Leigh Whannell

  • 18 February 2005



Insidious: The Last Key Trailer

The fourth instalment of the 'Insidious' has already hit theatres and is turning out to be a major spookfest. 'The Last Key' takes parapsychologist Elise Rainier back to her own childhood where she discovers just how her connection to the spirit world began.

Elise Rainier is faced with the her most terrifying haunting yet as she returns to her childhood home in New Mexico; a place plagued by the most deadly and hidious of all spectral creatures. This time there is a new occupant, and while the last thing she wants to do is re-visit the horrors of her past, she has sworn to protect the innocent living from the parasitic realms beyond.

So she ventures forth, with a new determination to end the curse that she has felt since she was a small child. But in order to do so, she most go deeper into the Further than she has ever gone before. With demons at every turn, if she doesn't do this right, there's no way back.

Continue: Insidious: The Last Key Trailer

'Insidious' And 'Spy' Are Neck And Neck At US Box Office

By Gary Roberts in Movies / TV / Theatre on 06 June 2015

Lin Shaye Melissa McCarthy Dwayne Johnson Leigh Whannell Paul Feig

Horror takes on comedy in cinemas this weekend, but there's no clear winner based on Friday's estimates.

As ticket sales for Dwayne Johnson's San Andreas cool off a little, two very different films are vying for the number-one spot this week: the third (but probably not the last) instalment of the Insidious horror series, and Melissa McCarthy's crime comedy Spy. And they're neck and neck after one day in cinemas according to Box Office Mojo - Insidious has made $10.4million, while Spy is slightly behind with $10.25m.

Image caption 'Insidious: Chapter 3' was directed by Leigh Whannell

He's referring to James Wan, his close friend and colleague from film school in Melbourne, Australia, where he was born. Together, they decided to make a movie that would get their careers moving, so Wan directed and Whannell wrote and acted in 'Saw' (2004), which took off far beyond expectations. They played the same filmmaking roles for 'Insidious' and its first sequel (2010 and 2013).

Continue reading: 'Insidious: Chapter 3' Serves As Leigh Whannell's Directorial Debut

Insidious: Chapter 3 Review

By Rich Cline

Very Good

Instead of wrapping up a trilogy, writer-turned-director Leigh Whannell launches a new horror franchise with a movie that's scary even if it's not particularly original. Its trump card is a strong central performance from the wonderful Lin Shaye, who plays out a sort of origin story (although they could still go back further) for her memorable character from the first two movies.

She's Elise, a medium in touch with the spirits of the dead, and as this story starts she's closed down her practice for good. Then the bright teenager Quinn (Sophie Scott) shows up, desperate to speak to her recently deceased mother while she makes important decisions as high school comes to an end. But Quinn has inadvertently made contact with a much more malevolent spirit in her apartment building, and when her father (Dermot Mulroney) realises that her life is in danger, he convinces Elise to help. Meanwhile, Quinn's little brother Alex (Tate Berney) gets in touch with Spectral Sightings internet ghostbusters Tucker and Specs (Angus Sampson and Whannell), who are about to see their first real ghost.

The film looks terrific, from the everyday creep-outs in the creeky old houses and apartments to the much darker atmosphere of "the further", which Elise has to enter in order to rescue Quinn from "the man who can't breathe" (Michael Reid MacKay), a seriously gruesome spirit who isn't content just haunting the living: he wants them to join him. Shaye delivers a performance that's unusually complex for this genre, as Elise struggles to balance her past and present with a flood of emotions, a reluctant determination to help and a generous sense of prickly humour. Mulroney also adds some weight as a concerned single dad at the end of his tether. And Scott has a promising charisma in the opening scenes, less so when the plot reduces her to a scream queen.

Continue reading: Insidious: Chapter 3 Review

Insidious: Chapter 3 Trailer

A year and a half ago, a young girl lost her mother. She misses her every day, and continues to relate the stories of her life to her mother, hoping that she can still be heard. The problem is, if you make contact with one ghost, all the ghosts can hear you. When Quinn (Stefanie Scott) becomes the subject of attention for a particularly harrowing phantom, Elise Rainier (Lin Shaye) is forced to reluctantly agree to use her powers of communicating with the dead, with the hopes of freeing Quinn from the creature that has now possessed her.

Continue: Insidious: Chapter 3 Trailer

Leigh Whannell - Shots of a host of stars as they attended Variety's Creative Impact Awards and 10 Directors to Watch brunch which was presented by Mercedes Benz and was held at Parker resort in Palm Springs, California, United States - Sunday 4th January 2015

Leigh Whannell - A host of Hollywood's biggest stars were photographed as they arrived at the Palm Springs Film Festival Gala 2015 which was held at the Palm Springs Convention Center in California, United States - Saturday 3rd January 2015

The Mule Review

By Rich Cline


A strong undercurrent of Aussie black humour helps make this revolting story just about palatable, although the solid cast struggles to make the idiotic characters very likeable. The film owes a lot to the Coen Brothers' classic Fargo, as a group of people make ridiculous decisions that lead to pain, conflict and death in a situation so complex that no one has a clue what's really going on. There are some very funny moments, but the filmmakers' real goal is to gross the audience out. And that they do.

