Anthony Anderson

  • 09 June 2004



Born and raised in Compton, California, Anderson is the son of a career film extra and her entrepreneur husband. As a toddler, he accompanied his mother to several film sets, and by the time he was four years old, he knew acting was his destiny. While pursuing his career, Anderson continued his education, attending the High School for the Performing Arts, where he earned first place in the NAACP's ACTSO Awards with his performance of the classic monologue from "The Great White Hope." That performance and his dedication and talent, earned him an arts scholarship to Howard University. After college, Anderson was eager to return to Los Angeles to pursue acting.

Anthony Anderson at the world premiere of Disney 'A Wrinkle in Time' held at El Capitan Theatre in Hollywood. Directed by Ava DuVernay, the film stars Oprah Winfrey, Reese Witherspoon, Mindy Kaling and Gugu Mbatha-Raw - Los Angeles, California, United States - Monday 26th February 2018

Anthony Anderson and Nathan Anderson at the world premiere of Marvel Studios' 'Black Panther', held at the Dolby Theatre in Los Angeles. The movie is the second to feature Chadwick Boseman as the titular superhero, following 2016's 'Captain America: Civil War' - Los Angeles, California, United States - Tuesday 30th January 2018

Ferdinand Review


This animated comedy adventure is based on the beloved children's book, which was published in 1936 and first adapted for the big screen by Walt Disney in an Oscar-winning 1938 short. Thankfully, that warm, funny story is preserved in the middle of this animated feature, stretched out with lots of the usual slapstick and action mayhem. So while the silly, pointless mayhem will keep children giggling, it's the story's big heart that makes it worth seeing.

Ferdinand (voiced by John Cena) is a young calf growing up on a ranch in Spain, being trained to become a fighter in the bull ring. But he's far more interested in smelling the flowers. So he escapes and is adopted by Nina (Lily Day) on her quiet farm, growing up to be a gentle-giant bull. The problem is that the local villagers are terrified of his behemoth size, and he's captured by animal control and taken back to the ranch. Now he's competing with his childhood cohorts (Bobby Cannavale, Anthony Anderson and Peyton Manning, plus David Tennant as a Scottish Highland bull) for a spot in a big upcoming Madrid bullfight. But Ferdinand just wants to get back to the flowers, so he enlists the help of goofy goat Lupe (Kate McKinnon) to escape again.

The central point about being true to your nature is important and moving, played with just the right balance of humour and sentimentality, especially as it makes a strong comment on choosing love over violence. But this message is somewhat watered down by the rather corny zaniness that fills the screen, including several massive action set-pieces that not only make very little sense but feel like scenes we've seen before. The characters are colourful enough to keep us smiling, but while the animation is technically adept it's not hugely original (see also director Carlos Saldanha's Ice Age movies), and it makes virtually no use of the 3D.

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Anthony Anderson at the LA Screening of 'Ferdinand', a Golden Globe nominated animated comedy set in Spain, held at the Zanuck Theater at the 20th Century Fox Studio - Los Angeles, California, United States - Sunday 10th December 2017

Tracee Ellis Ross seen at ABC Upfronts - New York, United States - Wednesday 17th May 2017

Anthony Anderson at VH1's 2nd Annual 'Dear Mama: An Event To Honor Moms' held at Huntington Library in Pasadena - Los Angeles, California, United States - Sunday 7th May 2017

Barbershop 3: The Next Cut Trailer

The Barbershop gang are back once again. Having had to team up with Angie's ladies salon to be able to stay afloat, the Barbershop is no longer a man only zone and not all of Calvin's customers are happy having to share but they make it work.

Sharing the salon floor is the least of the towns problems, ever more frequently their streets are being overrun by gangs fighting for territory, new corner boys and customers. Calvin and the residents who love their town and want it returning to its former state, decide to take matters into their own hands.

Barbershop: The Next Cut is the forth film in franchise which includes a spinoff called Beauty Shop. The film was directed by Malcolm D. Lee who directed the hugely successful 'The Best Man' series of films.

Nene Leakes Is Leaving ‘The Real Housewives Of Atlanta’, But What’s Next For The Reality Star?

By Elinor Cosgrave in Lifestyle / Showbiz on 02 July 2015

Nene Leakes Real Housewives Betty White Anthony Anderson

Nene Leakes announced she is leaving ‘The Real Housewives of Atlanta’ earlier this week but what’s up next for the reality star?

Nene Leakes will no longer be appearing on The Real Housewives of Atlanta. The 47-year-old reality star announced the news on Tuesday (30th June) yet she already has plans to move on to a game show, To Tell the Truth.

NeNe Leakes will be a panellist on To Tell the Truth.

Read More: NeNe Leakes Is Moving Out Of The Real Housewives Of Atlanta After Seven Seasons.

Continue reading: Nene Leakes Is Leaving ‘The Real Housewives Of Atlanta’, But What’s Next For The Reality Star?

The Town That Dreaded Sundown Review

By Rich Cline


Layers of real life and movie history combine cleverly in this postmodern horror film, which just might be too knowing for its own good. But at least it's an unusual approach to the genre, offering a twisted retelling of a legend while aiming for some emotional resonance along with the usual violent nastiness. It's also directed with an unusually artful eye by first-time filmmaker Alfonso Gomez-Rejon.

It was a series of unsolved murders in a small town on the Texas-Arkansas border in 1946 that inspired the 1976 movie of the same name, which screens here annually on Halloween. But this year, the screening is accompanied by a copycat murder, which escalates into a full-on rampage. Everything seems to centre around Jami (Addison Timlin), a teenager whose boyfriend was the first victim. After her parents died, she was raised by her straight-talking grandmother (Veronica Cartwright), who continually urges her to take charge of her life. So with the local cops unable to solve the case, Jami teams up with the local library archive clerk Nick (Travis Tope) to get the whole history of these past events. Meanwhile, a Texas Ranger (Anthony Anderson) arrives to head up the official investigation.

