What kind of idea do you cook up for a social game night when you're filthy rich? Whatever it is, it's got to be something unique, exciting and it's gotta last the evening. At least that's something that Brooks (Kyle Chandler) gets right in 'Game Night'.
Brooks is hosting a special kind of evening at his luxurious mansion for his six friends - including his brother Max (Jason Bateman), Max's wife Annie (Rachel McAdams), their pal Ryan (Billy Magnussen), Ryan's love interest Sarah (Sharon Horgan) and another couple (played by Lamorne Morris and Kylie Bunbury). It's a kind of murder mystery event whereby one of them gets 'kidnapped' and the others have to set out to find the hostage.
The person who finds the hostage wins the grand prize. Sounds simple enough, and no doubt exceptionally fun. However, there's nothing whimsical about this game. Brooks has set the whole thing up to look very real, aiming to fool his guests into believing anything. He puts so much emphasis on this point of the game, though, that when a group of actual robbers break into the house and drag him away, his friends think it's all just part of the act.
Continue: Game Night  Trailer
Alison Wright, Jeffrey Wright, Kerry Washington, Wendell Pierce, Eric Stonestreet, Zoe Lister-Jones , Greg Kinnear - Premiere of HBO Films' 'Confirmation' at Paramount Theater - Arrivals at Paramount Theater on the Paramount Studios lot - Hollywood, California, United States - Thursday 31st March 2016
Just stop playing with our hearts, Disney! Too many feelings.
After 'Jurassic World' hit earlier this year, it was obvious that dinosaurs were coming back into fashion. But if you still need reminding of how awesome those prehistoric creatures are, upcoming Disney animation 'The Good Dinosaur' will settle it for you. Easily. Prepare for all the feels.
What is it about children's CGI films these days? The emotional turmoil you have to go through is astounding; we don't remember Disney doing that to us when we were kids. Except maybe with 'Bambi'. And 'Dumbo'. Nonetheless, when 'Inside Out' was released this year, it was remarkable to see a visual representation of feelings, and now the writer at the helm of that movie, Primetime Emmy nominated Meg LeFauve, returns with the screenplay for the 'The Good Dinosaur'; which is equal measures hilarious and tempestuous.
Suzanne Collins' saga comes to a suitably epic conclusion in a climactic series of battles that are packed with emotional kicks to the gut. Director Francis Lawrence continues to show remarkable reverence for the source novels while relying on his A-list cast to bring layers of nuance to even the smallest roles. The result is a massively textured war movie that's packed with darkly personal moments and glimpses of wit and spark. It's also a satisfying conclusion to the franchise that avoids the usual Hollywood bombast.
As the rebels prepare to attack Panem's Capitol and President Snow (Donald Sutherland), the rebellion's figurehead Katniss (Jennifer Lawrence) decides to take matters into her own hands. Rebel leaders Coin and Plutarch (Julianne Moore and Philip Seymour Hoffman) try to stay one step ahead of Katniss, using her as the Mockingjay to rally the troops. With Gale (Liam Hemsworth), a not-quite-unbrainwashed Peeta (Josh Hutcherson) and a small group of cohorts, Katniss works her way across the bombed-out city to Snow's mansion, intending to put an arrow through his heart. But the battle takes a shocking twist, and Katniss has to make a difficult decision about doing the right thing no matter what it costs her.
Right from the start, the filmmakers continue to echo Katniss' earliest act of heroism when she volunteered for the Hunger Games to protect her sister Prim (Willow Shields) and then vowed to keep Peeta safe in the violent arena. These are the things that drive her right to the very end of this saga, holding the audience in an emotional grip. This means that the political nastiness, violent warfare and publicity posturing all have a much deeper resonance for the audience, while for Katniss they are virtually irrelevant. Her mission remains untainted: she just wants to protect her loved ones and make the future safe. Which is why her speeches carry such rousing power.
Continue reading: The Hunger Games: Mockingjay Part 2 Review
Katniss Everdeen is determined to take down President Snow once and for all. Too many lives have been sacrificed and too many homes destroyed while the Capitol has brainwashed and controlled the people of Panem. Now re-united with Peeta after his rescue from Snow's clutches, Katniss gathers her friends from District 13 - Gale, Finnick and Cressida - and sets out on the ultimate mission to free Panem, and fight Snow to the death. But it seems it's not only Snow that wants Katniss dead, as she becomes increasingly paranoid about some of the supposed rebels. Facing increasing uncertainty, more tragedy and some of the worse warfare she could possibly imagine, Katniss starts to realise that ending the nightmare won't end the fear or the collective sorrow.
A teaser trailer for HBO’s upcoming sci-fi series, ‘Westworld’, has been released.
HBO has released its first teaser trailer for its upcoming series, Westworld. The trailer was aired before the season two finale of True Detective on Monday (10th July). In typical HBO fashion, the series promises to be action packed, visually impressive and featuring a hugely talented cast.
Continue reading: HBO Releases Teaser Trailer For Upcoming Sci-Fi Series, ‘Westworld’
Having successfully rescued Peeta and the other Hunger Games victors, Katniss Everdeen is feeling the strain of being the Mockingjay for the rebel group of District 13. The propaganda is exhausting, and she is starting to become uncertain about who are the heroes and who are the villains. While victory over the Capitol looks in the rebels' favour, Katniss is becoming increasingly suspicious of President Coin - a suspicion which becomes all the more intense when she confronts the captured Panem leader President Snow. He seems intent on killing her, but he's not the only one. When the rebels' methods are shown to be just as hostile as the Capitol, Katniss has to decide which path the take and with the oncoming final Hunger Games, her decision is fated to change her life forever.
