Imagine a world without dogs. It hardly bears thinking about, but in this dystopian look at Japan twenty years into the future, all canines have been banned from society after a bout of a dangerous illness called canine flu. Rather than being euthanised, the pooches are being quarantined and moved to Trash Island where they are left to fend for themselves. One group of four-legged friends includes Chief (Bryan Cranston), Rex (Edward Norton), Boss (Bill Murray), Duke (Jeff Goldblum) and King (Bob Balaban), and they are seriously missing life amongst humankind - not to mention food that isn't mouldy and maggot-infested.
Then one day, a young boy named Atari Kobayashi (Koyu Rankin) shows up on the island with a stolen Junior-Turbo Prop XJ750 aircraft searching for his own long lost pet, Spots. It doesn't take him long to win the trust of the island's residents, who agree to help him search for the dog. Of course, back home, he is noticeably missing and his family inform the authorities. Soon they arrive at the island preparing to take him home, but Atari doesn't want to leave without Spots - and his newfound friends won't let him either. As Atari's search takes them further afield, it becomes clear that there is a much darker conspiracy happening in the nation - and that his dog may be being held prisoner somewhere.
The Oscar nominated Wes Anderson ('The Grand Budapest Hotel', 'Fantastic Mr. Fox', 'The Darjeeling Limited') returns as the director and writer of a new stop-motion animation 'Isle of Dogs'. His previous collaborators Kunichi Nomura, and Roman Coppola and Jason Schwartzman ('Mozart in the Jungle') also helped write the story. The film, which features an all-star cast, was originally teased by the filmmaker back in December 2016 when he unveiled the briefest of clips from the movie showing Edward Norton's character Rex.
Continue: Isle Of Dogs Trailer
To launch their new Dark Universe franchise, Universal has taken an approach that mixes murky visuals with exaggerated action. It's certainly nothing like the involving classic monster movies they're trying to reignite, such as the 1932 Boris Karloff classic The Mummy. But this movie has more in common with Tom Cruise's Mission: Impossible and Jack Reacher blockbusters, with added swimming zombies.
Cruise plays Nick, an American army officer and mercenary who with his cohort Vail (Jake Johnson) has just located a long-lost burial site deep in Daesh-controlled Iraq. Somehow, the hot archaeologist Jenny (Annabelle Wallis) arrives immediately to stop him from plundering this tomb. It turns out that the sarcophagus contains the remains of ancient Egyptian Princess Ahmanet (Sofia Boutella), who was mummified alive for making a pact with the evil god Set and then murdering her father and brother. Now transported to London, she returns to life with a vengeance, casting a spell on Nick to help reassemble Set's dagger and finish her nefarious plan. So Jenny turns to her deeply unstable boss Henry Jekyll (Russell Crowe) for help.
There's rather a lot of mythology building going on here, setting things up for the further adventures of Jekyll's secret society, which is trying to deal with ancient evil like a mash-up of Men in Black and Night at the Museum. Without the humour. There are some throwaway gags here and there, but director Alex Kurtzman stages everything with a gloomy sense of foreboding that simply never gains traction. The thin plot seems constructed merely to connect a series of enormous action set-pieces, which are all very well choreographed but never remotely exciting. It doesn't help that everything on-screen has been extravagantly over-designed, with cavernous sets that have been made deliberately dark and sooty. But this leaves the entire movie feeling artificial, random mayhem in fake places.
Continue reading: The Mummy Review
During a deadly military operation in Egypt, an explosion uncovers an overwhelming secret buried in the sand. Army officer Nick Morton teams up with an archaeologist named Jenny Halsey to investigate the new find, but what looks like an ancient tomb is found very quickly by Halsey to be a prison, which tells of the fate of Ahmanet; the heir to the throne of Egypt. Destined to be queen, Ahmanet's quest for power led her on a murderous rampage when she was alive, and her punishment saw her sealed in her sarcophagus and buried alive. The power has remained, and the discovery has released a dark force that nearly kills them all as they attempt to fly the sarcophagus back to London. Somehow, Nick manages to survive an horrific plane crash completely unscathed, with the spirit of Ahmanet using him to regain her power back. She won't stop until she has seized control on the world that slipped through her grasp all those centuries ago, and London is the first target.
A re-boot of the original 1932 horror (which previously spawned the 1999 trilogy of the same name and the Dwayne Johnson spin-off 'The Scorpion King'), 'The Mummy' is a brand new story based on Egyptian myth. It has been directed by Alex Kurtzman ('People Like Us') and written by Jon Spaihts ('Passengers', 'Doctor Strange', 'Prometheus') and the Academy Award winning Christopher McQuarrie ('The Usual Suspects', 'Jack Reacher', 'Edge of Tomorrow'). The new trailer features a part instrumental of The Rolling Stones hit 'Paint it Black'. 'The Mummy' is set to be released on June 9th 2017.
There are also a number of excellent featurettes to watch. The Zero gravity shoot is particularly fascinating to learn about. To replicate zero gravity, a specially equipped plane must fly to a great height and then basically go into a freefall for 22 seconds - as the time frame is so short, they had to reset the shots over forty times.