Screenwriter Roberto Aguirre-Sacasa gleefully blends fact, fiction and the movies together into a heady mixture of horror movie cliches and shockingly realistic grisliness. In other words, this is both a fictional sequel and a playful true-life drama at the same time, which makes it feel eerily like the Scream franchise. Although this film never becomes a pastiche, and the characters are so likeable that we genuinely root for them to survive the killing spree. Timlin brings the right amount of plucky stubbornness to her role, even if it's unlikely that a witness-victim would be quite so gung-ho about doing her own police work. And there are nice turns from veterans like Cartwright, Ed Lautner (as a stubborn cop) and the late Edward Herrmann (as a nutty preacher) to add some weight.

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Video - Cedric The Entertainer Makes An Entrance At BET Honors 2013 - Part 1

Celebrities and business people are snapped on the red carpet at the 2013 BET Honors. Among them is funnyman Cedric The Entertainer who, as usual, makes a grand entrance by waltzing up and down the carpet in front of the step-and-repeat. 'Avatar' star Laz Alonso and Anthony Anderson from 'All About the Andersons' also make appearances.

Continue: Video - Cedric The Entertainer Makes An Entrance At BET Honors 2013 - Part 1

The Departed Review

By David Thomas


Just as Spike Lee took a basic caper and added his own pet issues to elevate Inside Man to the upper echelons of its genre, Martin Scorsese has taken The Departed, based on an intriguingly simple premise, to its own heights by infusing issues that have concerned him ever since Mean Streets. Along the way, he makes room for some memorable performances, not the least of which comes from the most likely of sources.

The Departed is based on the Hong Kong blockbuster Infernal Affairs, in which a cop goes undercover in the mob while the mob places one of their own as a mole in the police force. In Scorsese's version, the scene shifts to Boston, where mob boss Frank Costello (Jack Nicholson) puts loyal-from-boyhood employee Colin Sullivan (Matt Damon) through police training. As Sullivan rises through the ranks, Special Investigations Unit chiefs Queenan (Martin Sheen) and Dignam (Mark Wahlberg) recruit rookie Billy Costigan (Leonardo DiCaprio) to get "kicked off" the force and do time to gain Costello's confidence.

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Scary Movie 3 Review

By Norm Schrager


There are lots of ways to churn out sequels, particularly comedies. You can speed along like a runaway train to capitalize on a surprise hit -- Miramax rushed Scary Movie 2 into theaters one year after the original's release -- or you can reset and go for broke. The latter approach seems to be the Scary Movie 3 motive, with new writers and veteran parody director David Zucker (Airplane!, The Naked Gun) joining the fray. For its efforts, Miramax gets a perfectly average movie, with fresh moments, lame retreads, and more opportunity for big box office.

Scary Movie 3 sticks with the program: mind-bogglingly dumb characters hustle their way through spoofs of the industry's most popular recent films. It's no mistake that the roasted movies -- in this case: Signs, The Ring, and 8 Mile -- all pull in huge money and attract a young audience.

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Agent Cody Banks 2: Destination London Review

By Rob Blackwelder


Last year's kiddie secret-agent comedy "Agent Cody Banks" was a stupid movie that got by on clever charm. It starred Frankie Muniz (from "Malcolm in the Middle") as a junior-high James Bond who had to get over his fear of talking to girls in order to complete his mission and save the world from some contrived evil.

The picture got a enough mileage out of Muniz's amusing believability as a secret agent on training wheels and out of its tongue-in-cheek twists (to keep his parents in the dark, the CIA did his homework and housework while he was on assignment) to balance out a lot of slapdash screenwriting -- so all in all, it squeaked by as good family fun.

But the rushed-into-production sequel "Agent Cody Banks 2: Destination London" is twice as stupid and without even an infinitesimal hint of the cleverness that kept the original afloat.

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Malibu's Most Wanted Review

By Rob Blackwelder


There are exactly two funny performances in "Malibu's Most Wanted" -- a one-joke comedy about an over-privileged white-boy wannabe rapper -- and neither of them are by top-liner and co-writer Jamie Kennedy.

Expanding on a two-bit sketch character from his self-titled WB network variety show, Kennedy plays B-Rad G (nee Brad Gluckman), a pathetic poser "from the 'Bu," where "everybody's strapped with a nine" (nine-iron, that is) and "most of the time the police won't even come through" (because the town is pretty much crime-free).

Being from a straight-laced political family, Brad has become such an embarrassment to his father's gubernatorial campaign that daddy (Ryan O'Neal) hires two Juilliard theater graduates to play gangstaz, kidnap the brat and drop him in Compton to scare the imaginary "ghetto" out of him.

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Me, Myself & Irene Review

By Rob Blackwelder


If only Jim Carrey's uninhibited and completely unhinged, sweet-and-sour insanity was by itself enough to carry a movie, it might not matter so much that the plot of the Farrelly Brothers' "Me, Myself and Irene" is nothing but an undercooked on-the-run road movie.

Full of crooked cops and rich, double-crossing ex-boyfriends, it's a dim bulb script the boys had shelved ages ago and dusted off last year only after a couple post-"There's Something About Mary" projects fell through.

Sustained only by its outrageousness (breast milk gags, anyone?) and Carrey's hammy physical humor, the movie does have its fair share of laughs. But between guffaws there's nothing to keep the uneven "Irene" from collapsing under its own dead weight.

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