Date of birth
23rd July, 1971
The actor wouldn't want to tarnish the reputation of the first season.
When 'True Detective' first debuted on the small screen for HBO from creator Nic Pizzolatto, Woody Harrelson and Matthew McConaughey fronted the show as detectives Marty Hart and Rust Cohle respectively and impressed critics and viewers alike with their brooding, dark and infectious performances.
Combining that with the brilliant writing and cinematography, and the series quickly proved it was one of the best crime shows the television has ever seen. Picking up a BAFTA for Best International Programme, as well as an Emmy for Outstanding Directing for a Drama Series and four more Emmys from the Creative Arts event in 2014, it was clear that this was a show worth celebrating.
Continue reading: Woody Harrelson Wouldn't Want To Return To 'True Detective'
There are quite a few terrific moments in this true story, based on the memoir by journalist Jeannette Walls. It's an account of a seriously mind-boggling childhood that sees years of mayhem through a remarkably clear perspective, only occasionally dipping into sentimentality. But the actors are terrific, bringing an earthy realism to their roles, including a stand-out turn from Woody Harrelson.
It opens in 1989 New York, as Jeannette (Brie Larson) lies to her prospective in-laws about her parents, with her nice-guy fiance (Max Greenfield) helping her create a story that obscures the truth: Rex and Rose Mary Walls (Harrelson and Naomi Watts) are essentially homeless, living a life deliberately off the grid in defiance of meddling governments and too-powerful businesses. Indeed, Jeannette was raised in a free-form way, and her siblings (Sarah Snook, Josh Caras and Brigette Lundy-Paine) understand why she tries to hide them from her high-flying Manhattan life. But they are determined to be involved with her, and after another of Rex's impulsively violent outbursts, Jeannette thinks it might be time to get away from them for good.
This story is interspersed with extensive flashbacks of Jeannette's childhood (in which she's played by Chandler Head and the excellent Ella Anderson), exploring Rex's lifelong desire to build his dream "glass castle" for the family to live in. But this strikingly intelligent man is undone by his hot temper and antagonistic approach to society, creating problems with his wife and children. Harrelson and Watts are terrific in their colourful roles as these brightly artistic people trying to make sure their kids are smart and free. By comparison, Larson can't help but seem a bit bland, especially in her puffy 80s suits and hairdos. So some of her emotional reactions to the people around her feel strangely abrupt.
Continue reading: The Glass Castle Review
Jeanette Walls is raised with the idea that city life is not something to be desired. Her parents put themselves across to her and her siblings Lori, Brian and Maureen as adventurous travellers who believe that they don't need a proper education or a house with all the usual amenities - all they need is the open road and the stars. The reality is that her father Rex is an alcoholic and her mother Rose Mary is a failed artist and occasional teacher. They are constantly uprooting the kids and moving them around as they escape the FBI and their mounting debts, compromising their future as they disrupt their schooling. Eventually Jeannette and the others escape their parents for a life the complete opposite of what they grew up with, and have to find it within themelves to forgive them and show them that they are truly happy.
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The surprisingly thoughtful prequel trilogy comes to a powerful conclusion with this robust, dramatic thriller, which avoids most of the annoying cliches of action blockbusters to offer something much deeper. As before, the film is anchored by a startlingly realistic motion-capture performance from Andy Serkis that fills the screen with complex emotions.
As the lab-created virus continues to sweep across the world, killing humans and giving sentient abilities to apes, a tenacious Colonel (Woody Harrelson) is making one last stand for mankind. While raiding a nearby ape village, he kills ape leader Ceasar's (Serkis) family, which finally convinces Caesar that peace with humans won't be possible. With revenge in mind, Caesar takes his faithful orangutan advisor Maurice (Karin Konoval) on a mission to track down the Colonel while arranging for the colony to make its escape. Along the way, Caesar reluctantly rescues an abandoned little girl (Amiah Miller) and a chatty orphaned ape (Steve Zahn). Meanwhile, the Colonel has holed up in a military base awaiting reinforcements from the north to wipe out the apes for good.
Unlike most action movies, this film plays out patiently, with long scenes that reveal internal motivations, deepening the characters and situations profoundly. Director Matt Reeves never rushes through a set-piece, allowing them to evolve organically, even if there are a couple of oddly convenient plot points later on. The point is that the film centres on the internalised thoughts and feelings of the characters, rather than their physicality in the big action moments. Which of course draws us into the complexities of the story and forces us to consider the bigger ideas swirling around. This also means that scenes never play out in predictable ways, constantly surprising the audience with refreshing twists that undermine and redefine the genre.
Continue reading: War For The Planet Of The Apes Review
Woody Harrelson pictured filming a fight seen outside a nightclub on the set off his new movie Lost in London. Woody was seen fighting with a tramp outside of the nightclub following an argument about his on set girlfriend. The Beggar was seen hitting Woody over the head with a false wooden leg. - London, United Kingdom - Friday 20th January 2017
In 2002, Woody Harrelson was arrested by police in London following a chase after an unknown mishap in a taxi. He was later released on bail and wound up paying the taxi driver £550, after which the case was dismissed. While it was not his first run in with the law, it was still a bizarre and wild moment for the 'True Detective' star, who decided to use inspiration from this 'funny' moment of his life for an original movie.
