The Prodigy (formed 1990)
The Prodigy are an electronic / rock group from Essex, UK. They have sold over 17 million records across the globe and encompass various genres in their music, including hardcore, rave, big beat and punk.
Career: Liam Howlett chose the name 'The Prodigy' in tribute to his first analogue synth, the Moog Prodigy.
Initially, Liam Howlett created a 10-track demo tape on his Roland W-30 whilst he was living in Essex. He gave the tape to the head of XL Recordings, Nick Halkes. XL released a limited pressing of the 'What Evil Lurks' "12 in February 1991.
The band's debut live performance was in Dalston at the Four Aces club, with Leeroy Thornhill and Keith Flint as dancers. The track 'Charly' soon became a massive club hit, as was its B-side 'Your Love'. Their track 'G Force (Energy Flow)' - from the 'Everybody In The Place' single - was featured on the Kaos Theory compilation series.
The band's debut album, Experience, was released on XL Recordings in September 1992. Around this time, Howlett also released an anonymous white label recording, entitled 'Earthbound I'. The track was later released officially as 'One Love', which charted at number eight in the UK singles charts.
The Prodigy's second full-length album was Music For The Jilted Generation and was released in 1994. The album debuted at number one in the UK album charts and was a triumph for the crossover of dance and rock music. The track 'Their Law' featured the band Pop Will Eat Itself. The album received a nomination for that year's Mercury Music Prize award but lost out to M People's Elegant Slumming. Jim Davies joined the band on guitar, later going on to join the band Pitchshifter. Davies was later replaced by Gizz Butt.
In 1996, The Prodigy released the track 'Firestarter' which became a huge global hit. Featuring Keith Flint on vocals, the track opened doors for The Prodigy and that year, they went on to headline the Lollapalooza festival in the US. Their second single, 'Breathe' became their second number one single of the year.
The band's third album was entitled Fat of the Land and was released in 1997. That year, the band headlined the opening night of the Glastonbury festival. The album featured the controversial track 'Smack My Bitch Up'. The lyric was not actually written by the band, but sampled from the Ultramagnetic MCs track 'Give The Drummer Some'. The video for the track was also deemed too controversial for many and MTV would only air the track between 1am and 5am. At 1998's Reading Festival The Prodigy had an onstage argument with The Beastie Boys, who had requested that The Prodigy did not play 'Smack My Bitch Up' as it was offensive for those who had suffered domestic abuse. The band played the track anyway.
In 1999, Liam Howlett released a DJ mix entitled Dirtchamber Sessions Volume 1.
After a short break from touring and releasing records, The Prodigy released 'Baby's Got A Temper' in 2002, though it failed to receive the acclaim of it's predecessors. The song mentions the drug Rohypnol, again ensuring a degree of public outcry over the song.
The next album from the band was entitled Always Outnumbered, Never Outgunned and was released in August 2004. The singles taken from the album were 'Memphis Bells' and 'Girls'.
2005 saw The Prodigy release a compilation entitled Their Law: The Singles 1990-2005. To accompany the album, they also released a single with Audio Bullys remixing 'Out of Space' and Pendulum remixing 'Voodoo People'.
In 2008, The Prodigy performed at the Oxegen festival, previewing a number of new tracks, including 'Mescaline' and 'Warriors Dance'. Another track, 'First Warning' was chosen for the soundtrack to the film Smokin' Aces.
In March 2009, The Prodigy released Invader Must Die, their fifth studio album. Dave Grohl of Foo Fighters and formerly of Nirvana, plays drums on 'Run with the Wolves'. The frontman of Does It Offend You, Yeah?, James Rushent also co-produces 'Omen' and 'Invaders Must Die'.
Six more major album releases still to come before 2018 is out - including Rita Ora, Muse and The 1975!
The nights are drawing in and the clocks are about to go back, meaning that the year is coming to an end. For music critics, that means it’s time to start thinking about those Albums of the Year lists.
However, although the year is over 80% done, there’s still a handful of big album releases to come before 2018 is over. Here, we list half a dozen of the most exciting albums still left to look forward to before 2019 arrives!
Continue reading: Six More Huge Albums Still To Come In 2018
They also shared the album's first single 'Need Some1', plus a music video.
British dance legends The Prodigy have announced details of a new studio album to be called No Tourists, as well as releasing its first single, titled ‘Need Some1’.
The group’s seventh studio record will be released on November 2nd via BMG/Take Me To The Hospital. It’s the follow-up to 2015’s well-received The Day Is My Enemy, and, with just a three year gap, is the shortest wait between any two Prodigy albums since the 1990s. They also announced a series of tour dates over the coming year, which can be found via their official site.
Written and produced by the group’s creative engine and founding member Liam Howlett over the space of the last year at his studio in London, the new record came with a written explanation of its themes and motivations.
Continue reading: The Prodigy Announce New Album 'No Tourists'
The group will close out Portsmouth's Victorious Festival in late August, alongside fellow headliners Paul Weller and The Libertines.
The Prodigy have announced their only British festival date of 2018, confirming that they’ll be topping the bill at Southsea’s Victorious Festival.
The revived rock/rave legends will be headlining the three day festival alongside previously confirmed acts Paul Weller, The Libertines and Kaiser Chiefs. They’ll be closing out the third and final day of the Portsmouth-based festival on Sunday, August 26th.
Other new acts announced on Wednesday (February 7th) include Years & Years, who will return with more new music from their follow-up album to their 2015 debut Communion, while Friendly Fires will also make a comeback after countless years on hiatus.