Based on a true story from 1983 Melbourne, the film centres on Ray (Angus Sampson), a geeky TV repairman who wins the annual prize in his local football club and suddenly finds himself invited to the cool parties with the team captain, his childhood friend Gavin (Leigh Whannell). The club's president Pat (John Noble) wants Gavin to travel to Bangkok to collect a shipment of heroin, and Gavin talks Ray into doing the job, swallowing 20 heroin-filled pods. When Ray panics on reentering Australia, he's picked up by federal agents Croft and Paris (Hugo Weaving and Ewen Leslie) and held for seven days in a hotel room. But Gavin refuses to move his bowel, confounding them. Meanwhile, Pat is on a rampage trying to find his missing drugs and make sure Ray doesn't spill the beans, as it were.

Yes, this is literally an anal-retentive story, told with bone-dry wit by a group of filmmakers that includes actors Sampson and Whannell (who play ghostbusters Tucker and Specs in the Insidious movies). The film moves at a surprisingly slow pace, never building up much energy but keeping everything luridly trashy as these chucklehead characters flail pointlessly against everything that goes against them. Each person thinks they're in control, but no one is. And only the underused women are truly likeable: Georgina Haig as Ray's sassy-savvy public defender and Noni Hazlehurst as his increasingly frazzled mother.

Continue reading: The Mule Review

Insidious: Chapter 2 Review

By Rich Cline

Very Good

After his assuredly traditional The Conjuring, director James Wan bounces back with a more playful horror movie that subverts cliches rather than revelling in them. Like 2011's Chapter 1, this sequel allows Wan and screenwriter Whannell to merrily reinterpret the story with events that take place before, after and even right in the middle of that first film. And they are clearly having a lot of fun in the process, which keeps us both entertained and frightened.

It picks up right where we left off: with their son Dalton (Simpkins) rescued, Josh and Renai (Wilson and Byrne) take their three kids and flee to stay with Josh's mother Lorraine (Hershey). But of course, the ghostly nastiness follows them, and extremely creepy things start happening all over again. Now Lorraine realises that this has something to do with an event from Josh's childhood, so she calls in an old family friend (Coulter) to help. But ace ghostbuster Elise (Shaye) isn't readily available this time, so they have to make due with her always-distracted sidekicks (Whannell and Sampson).

As before, Wan deploys every standard haunted house gimmick in the book, filling the screen with freak-out apparitions, scary noises, slamming doors and screaming babies. He also uses plenty of movie trickery to disorient us, including a jarring musical score and suggestive visuals. Meanwhile, Whannell is digging around in the original movie's plot for things he can play with, redefining events with clever revelations while adding a whole new underlying story to the saga. And the film continually shifts tonally, so we never know what to expect in the next scene.

Continue reading: Insidious: Chapter 2 Review

Leigh Whannell and James Wan - Leigh Whannell and James Wan Universal City, California - Spike TV's Scream 2011 Awards at Universal Studios - Arrivals Saturday 15th October 2011

Insidious Review

By Rich Cline

Very Good

With a riotous sense of energy and humour, this horror movie continually shifts gears to keep us on our toes. The tone is reminiscent of Sam Raimi's Drag Me to Hell, but this film is actually more spine-tingling.

Josh and Renai (Wilson and Byrne) have just moved into their new home when strange things start happening. They can explain away bizarre sounds and eerie events, but doctors are baffled when their son Dalton (Simpkins) inexplicably lapses into a perpetual coma. Soon the noises and visions so freak out Renai that she begs Josh to move again. But things get even more terrifying in the new house. So Josh's understanding mother (Hershey) suggests they contact a team of ghostbusters (Shay, Whannell and Sampson), as crazy as that sounds.

Continue reading: Insidious Review

James Wan and Leigh Whannell - James Wan and Leigh Whannell Los Angeles, California - Spike TV's 'Scream 2010 Awards' at the Greek Theater - Arrivals Saturday 16th October 2010

Leigh Whannell - Leigh Whannell, Sunday 19th September 2010 at Grauman's Chinese Theatre Hollywood, California

Saw III Review

By Jesse Hassenger


The Saw series, like most horror franchises, uses a lot of constants in its formula -- even when those constants don't seem particularly vital to the quality of the series. Saw III, for example, matches its predecessors in the dubious categories of histrionic yelling, equally histrionic smash-editing (often incorporating a generous helping of re-used footage, from the previous films or even from earlier in this one), and plot twists that depend on those histrionics to drown out implausibility.

But Saw III does actually have a plot to twist which, like its predecessors, sets it apart from most slasher films. When we last left Jigsaw (Tobin Bell, the only cast member who doesn't have to scream half his dialogue), he was dying, and taking young Amanda (Shawnee Smith) under his wing to continue his work. Saw III picks up with Jigsaw in even worse shape than before, his body breaking down while his moralizing creepiness remains more or less intact. Amanda brings in an unhappy doctor (Bahar Soomekh) to keep Jigsaw alive along enough to see one of his most elaborate games played all the way through.

Continue reading: Saw III Review

Saw III Review

By Jesse Hassenger


The Saw series, like most horror franchises, uses a lot of constants in its formula -- even when those constants don't seem particularly vital to the quality of the series. Saw III, for example, matches its predecessors in the dubious categories of histrionic yelling, equally histrionic smash-editing (often incorporating a generous helping of re-used footage, from the previous films or even from earlier in this one), and plot twists that depend on those histrionics to drown out implausibility.