Date of birth
10th April, 1983
1st January, 1970
Jamie Chung at the 75th Annual Golden Globes Awards which took place at the Beverly Hilton Hotel. Among this year's Golden Globe winners were 'Three Billboards Outside Ebbing, Missouri' and 'Big Little Lies' - Beverly Hills, California, United States - Monday 8th January 2018
You'd be surprised how many famous movie stars debuted in 'Days Of Our Lives'.
American soap opera 'Days Of Our Lives' mark their 50th anniversary this year, with the show having aired on NBC (and SOAPnet before then) with a massive 12,708 episodes as of October 30th 2015. It's subsequently one of the longest running series in television history, with the first episode having aired on November 8th 1965.
Thus, people have been coming and going from the show for a long time, and if you look back through the soap's history, you'll find a few famous names that you would never have heard of during the 'Days of Our Lives' period of their careers. Either this was the show that kickstarted their careers, or it was an addition to their ever-expanding acting resume.
Continue reading: Days Of Our Lives 50th Anniversary - Which Minor Actors Made It Big?
After five seasons the ABC fantasy series is finally going to include an LGBT relationship.
‘Once Upon A Time’s’ upcoming fifth season is to feature the show’s first LGBT relationship, creators Adam Horowitz and Edward Kitsis have confirmed. The ABC series comes back to US screens later this month and will see the return of Jamie Chung as Mulan.
At a screening of the season premiere on Friday, the showrunners were asked by Entertainment Weekly whether upon Mulan’s return to the series, the show would further explore her feelings for Aurora which had been hinted at back in season three.
Continue reading: 'Once Upon A Time' Season Five To Feature First LGBT Relationship
Since the Disney-Marvel Union began, people have wondered if Disney was going to make their own adaptation of a Marvel property. Turns out, "their own adaptation" is rather different to the original.
After Disney bought Marvel, bringing the Avengers in-house, it didn't take long before producers started going through Marvel's extensive library of comic books in search of a property to develop into an animated adventure. 'Big Hero 6' is the first Disney-Marvel animation project. Although critics have wondered just how much Marvel is left in the movie.
Hiro and Baymax were redesigned to be more 'Disney friendly'
First published in 1998, 'Big Hero 6' was created by Steven T. Seagle and Duncan Rouleau in their spare time while they worked on another project. It's about a group of politicians and business owners who recruit and train a team of agents with superhuman powers for the Japanese government.
Continue reading: 'Big Hero 6' Further Merges Disney With Marvel
By Rich Cline
Fans of bright, flashy things will love this colourful, kinetic animated adventure, although anyone seeking originality or involving characters should probably look elsewhere. This is the first Disney animation based on a Marvel comic book, although they have essentially only retained the title and a vague semi-Asian setting. The result is a film that feels like something you've already seen before, with the usual Disney plot formula, characters and action beats, plus lots of sentimentality. At least it's witty and fast-paced enough to keep us entertained.
The futuristic setting is San Fransokyo, a slightly more Japanese version of San Francisco in which 15-year-old computer-geek orphan Hiro (voiced by Ryan Potter) lives with his Aunt Cass (Maya Rudolph). Both are shaken when Hiro's brother Tadashi dies in an explosion Hiro thinks he might have caused. Then he meets Tadashi's health-care robot invention Baymax (Scott Adsit), a cuddly inflatable creature who just wants to take care of Hiro. He goes along with Hiro's plan to turn him into a fighting machine that helps find the masked man who stole Hiro's microbot invention and actually caused the explosion. Baymax also helps Hiro assemble the Big Hero 6 team, adding Tadashi's nerd-inventor pals: goofy Fred (T.J. Miller), rebellious Go Go (Jamie Chung), nice-guy Wasabi (Damon Wayans Jr.) and girly Honey Lemon (Genesis Rodriguez). Together they set out to stop the villain before he enacts his nefarious plan.
All of this is animated with bright colours and a snappy sense of the technology. There are several exhilarating set-pieces along the way as the young heroes work out their special powers by inventing all sorts of gadgets. But nothing about the script meaningfully deepens these characters. Each person on-screen is essentially one personality trait, while potentially colourful side roles (including Aunt Cass) are left badly undefined. What holds the interest is the superb interaction between Hiro and Baymax, mainly because of the obvious affection between them. And also because Baymax has all of the film's funniest lines.
Continue reading: Big Hero 6 Review
Hiro Hamada is a young robotics virtuoso whose best friend is a large, balloon-like humanoid machine named Baymax which he designed at the San Fransokyo Institute Of Technology. However, having such expert knowledge in this kind of scientific field is bound to be dangerous and soon enough they find themselves under attack from a vicious enemy who sends his army of miniature robots after them. Going to the police proves fruitless, and so Hiro decides he must fight back. He designs a powerful suit for Baymax and joins a team of like-minded vigilantes who have been appointed by the government to save the world; they are Wasabi-No-Ginger, Honey Lemon, GoGo Tomago and Fred and together they form the ultimate superhero team. Hiro and his friends must uncover the villain's plot of destruction – without breaking curfew.