Continue reading: The Prodigy Reveal Solitary UK Festival Date For 2018
Prodigy, real name Albert Johnson, died in hospital in Las Vegas in June this year.
The rap star, whose real name was Albert Johnson, died at the age of 42 back in June this year, a few days after he was hospitalised in Las Vegas. However, while it was widely presumed that his death had been a direct result of his condition, which he had battled since birth, the Clark County Medical Examiner has ruled Prodigy’s cause of death as a result of accidental choking, TMZ claims.
Prodigy had been performing with his Mobb Deep colleague Havoc as the hip-hop duo’s reunion continued in Las Vegas during their Art of Rap tour. However, the heat of the Nevada desert caused the star’s condition to worsen, resulting in his initial hospitalisation.
Continue reading: Mobb Deep's Prodigy Died From Choking On An Egg, Coroner States
By Jim Pusey in Music Reviews on 16 June 2015
It's perhaps fitting that my prevailing memory of this year's Isle of Wight Festival will be guitars. This was after all the 45th anniversary of Jimi Hendrix's legendary performance on the Island, something that was being widely celebrated by festival organiser John Giddings and his team across the site. Fender, for example, brought some specially designed guitars to the party for artists including You Me At 6 to play, and there was also a world record attempt for the most number of people in one place to be wearing a mask, the face in question was naturally Hendrix himself. Despite that backdrop, it was some of the guitarists who played across the weekend that demonstrated the power of the instrument and reinforced that guitar based rock isn't on its last legs as some have speculated over the past few years.
The first moment that sent a shiver down my spine this year was the Counting Crows though. The guitar line to 'Round Here' sent a wave of excitement across the main arena. It was a strong opening statement in a nine song set that featured the likes of 'Mr Jones', 'Miami', and 'Rain King' into which singer Adam Duritz dropped some Elbow lyrics as a nod of the hat to Guy Garvey. If Counting Crows' guitars weren't haunting enough, it was actually The Black Keys' Dan Auerbach whose riffs were the most powerful and elemental of the day. The dirty Blues grit of Auerbach's playing was like a roll of thunder that saw the heavens open to drench the crowd in torrential rain. While much of the set was dedicated to material culled from 'El Camino' and 'Brothers', rather than recent record 'Turn Blue', the band's graduation to a headlining slot was well deserved and warranted. The final song of the set 'Little Black Submarines', which builds from a delicate solo performance to a dramatic climax, utilised every trick in the book for The Black Keys' expanded touring band. If Patrick Carney's drums and Auerbach's guitars are the perfect union on record, it seems their live shows rightly now have the power to command top billing with the inclusion of bassist Richard Swift and keyboardist John Clement Wood.
Continue reading: Isle Of Wight Festival - 2015 Live Review
The IoW organisers attempted to break the world record for most masks worn simultaneously at one place to commemorate the 45th anniversary of Hendrix's set.
Amid the fun of four massive headliners over three nights – The Black Keys and The Prodigy sharing the slot on Friday, Blur on Saturday and Fleetwood Mac on Sunday – the IoW chiefs had been encouraging the 50,000 festival-goers to buy cut-out Jimi Hendrix masks in order raise money for its nominated charity WellChild.
We preview some of the top acts on the bill this year.
Summer festival season kicks into high gear this weekend with the first big event of the calendar taking place on the south coast. Tens of thousands of people will be heading to Seaclose Park on the Isle of Wight for a bill, which is top heavy on heritage acts that bring with them a sense of nostalgia. While recent years have welcomed the likes of Jay-Z, Calvin Harris and Kings Of Leon to headline, this time round it seems big names with an even bigger back catalogue are being used as the main attraction.
Continue reading: The Prodigy Announce UK Tour With Public Enemy
The Prodigy continued their fine run in the charts.
The Prodigy has scored their sixth No.1 album with The Day is My Enemy, knocking James Bay's well received record The Chaos and the Calm to number two. The Essex band pulled in mixed reviews for their latest effort though it outsold albums from Sam Smith and Ed Sheeran on its debut week.
The Day is My Enemy follows Music For The Jilted Generation (1994), The Fat of the Land ('97), Always Outnumbered, Never Outgunned (2004), Their Law: The Singles 1990-2005 ('05), and Invaders Must Die ('09).
Continue reading: The Prodigy Score No.1 Album With 'The Day Is My Enemy'
By Alex Lai in Music Reviews on 23 March 2015
Now a quarter of a century into their career, The Prodigy are an act who genuinely need little introduction. This, 'The Day Is My Enemy', is their sixth album and will be promoted with European and UK tours, before a packed festival schedule taking in the likes of Isle Of Wight, T In The Park and Benicassim amongst many others.
As much as 'The Day Is My Enemy' is a thumping example of the prowess of The Prodigy, it is by no means a classic to sit alongside their work of the nineties. The inconsistency which hindered 2009's 'Invaders Must Die' is, to an extent, present here. 'Ibiza' unfortunately finding Keith Flint sounding like The Streets' Mike Skinner while the lyric in 'Medicine' about "a spoon full of sugar" invariably leaves you thinking of Mary Poppins - perhaps the least threatening fictional character in history. It slightly derails an album of fury, which for the main, is channelled into relentless juggernauts, but there's no doubting this Essex trio remain a formidable force.
Continue reading: The Prodigy - The Day Is My Enemy Album Review