The tombs and burial chambers in Egypt have long provided fascinated discoveries and lead the world to understand incredibly important facts about ancient times. Down the generations, it's been said that the ancient Egyptian gods, deities and earthly pharaohs had powers beyond those of a normal human.
Thousands of years after the gods walked the earth, we're still as interested in the secrets the ancients held.
There are few details available about the precise plot of the new movie but here's what we do know. When a new tomb is found, work begins to excavate the structure and catalogue its contents. When a mummy's tomb is uncovered, the archaeologists can't believe their luck, wishing to protect and preserve the tomb, the army are called in and asked to transport the structure to London but whilst the freighter is in the air, the team on board find themselves - and the plane - being attacked by a vast swathe of flying creatures.
Continue: The Mummy Trailer
Courtney B. Vance - Celebrities attend "The People v. O.J. Simpson: American Crime Story" red carpet event at The Theatre at Ace Hotel. at The Theatre at Ace Hotel - Los Angeles, California, United States - Tuesday 5th April 2016
This declining franchise really needed a jolt to the head, but the producers disappointingly opt to play it safe with an unambitious script and child-friendly action. After the OK part 3 (2003's Rise of the Machines) and a weak part 4 (2009's Salvation), this film is unlikely to win new fans or keep the old ones hoping for more. Even though it's made to a high technical standard, the movie feels derivative and safe, avoiding any properly dangerous tension for a series of badly contrived action set-pieces.
It opens in 2029, as plucky rebel John Connor (Jason Clarke) is fighting the world-dominating Skynet machines with the help of his right-hand man Kyle Reese (Jai Courtney). When Skynet sends a Terminator (the young Arnold Schwarzenegger) back to 1984 Los Angeles to kill John's mother Sarah (Emilia Clarke), Kyle follows to rescue her. But he arrives to find the timeline already altered. Sarah had been attacked years earlier, rescued at age 9 and raised by an ageing Terminator she calls Pop (the present-day Arnie). Since everything has changed, Sarah and Kyle decide to jump forward to 2017 San Francisco so they can stop Skynet from taking over the planet with its Genisys operating system. But when they arrive, they realise that there's been even more jiggery-pokery in the timeline.
The way the film wraps in and around the 1984 original is clever, with added intrigue in the fact that Kyle and Sarah haven't yet fallen for each other and conceived John. So when he turns up in San Francisco, there are all sorts of mind-bending possibilities. Alas, the screenwriters can't be bothered to play with them. Instead they structure the film as a series of rambling expository conversations leading to yet another pointless flurry of explosive carnage. Honestly, if Terminators are literally indestructible, why bother trying to defeat them with guns? And yet everyone keeps shooting at them, just making them mad.
Continue reading: Terminator Genisys Review
With the war between mankind and Skynet drawing to a close, resistance leader John Connor (Jason Clarke) discovers a terrible invention - a time machine. Knowing that the almost defeated Skynet have sent a terminator back in time to kill his own mother and stop the human resistance from forming, Connor has to send his best friend and most trusted lieutenant, Kyle Reese (Jai Courtney) back in time to protect her. When Reese arrives, Sarah Connor (Emilia Clarke) is already prepared for the coming storm, as she has been raised since childhood by the machines themselves. A reprogramed Terminator (Arnold Schwarzenegger) has protected her for years, and is not preparing for the ultimate fight against the greatest enemy.
Continue: Terminator Genisys Trailer
Stars of upcoming musical drama 'Black Nativity' Jacob Latimore and Angela Bassett arrive at the New York premiere held at the Apollo Theater. They play a grandson and grandmother who are thrown together amid a major family crisis.
By Rich Cline
Life-affirming to the point of distraction, this comedy is so warm and cosy that it never even approaches believability. If only writer-director Graff had injected the film with half as much earthy energy as he puts into the terrific musical numbers. And let the cast out of the box.
At a down-home church in Pacashau, Georgia, GG (Parton) is peeved when she's not offered the job after her choir-director father (a brief Kris Kristofferson cameo) dies. The new leader is her rival Vi Rose (Latifah), who plans to win the upcoming regional competition with pure gospel. To further stir things up, GG's bad-boy grandson Randy (Jordan) is back in town, and he's smitten with Vi Rose's 16-year-old daughter Olivia (Palmer).
Continue reading: Joyful Noise Review
By Rich Cline
High-energy production values and kinetic physicality draw us into this scrappy end-of-the-world thriller. But it isn't long before the plot and characters have nowhere left to go but down to the depths of human depravity. And by the end it's impossible to see the point.
As missiles rain down on New York City, nine people take refuge in their building's basement. After the dust settles, contamination-suited goons burst in and grab a young girl (Thickson) from her hysterical mother (Arquette), then clearly intend to kill the adults. After a rebellion, they are instead sealed in the basement. Soon a hierarchy develops around building repairman Mickey (Biehn) and his stash of supplies. Then the increasingly menacing Josh (Ventimiglia) and his mercurial friend Bobby (Eklund) take control. Meanwhile, Eva (German) is carefully treading the middle ground.
Continue reading: The Divide Review
Set in New York in the not too distant future, a sudden nuclear explosion happens in the city. In an apartment block near the explosion, the residents are hurrying down to the basement, which was converted from a fallout shelter. Only eight manage to make it inside - the rest are left to die in the blast.
Continue: The Divide Trailer