Tommu Wiseau is an ever secretive and Louisiana-born filmmaker who directed, wrote and starred in the 2003 romantic drama 'The Room' with Greg Sestero. It's a movie that has become a cult hit among film-lovers for all the wrong reasons, as it's considered to be one of the worst films ever made.
It follows the love triangle between banker named Johnny (Tommy's character), his lying wife Lisa ( protrayed by Juliette Danielle) and his best friend Mark (who is played by Greg Sestero). Amongst the random subplots that seemingly have no relation to the plot itself, we see Johnny struggling to quash Lisa's stories that she is the victim of domestic abuse.
James Franco stars as the filmmaker while his brother Dave Franco plays Greg Sestero in 'The Disaster Artist'; a comedic retelling of Sestero's 2013 memoir and a look at the making of this iconic flick. Amusingly Tommy Wiseau and Greg Sestero also star in this new movie - though they portray characters Henry and the casting agent respectively. Plus, Sestero previously claimed that Wiseau would only agree to this adaptation if he would be played by either James Franco or Johnny Depp.
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Sean Hayes, Debra Messing, Megan Mullally and Eric Mccormack at the 'Will & Grace' Start Of Production Kick Off Event And Ribbon Cutting Ceremony held at Universal City Plaza - California, United States - Wednesday 2nd August 2017
'Will & Grace' is returning for a ninth season later in 2017, it has been officially confirmed.
The rumours are true – the new series of ‘Will & Grace’ is officially on! NBC announced this week, after several weeks of speculation, that the comedy favourite is being revived for a special run on the network later this year.
The brand new series – the first since it went off air back in 2006 after eight seasons – will premiere during the 2017-2018 broadcast season. Its original stars Debra Messing, Eric Mccormack, Megan Mullally and Sean Hayes are all set to return, and it’s a similar story behind the scenes.
James Burrows, who directed every episode of ‘Will & Grace’s original run, is returning in the same capacity, with co-creators David Kohan and Max Mutchnick also participating.
Continue reading: It's On! 'Will & Grace' Comeback Given The Green Light By NBC
Writer-director John Hamburg continues to recycle the formula that made his first hit Meet the Parents so wildly popular, as this comedy pits two very different men against each other. And while it's never terribly clever, at least James Franco and Bryan Cranston are imaginatively cast as opposite forces. So audiences in search of escapism will find plenty to chuckle at as things spiral ludicrously out of control.
Cranston plays Ned, who travels with his wife Barb (the fabulous Megan Mullally) and teen son Scotty (Griffin Gluck) to Silicon Valley to spend the holidays with older daughter Steph (Zooey Deutch) and meet her boyfriend Laird (Franco). What they don't know is that Laird is an internet millionaire with absolutely no filter in how he interacts with people. Almost everything he says is inappropriate, and yet it's so honest that it's disarming. Still, Ned and Barb aren't too happy that their daughter is so serious about dating this guy. And with the help of his sidekick Gustav (Keegan-Michael Key), Laird goes completely over-the-top to impress them.
Much of the humour is of the gross-out variety, with the main running gag centring on an actual toilet. But at least the jokes aren't about embarrassment this time; they're about the clash between people who prefer to keep their true feelings bottled up inside and someone who can't help but be real, despite the fact that he shocks everyone he meets. This makes each person a little more complex than expected, and gives the actors some texture to work with, even though the script never bothers to even crack the surface. And while Cranston and Franco have more obvious comedy set-pieces to contend with, the film is stolen by Mullally and Key in roles that are more subtly hilarious and broadly amusing, respectively.
Continue reading: Why Him? Review
Jenna Fischer , Megan Mullally - 2016 Winter TCA Tour - NBCUniversal Press Tour at Langham Hotel - Arrivals at Langham Huntington Hotel - Pasadena, California, United States - Wednesday 13th January 2016
Steve Carell's 'Alexander And The Terrible, Horrible, No Good, Very Bad Day' Aims For Family Audiences
'Alexander And The Terrible, Horrible, No Good, Very Bad Day' follows its roots, and sets its sights squarely on the family market.
