Tuva Novotny

  • 31 October 2005



Tuva Novotny at the Los Angeles premiere of 'Annihilation' held at the Regency Village Theatre. Directed by Alex Garland, the film stars Tessa Thompson, Jennifer Jason Leigh and Natalie Portman as researchers in an exhibition whereby nature has developed beyond the rest of the world - Los Angeles, California, United States - Tuesday 13th February 2018

The Laws Of Nature Don't Apply In 'Annihilation'

When a biologist’s husband disappears his wife must undertake a dangerous mission into the unknown to save him. From the writer and director of ‘Ex-Machina’, Alex Garland, ‘Annihilation’ hits theatres in February.

After a group of soldiers enter an environmental disaster zone known as Area X only one makes it home alive. But his homecoming is shot-lived and soon it is up to his wife Lena (Natalie Portman) to save his life.

Natalie Portman in ‘Annihilation’

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Borg/McEnroe Review

Very Good

Skilfully made by Swedish filmmaker Janus Metz (the award-winning Armadillo), this film is essentially a biopic about tennis icon Bjorn Borg that centres on his fascinating rivalry with John McEnroe. Indeed, in Scandinavia, the film is simply titled Borg. But the script has a complexity to it that finds clever parallels between two players who seem on the surface to be opposites. And it has things to say that will resonate with audiences who know nothing about tennis history.

It's set around the 1980 Wimbledon final, an epic match that captured the world's attention as it pitted the ice-cool four-time champion Borg (Sverrir Gudnason) against the volcanically tempered upstart McEnroe (Shia LaBeouf, in a nifty bit of casting). While it felt like a battle between the old guard and a young upstart, there were actually only three years between 24-year-old Borg and 21-year-old McEnroe. But while Borg was intensely focussed, meeting with his manager Lennart (Stellan Skarsgard) and keeping his fiancee (Tuva Novotny) at arm's length, McEnroe was partying with his friends, fellow players Peter Fleming (Scott Arthur) and Vitas Garulitis (Robert Emms), at least until time came to meet them on court.

The script digs occasionally into McEnroe's childhood, but spends considerably more time with Borg over the years (played as a youngster by Leo Borg, Bjorn's son, and as a teen by Marcus Mossberg). Intriguingly, when he was younger Borg was a lot more like McEnroe, with a short temper that erupts into epic tantrums, and watching him he learn to suppress them is fascinating. In the present day, Gudnason and LaBeouf capture the characters perfectly both on-court and off, finding big contrasts and more subtle similarities. And both Novotny and Skarsgard have strong scenes of their own, creating real-life people out of what could have been simplistic side roles.

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Caroline Blanco, Tobias Lindholm, Tuva Novotny , Pilou Asbaek - 88th Annual Academy (Oscars) Awards held at Hollywood & Highland Center - Arrivals at Hollywood & Highland Center in Hollywood, Oscars - Los Angeles, California, United States - Sunday 28th February 2016

Eat Pray Love Review

By Rich Cline


An intriguing story brimming with possibilities is softened beyond all meaning by this glossy Hollywood production. Without a sharp edge in sight, the film is merely a cute romp that touches on serious issues but never breaks the surface.

When New York writer Liz (Roberts) decides she's tired of her loving-but-aimless husband (Crudup), she has a rebound romance with a young actor (Franco) before deciding to travel the world to find herself. Her sassy friend Delia (Davis) thinks she's crazy, but Liz takes off for Rome, where she discovers food and friends (Novotny and Argentero). In India she seeks inner peace with a fellow traveller (Jenkins). And in Bali she studies with a guru (Subiyanto) and falls for a Brazilian (Bardem) who has baggage of his own.

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Eat Pray Love Trailer

Liz Gilbert always thought that being successful in her work and home life would be enough to keep her content throughout her life but can't help but feel confused want more. Now divorced and ready to take a new approach to life, Liz decides to embark on a worldwide trip of self discovery. In each country she visits she learns more about herself and finds the inner peace and balance that her life has been missing.

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Stoned Review

By Jay Antani


The Rolling Stones' founder Brian Jones' drowning death in 1969 is another check mark in that long list of rock 'n' roll artists who died early and in their prime. His legacy as a musical genius aside, Jones is also remembered for his sartorial flamboyance and for his quintessential rocker's lifestyle of drugs, booze, and sex, all in big gulps.

It's at the shit end of excess that we find Jones (Leo Gregory) in Stephen Woolley's directorial debut, Stoned, which explores the rocker's final days, after he's alienated himself from his band, leading up to his mysterious drowning in the swimming pool of his country estate. Officially, the death was ruled an accident, but loose ends linger off the record, particularly with regard to Jones's relationship with Stones' manager, Tom Keylock (David Morrissey), and Frank Thorogood (Paddy Considine), a builder contracted to remodel Jones's estate. Woolley's movie runs on the notion that Thorogood was no mere working-class lackey, but a mole of sorts, employed by the Stones organization to keep daily tabs on Jones's erratic behavior.

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Slim Susie Review

By Christopher Null


It's sex, drugs, and Swedes in this absurdist story, which panders to "extreme" sensibilitiy with a wacky, wandering plot, but it does raise itself to amusement and even inventiveness during a few of its brief flashes of brilliance (the best of which involves a suicide via nail gun which goes awry). As for Slim Susie, she barely figures in the story at all. But she's cute, so there's that.Continue reading: Slim Susie Review

The Stratosphere Girl Review

By Christopher Null


Matthias X. Oberg has some weird ideas. But you knew he was avant-garde because his middle initial is X.The Stratosphere Girl is about that rarified subculture of young white women (preferably blonde) who live in Tokyo and work as "hostesses" in upscale nightclubs. It's a fine line between waitress and hooker, and its a world in which Angela (newcomer Chloé Winkel) finds herself thrown.

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