By Rich Cline
This four-part franchise, based on the Suzanne Collins novels, turns very dark with this strikingly bold third film, which once again makes the most of perspective to recount a parable about normal people rising up against oppression. This may be a sci-fi apocalypse, but the story is packed with present-day resonance and messy characters who are sometimes unnervingly easy to identify with. So while things get very grim in this chapter, it's still a hugely engaging film, packed with real-life humour and emotion. And it makes Mockingjay Part 2 unmissable.
The story picks up not long after the chaos of the Quarter Quell, when Katniss (Jennifer Lawrence) realised that she had been a pawn for a planned revolution that cast her as the iconic Mockingjay. Now in hiding, the rebels need her to assume the role publicly, but she has other concerns. So she makes a deal with rebel President Coin (Julianne Moore) and her sidekick Plutarch (Philip Seymour Hoffman) that she'll help them if they guarantee safety for the captured Peeta (Josh Hutcherson), who has apparently been brainwashed so he can be used for propaganda purposes by the Capitol's President Snow (Donald Sutherland). Working with her old hunting buddy Gale (Liam Hemsworth), Katniss takes on the Mockingjay role, locking horns with Snow as the rebellion grows in strength.
Once again, director Francis Lawrence vividly tells the story from Katniss' imperfect point of view. This is a teen consumed with anger and confusion, and she can't figure out why she's so inspiring to everyone who looks at her. But she's beginning to understand her impact and how she can use it to help the people she loves. This makes her heroism remarkably human, rather than the usual noble movie self-sacrifice. And Jennifer Lawrence brings so much depth to Katniss that the character transcends even the most jarring plot points. Her internal journey also makes this much more than yet another dystopian teen adventure.
Continue reading: The Hunger Games: Mockingjay Part 1 Review
Jeffrey Wright - Shots from the red carpet ahead of the world premiere of the latest film in the Hunger Games series the 'Hunger Games : Mockingjay Part 1' The premiere was held at the Odeon cinema in Leicester Square, London, United Kingdom - Monday 10th November 2014
Katniss Everdeen has survived the latest political disaster of Panem following the shocking 75th Hunger Games. Her home, District 12, has been destroyed with her sister Prim and neighbour Gale having only narrowly escaped, and her partner Peeta Mellark has been captured and brainwashed by the formidable President Snow. She has been taken to the underground rebellion that has become of the long thought destroyed District 13, alongside her newest Games partners Finnick and Beetee, and her mentor Haymitch. All the rebels of District 13 are relying on Katniss to lead their revolution against Panem's government, but in doing so she risks the lives of so many. Her symbol of hope, the Mockingjay, has been banned from all districts but she refuses to let the meaning disappear from the heart's of her peers as she sets out to fight against Snow once and for all.
Following Katniss Everdeen's escape from the catastrophic 75th Hunger Games with mentor Haymitch and two of her Games partners Finnick and Beetee, she is reunited with her sister Prim and neighbour Gale after learning that her home of District 12 has been destroyed. Now she's based in the secret underground remains of the forgotten District 13 where she and the Panem rebels are planning to bring freedom to the nation. Peeta Mellark and the other Hunger Games survivors are being kept and brainwashed by President Snow, who is attempting to quell the disturbance of Panem with a series of propaganda television broadcasts, but when Beetee interrupts one broadcast with a pirate transmission, he thrusts a serious threat upon Snow's government with one simple phrase: 'The Mockingjay lives'.
By Rich Cline
It's hardly surprising that laconic filmmaker Jim Jarmusch (Broken Flowers) has created such an inventively offbeat vampire movie, helped hugely by the ace casting of Tilda Swinton and Tom Hiddleston as extremely long-term lovers. Fans of the genre might find the movie a bit slow and relaxed, but sharp humour and especially strong characters make it unmissable.
In a run-down house in Detroit, centuries-old Adam (Hiddleston) is living in squalor while anonymously creating club music with the assistance of Ian (Yelchin), who finds things like antique guitars for him to play. He gets his supply of clean O-negative blood from a helpful doctor (Wright). Meanwhile in Tangiers, Adam's wife Eve (Swinton) relies on her old pal Marlowe (Hurt) for the blood she sips at sunrise like a cocktail before lapsing into a deep sleep. Bored, Eve decides to visit Adam, so books nighttime flights and arrives to a blissful reunion. But their solace is interrupted when her wild-child sister Eva (Wasikowska) turns up.
These may be creatures of the night, but over thousands of years they have discovered exactly what kind of art soothes their souls. And Eva's boisterous presence disrupts their languorous peace even more than the fact that the blood supply is becoming increasingly contaminated. Adam and Eve call humans "zombies" dismissively and joke about their influence on key events and inventions throughout history. Hiddleston and Swinton are utterly perfect for these roles, bringing out details that are hilarious as well as emotionally moving. They also let us see the years of boredom mixed with a glimmer of childish curiosity that would be required to survive for so long.
Continue reading: Only Lovers Left Alive Review