school choir as well as training at a local dance company. When she graduated from high school, Amy moved to Atlanta with her mother where she pursued musical theatre, as she did not feel that she was talented enough to become a professional dancer.
Amy's first full-time job was working for the restaurant chain Hooters, something that the press mentioned often, early on in her acting career.
Acting Career: Amy landed professional dancing jobs at Boulder's Dinner Theatre and Country Dinner Playhouse. She was spotted by Michael Brindisi, a dinner theatre director. Brindisi then offered her work with Chanhassen Dinner Theatres. She worked for the company in Minnesota for three years but was forced to take time off work when she pulled a muscle.
During her time off, Amy Adams auditioned for Drop Dead Gorgeous, landing her first film role. Her colleague in the film, Kirstie Alley, convinced Amy that she should move to Los Angeles to pursue a career in film.
Although Amy does not have fond memories of her first year in LA, she found work relatively quickly, in Manchester Prep, the Fox Network spin-off of the film Cruel Intentions.
Amy Adams was then cast in a number of low budget films, such as Psycho Beach Party (which also starred Six Feet Under's Lauren Ambrose) as well as landing a number of bit-parts in TV series such as Smallville, Buffy the Vampire Slayer and Charmed.
Amy was then cast in 2002's Catch Me If You Can. The film was directed by Steven Spielberg and starred Leonardo DiCaprio and Tom Hanks. Catch Me If You Can told the true story of the con-artist Frank Abagnale Jr. Although the film was a success, it failed to be the springboard to success that Adams had hoped, though working with that caliber of actors gave her a great deal of confidence.
In 2004, Amy Adams was cast in The Last Run. She also voiced characters on the popular cartoon series King of The Hill. She briefly appeared in Dr. Vegas, playing Alice Doherty, but following a dispute over her contract, she was fired.
Adams was cast alongside Dermot Mulroney and Jack Davenport in The Wedding Date, though the film failed to attract attention.
Amy Adams' breakthrough role came in 2005 with the release of Junebug. Adams was cast as Ashley Johnston, a young pregnant woman and the film was shot on a small budget in North Carolina. Adams won the Special Jury Prize at that year's Sundance Festival for her performance as well as being nominated for an Academy Award.
Her performance in Junebug led to a number of roles on high profile films such as Talladega Nights: The Ballad of Ricky Bobby, the comedy vehicle for Will Ferrell, also starring Sacha Baron Cohen.
Adams also played Katy in the US version of The Office, the British comedy series masterminded by Ricky Gervais and Stephen Merchant.
In 2007, Adams starred in Disney's Enchanted, which also starred James Marsden, Susan Sarandon and Patrick Dempsey.
Adams went on to work with Tom Hanks again in Charlie Wilson's War. The film also starred Julia Roberts and Philip Seymour Hoffman.
Adams next film was another independent, named Sunshine Clearing. It received mixed reviews at the 2008 Sundance Festival.
In 2008, Adams starred in Miss Pettigrew Lives For A Day, opposite Frances McDormand. This was followed by a role in Doubt, again working with Philip Seymour Hoffman, as well as Meryl Streep.
2009 saw Adams star as Amelia Earhart in Night at the Museum 2: Battle of the Smithsonian. The film also starred Ben Stiller.
Personal Life: Amy Adams became engaged to her partner, Darren Le Gallo in April 2008.
In the wake of his friend Clark Kent's monumental sacrifice, Bruce Wayne and Diana Prince are determined to recruit the most powerful superheroes on the planet to help them fight a new menace that Lex Luthor predicted was coming to the Earth. They are the intrepid Arthur Curry or Aquaman, king of the sea; the young but lightning-fast Barry Allen, also known as The Flash; and the half-man half-machine known as Victor Stone or Cyborg. Together they must fight an army of parademons that have descended upon them, apparently in search of the Mother Box that transformed Victor Stone into the biomechanical creature he is. They are serving the villainous extra-terrestrial Steppenwolf, who will stop at nothing to get what he wants and take over the world. But as you can probably work out, these heroes have an advantage in that Superman is far from dead as they initially suspected.
Continue: Justice League Teaser Trailer
Not even Isla Fisher’s family can tell her apart from Amy Adams.
Speaking on the ‘Today Show’, Fisher revealed that one year she swapped her face for Adams’ on a family Christmas card and no one noticed.
Isla Fisher, not Amy Adams
With her third film this year, after Batman v Superman and Nocturnal Animals, 42-year-old five-time Oscar nominee Amy Adams is getting some of the best reviews of her career.
Arrival is a smart, provocative science-fiction drama, and director Denis Villeneuve (Sicario) says it was a challenge to cast the lead role. "I needed an actress with a real wide range," he says, "and a lot of intelligence to her eyes." On reading the script, Amy Adams was hooked. "The first five minutes of something usually makes me decide whether or not I'm going to like a script, and this one begged me to keep going," she says. "When I got to the end of it, I had to go back and read it again. It's about the way we communicate with each other, the relationships that we have, the way we move through the world."
Adams tends to play complex women, and she says it's tricky finding characters as sharp as Arrival's Dr Louise Banks. "I think sometimes females are written as if they're smart," she says, "but then not given anything smart to do or say. So the fact that she gets to be smart, not just act smart, is awesome."
Continue reading: Amy Adams Liked Dressing Down For Arrival
This sci-fi drama has an enjoyably brain-bending plot that leaves the audience almost stunned with the weight of its themes. It may be fiction, but the film's exploration of the power of language raises fascinating ideas about the human mind. It's also produced to an extremely high standard, with striking effects and sumptuous cinematography and editing. And as played by Amy Adams, the movie also carries a surprising emotional kick.