It's taken quite a while for a film adaptation of the beloved children's book to appear, perhaps because its title is rather cumbersome: Alexander and the Terrible, Horrible, No Good, Very Bad Day. But there the full title is on posters (with commas) and across the screen (without them), although it could be argued that the story hasn't been adapted with quite as much reverence.
‘Alexander And The Terrible, Horrible, No Good, Very Bad Day’ is based on the book from 1972
Originally published in 1972, the award-winning book by Judith Viorst won a shelf-load of awards. The film adaptation, by first-time screenwriter Ron Lieber, flips the story around: now it's not Alexander who's having such an awful day: he has wished his bad luck on everyone around him instead.
By Rich Cline
There's nothing wrong with this bright and goofy family comedy, but there's nothing much to it either. As a bit of mindless entertainment, the film is smart and funny enough to keep audiences entertained, spinning a swirling vortex of bad luck and wacky slapstick around one lively family. But it's utterly weightless, without even a hint of an edge, and anyone who loathes either nutty physical gags or sappy sentimentality should steer well clear.
Everyone in the audience can understand how Alexander (Ed Oxenbould) feels: he's fed up with the fact that no one notices that his life is just one humiliation after another, so on his 12th birthday he wishes that his family would have a taste of his misfortune. Sure enough, everything that can go wrong does. Dad Ben (Steve Carell) has to take the baby with him to an important job interview; mom Kelly (Jennifer Garner) has a work event go horribly wrong; teen brother Anthony (Dylan Minnette) struggles to make prom night special for his demanding-diva girlfriend (Bella Thorne); and middle sister Emile (Kerris Dorsey) gets ill on opening night of the school play she's starring in. On the other hand, Alexander's day isn't so bad, as he finally catches the eye of cute girl Becky (Sidney Fullmer).
The plot is laid out as a series of minor calamities that escalate to crazed proportions as the day goes on, but only until the screenwriter decides to have mercy on the characters and let them bond to face the mayhem. Frankly, this is such a wildly happy family that nothing about the film is believable: their problems exist strictly for laughs. Thankful, most of the set pieces are genuinely funny due to the up-for-it actors, who make the most of their characters and the connections between them. There's also a terrific stream of cameo roles for comedy aces like Megan Mullally (Will & Grace), Jennifer Coolidge (American Pie) and Donald Glover (Parks and Recreation). Dick Van Dyke even makes a witty appearance as himself.
Continue reading: Alexander And The Terrible Horrible No Good Very Bad Day Review
Tanner and Brent Van Camp have been best friends for ages and both happen to gay, though the rest of North Gateway High don't know it. They've never been what you'd call popular; all Brent wants is to be surrounded by friends, while Tanner is perfectly comfortable with his lack of status and attention. When Brent discovers that the new must-have girl accessory is a GBF (that is, a Gay Best Friend) he plans to come out of the closet and finally become part of the popular crowd, but Tanner finds himself unwittingly exposed instead and immediately dragged into the high school's main clique of Caprice, 'Shley and Fawcett, who intend to fight it out between themselves as to who gets the GBF. Meanwhile, Brent feels abandoned and jealous, and Tanner has to decide who his real friends are.
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By Rich Cline
Sharply important themes make this film a lot more important than its wacky style might suggest. It's essentially Mean Girls remade with a gay twist, and the smart script continually acknowledges that fact. There's also plenty of surprisingly deep subtetx, which adds weight even when things start to get a bit silly.
The story centres on Tanner (Willett), a 17-year-old who isn't quite ready to come out of the closet, then is inadvertently outed by his best pal Brent (Iacono). Suddenly, the leaders of the school's three cliques (Pieterse, Bowen and Roquemore) descend on him: the first out gay student, he'll make the perfect accessory as a Gay Best Friend. And wannabe activist Soledad (Levesque) latches on to him so she can launch a gay-straight alliance. But as Tanner strains to fit the stereotype, he finds himself increasingly distant from Brent and their pals (Tarlov and Mio).
