Date of birth
28th May, 1974
Jean Paul Getty (Kevin Spacey) may have been the richest man of his time, but in 1973 he proved how he was also one of the most frugal. So much so, in fact, that while most parents and grandparents would give anything in the world to see the safe return of their child or grandchild after a kidnapping, he point blank refused to pay the $17 million that was demanded of him by an organised crime ring who abducted and tortured his 16-year-old grandson, John Paul Getty III (Charlie Plummer). No matter how much the teen's mother Gail Harris (Michelle Williams) begged the billionaire to pay the ransom, he wouldn't budge, citing that his willingness to pay up would encourage the kidnapping of his other grandchildren.
Things started to get serious when John Paul's ear arrived in the post with the threat that the boy would be posted to them piece by piece if the ransom was not paid. Gail decided to join forces with one of Jean Paul's closest associates, former CIA operative Fletcher Chase (Mark Wahlberg), who agreed to help her bring her son back home and get his client to change his mind about paying up.
'All the Money in the World' is the true story of an oil tycoon and his unusual reaction to seeing his grandson kidnapped. Kevin Spacey is unrecognisable with his Jean Paul Getty prosthesis. The film has been directed by the Academy Award nominated Ridley Scott ('Alien', 'The Martian', 'Blade Runner') and written by David Scarpa ('The Day the Earth Stood Still', 'The Last Castle') who adapted the screenplay from the book 'Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty' by John Pearson.
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Claire is left broken-hearted when her best friend Laura passes away at a young age. She vows to keep an eye on her young daughter Lucie, as well as her husband David. Claire's husband decides to contact David and invite him out to dinner as an offering of sympathy, but Claire begins to find herself with feelings about David she never thought she'd have. However, things get even more complicated when she discovers that David has a secret passion; a hidden persona that he has never before revealed - and it's easy to see why. Nonetheless, Claire's feelings for him begin to intensify over this now shared secret, resulting in a relationship that would surely bring scandal on them both if anyone were to discover them.
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By Rich Cline
After a string of projects in America (including the masterpiece Eternal Sunshine of the Spotless Mind), French filmmaker Michel Gondry returns home to let his manic imagination run wild. This film is a riot of movement, as the sets themselves seem to be alive, packing every moment of the film with visual absurdity, witty gags, colourful characters and soulful music. And while the mayhem is sometimes a bit overwhelming, the story's romantic moods resonate deeply, turning a silly movie into something surprisingly moving.
It's based on Boris Vian's 1947 novel L'Ecume des Jours, which has been adapted into two previous films and a Russian opera. In Paris, Colin (Romain Duris) is an independently wealthy bachelor whose friend Nicolas (Omar Sy) cooks and cleans and keeps music echoing around his chaotic flat. But when Nicolas admits that he's falling for their friend Isis (Charlotte Le Bon), and Colin's best friend Chick (Gad Elmaleh) announces that he has a new girlfriend Alise (Aissa Maiga), Colin decides maybe he should find a woman himself. Then he meets Chloe (Audrey Tautou), and the spark between them is instant. But just as they get married, Chloe becomes ill when a tiny waterlily takes root in her lung, and the only treatment is to encircle her with flowers.
As Chloe's condition deteriorates, so does the state of Colin's entire apartment, and eventually the colour begins to drain from all of Paris as well, while friendships are strained by the possibility of death. It's a startling on-screen transformation, as Gondry keeps everything in motion, using any kind of visual trickery imaginable, mainly effects that take place right on the film set, like puppetry and stop-motion. The zaniness continues in the background even after the characters' stories steal focus from them. Yes, the cast members are so strong that they manage to rise above the chaos. As always, Duris brings real charm to the whole film, generating sparky chemistry with everyone around him, and his chemistry with Tautou is seriously sweet.
Continue reading: Mood Indigo Review
Early reviews of 'Mood Indigo' are not promising as the film has been labelled whimsical, pretty but lacking in realism. But if you're prepared to suspend disbelief, you may be in for a star filled treat in this French language film starring Audrey Tautou and Romain Duris.
Set in a fantastical Paris where fire alarms scuttle across rooms and cars hover above the city, Mood Indigo is a love story starring Audrey Tautou and Romain Duris. The film has been directed by Michael Gondry, who also directed Eternal Sunshine of the Spotless Mind.
Mood Indigo stars Audrey Tautou and Romain Duris.
Entitled L'Ecume Des Jours, translated as Froth on a Daydream, the film follows a wealthy inventor, Colin (Duris) as he falls in love with Chloé (Tautou). The pair is awkwardly set up at a party hosted by Colin's friend Chick (Gad Elmaleh) and his girlfriend Alise (Aïssa Maïga).