Adams plays linguistics expert Louise, who is asked by the American government to help decode the language of aliens who occupy gigantic monolithic ships that appear suddenly, floating over various locations around the globe. So she heads to the American site in Montana and begins working with scientist Ian (Jeremy Renner) under the watchful eye of Colonel Weber (Forrest Whitaker). And of course she's taken aback by these seven-legged creatures who communicate with odd tones and swirling symbols. When coordinated efforts with other teams around the world begin to descend into mistrust, everyone stops sharing their data, and the military leaders decide to take matters into their own hands and destroy the ships. But Louise begins to believe she is onto something important, and she tenaciously pursues a course of action that terrifies everyone, including her.
Expertly directed by Denis Villeneuve (Sicario), the film never lapses into sensationalistic action, and it's even more gripping as a result. Several scenes generate goosebumps for their inventive visual flourishes, including the surprising gravitational twists and the face-to-face interaction with two freaky but oddly endearing aliens Louise and Ian name Abbott and Costello. Special effects are seamless, grounding everything that happens as something eerily believable. But the emphasis is on the emotional drama surging within Louise, and the huge implications it has for the entire world.
Continue reading: Arrival Review
It's been seven years since designer Tom Ford made a splash with his award-winning writing-directing debut A Single Man, and it's no surprise that his second film is just as exquisitely beautiful to look at. What's unexpected is the complexity of the storytelling. Adapted by Ford from Austin Wright's novel Tony and Susan, this movie has three sides to it: a romantic drama, a darkly personal odyssey and a freaky thriller. These elements kind of fight for the audience's attention, but they're sharply played and packed with intense emotion.
Set in Los Angeles, everything revolves around gallery owner Susan (Amy Adams), who lives in a spectacular home with her banker husband Hutton (Armie Hammer), who's facing financial problems. Susan is shocked when she receives a manuscript by her ex-husband Edward (Jake Gyllenhaal), who has finally finished his long-gestating novel. But as she reads it, she realises that their break-up inspired the story, and she pictures Edward in the central role as Tony, a man travelling through Texas with his wife and daughter (Isla Fisher and Ellie Bamber), who are kidnapped and brutalised by roadside thugs led by the unstable Ray (Aaron Taylor-Johnson). So Tony teams up with jaded detective Bobby (Michael Shannon) to track them down.
The film's central narrative is Susan's deeply internalised discovery of her own dark soul, which plays out both in her scenes with Hutton and figuratively in the fictional thriller narrative. All of these things take complex twists and turns that have vivid moral shadings. But of course the Wild West action element continually steals focus from the more understated personal drama. In this sense, Gyllenhaal has the trickiest role, or rather two roles, as the story's catalyst and victim. Meanwhile, Adams is strikingly transparent as Susan, engaging in jagged interaction with both Gyllenhaal's enigmatic Edward and Hammer's eerily heartless Hutton.
Continue reading: Nocturnal Animals Review
Clark Kent is a reporter for the Daily Planet in his everyday life, but a much hated alien powerhouse beneath the earthly guise. As Superman he has the power to destroy the world and, even though he would never dream of it, the world wants him gone. Even his efforts to become the ultimate hero go unappreciated, in particular by his Gotham rival Bruce Wayne; a billionaire vigilante known as Batman by night. He believes Superman is to blame for all the horror the Earth has been faced with, and vows to take him despite his limited abilities. It isn't long before the two are forced to unite, however, in order to protect the citizens of Earth from a real threat that could prove to thrust the planet into oblivion.
When an alien lifeform crashed to Earth decades ago, no one noticed. When his own kind came after him, the fate of the world was threatened. When he saved mankind, they looked up to him like a God. But times have changed, and people have died since his arrival. The world has had enough of the "false God" Superman (Henry Cavill), but there is already another hero in the world. In Gotham City, Bruce Wayne (Ben Affleck) has spent years and billions of dollars making himself into the greatest detective and the finest crime fighter. But the Batman knows that one does not simply arrive to a thunderous applause. He has earned his role as judge and jury, and it is up to him to stop the Man of Steal.
Batman and Superman go head to head in the new trailer for 'Dawn of Justice'.
The first trailer for the DC crossover movie 'Batman v Superman: Dawn of Justice' has finally arrived - and it's difficult to tell who's most formidable, despite the fact that one superhero has earned his power, and the other was gifted at birth.
'Batman v Superman: Dawn of Justice' is coming next year
Zack Snyder is returning with the sequel to 2013's Superman adventure 'Man Of Steel', and it's our first taste of The Justice League as they hit theaters for the first time. While the plot remains unknown, we can gather that the world has become disillusioned with Clark Kent (Henry Cavill); mistrusting of him given humanity's history with power and corruption, and fearful that their faiths are being questioned.
Zack Synder has shared the real version of 'Batman v. Superman: Dawn of Justice' after a pirated version, filmed on a mobile phone, leaks online.
Director Zack Synder did not despair when the exclusive trailer of Batman v. Superman: Dawn of Justice was leaked online on Thursday. The grainy footage, shot on a mobile phone camera, immediately went viral and certainly did not do justice to the true version.
Ben Affleck as Batman in Batman v. Superman.
Amy Adams and Jake Gyllenhaal are in talks with producers of the upcoming film 'Nocturnal Animals'. The film, directed by designer Tom Ford, is based on Austin Wright's 1993 novel, 'Tony and Susan'.
Amy Adams and Jake Gyllenhaal are reportedly in talks to star in the upcoming film, Nocturnal Animals. Fashion designer Tom Ford is set to direct the film, his second following 2009's A Single Man. George Clooney and Grant Heslov are also on board to produce, through their Smokehouse Pictures production company.
Amy Adams is reportedly in talks for Nocturnal Animals.
Date of birth
20th August, 1974
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