Director Stein shoots this in the colourfully wacky style of a Glee episode (without the songs), but even though everything is just a bit over the top, the screenplay grounds the situations and characters with stinging wit and subtle commentary on big issues like peer pressure, bullying, repression, religious intolerance and the reason girls like to hang around gay boys. This lets the likeable actors deepen their characters in ways that continually catch us off guard.
Continue reading: G.B.F. Review
By Rich Cline
This is the kind of American independent comedy-drama that restores our faith in the cinema, combining a talented cast, witty direction and a razor-sharp script to reboot the coming-of-age genre. It's an original approach that completely wins us over; even the film's slightly too-wacky touches are genuinely hilarious. And it's all grounded in realistic characters we can identify with, especially when they're in amusingly awkward situations.
The story centres on Joe (Robinson), a teen who is fed up with the way his widowed father Frank (Offerman) takes out his grief on anyone at hand. Joe's sister (Brie) has already escaped, moving in with her goofy boyfriend (Cordero), and now that school has let out for the summer, Joe decides to build a bolt-hole in the woods. He finds a collaborator in his best pal Patrick (Basso), whose inane parents (Mullally and Jackson) are so annoying that he has broken out in hives. Then Biaggio (Arias), a strange kid no one really knows, joins them to build a secret cabin where no one can find them. And they love this independent lifestyle so much that they never want summer to end.
Along the way, the film takes a wonderfully honest look at the horrors of adolescence. Joe's and Patrick's parents always say the most embarrassing things imaginable, so getting away from them is like a blast of freedom. And there's a very strong female lead in Kelly (Moriarty), the girl Joe fantasises about even though she has eyes for other boys. Robinson and Basso are excellent in the lead roles, playing characters we can easily identify with and root for. Arias is hilarious as the rather ridiculous Biaggio, making the most of a role that's perhaps the film's only false note: he's just too nutty to be believable.
Continue reading: The Kings Of Summer Review
The film hits cinemas across the US this Friday (May 31)
The Kings of Summer isn't exactly a title that will have many hanging off the edge of their seat in anticipation, it has some critics commenting that it could be the the surprise hit of the spring/summer indie-box office line-up. Still, a good proportion seem to agree that the film fails to light up the cinema screen and is one of the indie-flicks to stay clear of, at least until it comes out on DVD anyway.
The film follows three teenage friends - Joe (Nick Robinson), Patrick (Gabriel Basso) and Biaggio (Moises Arias) - who decide to spend their summer building their own house in the middle of the wood, living from the land and enduring a parent-free summer of a lifetime. With a father-son relationship undertone that _Time Magazine'_s Mary F. Pols says make the film "really work" as a multi-faceted comedy-drama. Publishers such as the USA Today and New York Times also agree that the film "tackles youth with off-kilter charm" and is "embellished with clever cinematic flourishes" respectively. If you're still a little apprehensive about going to see it, the film also stars ultimate man Nick Offerman and the lovely Alison Brie.
Joe Toy is struggling under the weight of his over-bearing single father Frank; his rules, curfews and sanctions are suffocating him as his independence is slowly quashed day by day during his summer vacation. In a bid for the first taste of freedom in his life, he grabs his best friend Patrick Keenan, an equally suppressed teenage boy, and takes him on a trip to the woods where he shows him where they will build their own house free from any kind of parental strain. Tagging along is a weird and unpredictable kid named Biaggio who they're too afraid to reject, and who thinks up an idea of a kidnapping to explain their dramatic runaway to their worried parents. While they struggle to live off the land and take care of themselves, their friendships are tested as they discover just how difficult it is to be independent, parents or no parents.
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