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Nadine is a junior in high school and she's never been the popular girl, she's quite, intelligent and an introvert and relies on her best friend, Krista, as the only source of company that she really enjoys - all this is in stark contrast to her elder brother, Darian who's one of the most popular kids in the school.
Even when Nadine was growing up, she never thought much to herself and let her become the school laughing stock; matters were not helped after making a few BIG style errors that left her looking a little too much like Pedro from Napoleon Dynamite. Since then, Nadine has grown out her short hair style and is somewhat more comfortable with herself.
Nadine's crush has just got out of Juvenile detention and to her, he's perfect and Nadine doesn't know is that Krista has a crush too, on none other than Nadine's brother Darian. This situation becomes all too apparent when Nadine finds Krista and Darian in bed together. Completely dumbfounded by the revelation, Nadine can't believe that her best friend has fallen for her brother, someone she sees as the total opposite of herself.
Continue: The Edge of Seventeen Trailer
A number of the cast including Haley Lu Richardson, Blake Jenner, Hayden Szeto, Woody Harrelson and Hailee Steinfeld of The Edge Of Seventeen seen at the 2016 Toronto International Film Festival premiere held at Roy Thomson Hall - Toronto, Canada - Saturday 17th September 2016
The Four Horsemen aren't just magicians; they're illusionists with an agenda. Their initial stunt was so spectacular that no one saw it coming - especially Arthur Tressler, a very wealthy businessman who owns multiple businesses including an insurance firm.
It's been a year since The Four Horsemen performed their spectacular stunt which saw them send Thaddeus Bradley to prison and Tressler almost bankrupt. Now the team are back with another target in their sights - this time they plan on targeting a crooked tech magnate but before they get chance to fulfil their new illusion, they group find themselves in unknown surroundings with little knowledge of how they arrived.
With their reputations on the line, the four magicians must pull off their biggest trick of all in order to save their name whilst also exposing the puppet master pulling all the strings from above.
Suzanne Collins' saga comes to a suitably epic conclusion in a climactic series of battles that are packed with emotional kicks to the gut. Director Francis Lawrence continues to show remarkable reverence for the source novels while relying on his A-list cast to bring layers of nuance to even the smallest roles. The result is a massively textured war movie that's packed with darkly personal moments and glimpses of wit and spark. It's also a satisfying conclusion to the franchise that avoids the usual Hollywood bombast.
As the rebels prepare to attack Panem's Capitol and President Snow (Donald Sutherland), the rebellion's figurehead Katniss (Jennifer Lawrence) decides to take matters into her own hands. Rebel leaders Coin and Plutarch (Julianne Moore and Philip Seymour Hoffman) try to stay one step ahead of Katniss, using her as the Mockingjay to rally the troops. With Gale (Liam Hemsworth), a not-quite-unbrainwashed Peeta (Josh Hutcherson) and a small group of cohorts, Katniss works her way across the bombed-out city to Snow's mansion, intending to put an arrow through his heart. But the battle takes a shocking twist, and Katniss has to make a difficult decision about doing the right thing no matter what it costs her.
Right from the start, the filmmakers continue to echo Katniss' earliest act of heroism when she volunteered for the Hunger Games to protect her sister Prim (Willow Shields) and then vowed to keep Peeta safe in the violent arena. These are the things that drive her right to the very end of this saga, holding the audience in an emotional grip. This means that the political nastiness, violent warfare and publicity posturing all have a much deeper resonance for the audience, while for Katniss they are virtually irrelevant. Her mission remains untainted: she just wants to protect her loved ones and make the future safe. Which is why her speeches carry such rousing power.
Continue reading: The Hunger Games: Mockingjay Part 2 Review
Some of the cast from the billion-dollar franchise would return if any more books were written
Jennifer Lawrence has stood as Katniss Everdeen against the Capitol for the final time in The Hunger Games: Mockingjay - Part 2 and, while she has not spoken of her desire to reprise her role for further films, many of The Hunger Games cast has.
The hugely successful franchise - which has brought in a staggering $2billion at box offices worldwide - is based on Suzanne Collins’ dystopian books and came to its natural end at the same point the novels did.
Continue reading: Hunger Games Actors Are Thirsty For More
Katniss Everdeen is determined to take down President Snow once and for all. Too many lives have been sacrificed and too many homes destroyed while the Capitol has brainwashed and controlled the people of Panem. Now re-united with Peeta after his rescue from Snow's clutches, Katniss gathers her friends from District 13 - Gale, Finnick and Cressida - and sets out on the ultimate mission to free Panem, and fight Snow to the death. But it seems it's not only Snow that wants Katniss dead, as she becomes increasingly paranoid about some of the supposed rebels. Facing increasing uncertainty, more tragedy and some of the worse warfare she could possibly imagine, Katniss starts to realise that ending the nightmare won't end the fear or the collective sorrow.