Continue: Big Hero 6 Trailer
It's all about revenge in Sin City now as the wounded (both physically and mentally) set out on a trail of death and destruction in a bid to make sure justice is served in their town. Dwight McCarthy is on another rescue mission to save an abused wife as Ava Lord claims she is a prisoner at the hands of her wealthy husband Damien. Unfortunately, it seems her intentions are of the dishonest kind. Thought to be have been executed, Marv wakes up among several corpses with little memory of his alleged crimes, but a strong desire for vengeance. Nancy is heartbroken to the point of insanity following police officer John Hartigan's suicide, and there's no stopping her when she decides to sentence the father of child-killer Roark Junior, Senator Roark, to death. Notorious gambler Johnny is a newbie in the town with his own scores to settle, but it isn't long before he realises he's messing with criminals much bigger than him.
The second instalment of the 'Sin City' film franchise 'Sin City: A Dame To Kill For' is due for release nearly ten years following the 2005 original. Author of the original graphic novel Frank Miller ('300', 'Batman: The Dark Knight Returns', 'Daredevil: Born Again') has adapted the screenplay and co-directs the movie with Robert Rodriguez ('Machete', 'Once Upon a Time in Mexico', 'From Dusk Till Dawn'). 'Sin City 2' is set to hit UK screens on August 25th 2014.
Hiro Hamada is a genius in the field of robotics having designed a powerful humanoid machine named Baymax at the San Fransokyo Institute Of Technology. And it's just as well because now the nation is at risk from a dastardly scheme led by a group of merciless criminals that threatens to tear the technologically advanced world that they know to pieces. Desperate to do something to save his home, he joins together with a group of other government-appointed, like-minded vigilantes including Wasabi-No-Ginger, Honey Lemon, GoGo Tomago and Fred in a bid to uncover the secrets behind the vicious plot and, of course, use their brilliant minds to thwart the approaching menace. Do they have what it takes to become the superhero team of San Fransoyko? Or have they bitten off a lot more than they can chew?
Continue: Big Hero 6 Trailer
By Rich Cline
The central joke in this low-budget comedy should have been a springboard to something either blackly hilarious or more amusingly complex, but the filmmakers seem to have run out of ideas after coming up with the title. A likeable cast almost makes it watchable, but a steady stream of misogynistic and racist jokes continually undermine any possibility of engaging with the story. And the clunky filmmaking undermines everything else.
Personal trainer Rich Johnson (Cam Gigandet) is a wanton womaniser with a string of angry ex-girlfriends, one of whom knees him so severely that his doctor tells him to avoid sex for six weeks. Of course, this is the moment he meets Jamie (Jamie Chung) and has a spark of romance. Then after waiting the prescribed number of weeks he has a momentary indiscretion with a stranger, and Jamie dumps him. Refusing to accept responsibility, he blames his penis. And when he wakes up the next morning, his man-part is gone, becoming a separate man (Nick Thune) who's even more of a jerk than he ever was. So Rich turns to his colleague Josh (Kevin Miller) for ideas. And just as he begins to get used to life as a eunuch, he meets Lindsay (Katherine Cunningham).
It wouldn't have taken too much to get this lazy script into some semblance of coherence, but director Huck Botko and writer Jeff Tetreault simply can't be bothered. Neither seems to understand even the first thing about either sex or relationships, so they instead lay on heavy moralising preachiness in every scene while pretending that this is a gross-out comedy. But none of this works because the humour is played far too broadly and the plot is gibberish, leading to one of the most appallingly lame finales in recent memory.
Continue reading: Bad Johnson Review
The everlasting trail of violence, death and deceit continues with the return of several characters from the original ‘Sin City’ movie. Dwight McCarthy is back, this time running to the rescue of his ex-girlfriend Ava Lord who claims she is being abused by her wealthy husband Damien; he has his own reasons for wanting to help her, but he could be in for a nasty surprise. The framed and punished Marv wakes up after supposed execution by electric chair only to find that he is lying amongst several dead bodies and can’t remember how he ended up there. Following, her near miss at the hands of serial child-killer Roark Junior, Nancy struggles to deal with the painful death of her rescuer, police officer John Hartigan. Plus, a new face shows up in Sin City, a gambler named Johnny who lands himself in mortal danger when he tries to take on the town’s most formidable villain.
Continue: Sin City: A Dame To Kill For Trailer
By Rich Cline
Director-cowriter Megan Griffiths refuses to sensationalise the tabloid aspects of this harrowing true story about human trafficking within the USA. As she follows the central character into a nightmare of forced prostitution, the film could have easily exploited the sexual situations. Instead, she takes a matter-of-fact approach that's deeply unsettling. The filmmaking may sometimes feel a little simplistic, but it raises issues in ways we never expect.
The true story begins in 1994 New Mexico, where 18-year-old Hyun Jae (Chung) goes on a date with a seemingly nice guy (Mechlowicz) and is suddenly sold into black-market slavery. She's renamed Eden and forced to work as a prostitute alongside much younger girls. Living in a series of warehouses overseen by crooked cop Bob (Bridges), Eden continually tries to escape and is met with brutal punishment as a result. Finally, she decides that her only hope is to get close to their pimp Vaughan (O'Leary), a young veteran with a drug-addiction problem. But as she gets to know him, she realises that he's trapped as well.
The film explores much more complex aspects of the captive-captor relationship, as Eden becomes increasingly close to Vaughan, helping him with his work and even ratting out some of the other girls who break the rules. Of course, there's an event that snaps Eden back to attention, leading to the necessary confrontation. But all the way through, filmmaker Griffiths focuses on the psychological and emotional side of the story, leaving much of the actual violence and sexual abuse off-screen. Just a bit more detail, and a clearer sense of the chain of events, might have made the film's gut-punch much stronger.
Continue reading: Eden Review