By Rich Cline
French filmmaker Cedric Klapisch keeps the tone light and the serious themes just under the surface as he revisits the lively characters from The Spanish Apartment (2002) and Russian Dolls (2005). Despite its comical plotting, the film remains grounded in real life, this time in an ethnically blended corner of New York City as the characters turn 40 and face major life changes. It's a relaxed, enjoyable romp that sometimes feels rather silly but continually catches the whiff of an important issue.
Our hero Xavier (Romain Duris) is living in Paris, exhausted by the surprises life won't stop throwing at him. The latest shock comes from his girlfriend Wendy (Kelly Reilly), who announces that she's taking their children (Pablo Mugnier-Jacob and Margaux Mansart) and moving back to Manhattan, where she plans to live with another man. Stunned, and knowing he can write anywhere, Xavier follows her and moves in with his old pal Isabelle (Cecil De France) and her girlfriend Ju (Sandrine Holt) in Brooklyn. Perhaps now Xavier might also be able to be in the life of the child he has helped Isabelle conceive to raise with Ju. So he finds a woman, Nancy (Li Jun Li), who will marry him so he can get an American visa. Then his ex-girlfriend Martine (Audrey Tautou) comes for a visit, sparking old feelings that complicate everything.
Yes, the scene is set for a wild farce of a final act as Martine, the immigration investigators, Isabelle and Ju and a variety of kids all converge on Xavier's new Chinatown flat. This wacky slapstick gets rather grating, since there are so many more interesting places this film could have gone, but it's funny and very nicely played by the cast of shamelessly charming actors. Each portrays a person who is incapable of making the most important decisions in their lives, which gives the film a loose sense of authenticity even if the events feel rather contrived.
Continue reading: Chinese Puzzle Review
Xavier Rousseau is heartbroken when his British wife Wendy leaves him for a man she met in New York and takes their two children with her. Determined to maintain contact with his kids, he flies over to America from France and attempts to become an American citizen in any way he can; from donating his sperm to a lesbian couple to marrying a Chinese woman. He meets Wendy's new boyfriend, who happens to be annoyingly nice and - to Wendy's irritation - highly sympathetic to Xavier's dilemma in moving to a foreign country, and he even has chance to reconnect with an old lover, Martine, who has come to visit him and wants to make a fresh start. As he tries to get his life back on track, things just keep getting harder and harder.
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By Rich Cline
It's impossible not to be charmed by this cheeky French comedy, even if it's utterly predictable and never remotely breaks its gorgeously designed surfaces. But it's packed with moments of riotous comedy and surprising drama that keep us on our toes, almost making us forget that we're watching a foreign movie about a typing competition. It also has a secret weapon in Romain Duris, an unconventional romantic lead who's irresistibly appealing.
The period is the late 1950s, when life for a young woman in a tiny village didn't offer many options. After years working for her shop-owner father (Pierrot), Rose (Francois) finally breaks free, applying for a secretarial job in a nearby town. Despite having no experience, insurance broker Louis (Duris) sees a spark in her and gives her a shot. As they begin to flirt, Louis notices that Rose is eerily adept at typing with two fingers, and he enters her in a local competition, which she wins. As she rises through the national rankings, she begins to fall for him. But he's reluctant to let his guard down after the woman he has always loved, Marie (Bejo), married his best friend Bob (Benson).
Filmmaker Roinsard has a great eye for recreating the period, shooting scenes with the same attention to detail as an episode of Mad Men, but with a lot more sassy humour. He also lets his crew go wild with stylish hair and colourful costumes, plus a fantastic song score. In this post-War setting, the actors are able to catch us off guard with their attitudes to class, politics and most notably gender. Francois gives Rose a feisty determination that's wonderful to watch, because we root for her to break through a multitude of barriers. And opposite her Duris gives another prickly but likeable turn as a not always attractive man who clearly has real depth.
Continue reading: Populaire Review
The new movie could prove to be the latest French success on U.S. shores.
It probably won't take you long to work out that Populaire, the new vintage romantic-comedy from debut director Regis Roinsard, is financed by The Weinstein Company. It's got all the hallmarks for Harvey Weinstein's silent French Oscar winner The Artist, while playing on some of the popular themes from AMC's darling Mad Men. Oh, and there's a touch of Amelie in their good measure.
Whether the movie turns out to be the next Weinstein success story remains to be seen, though the trailer certainly hints at a fun filled couple of hours. Populaire follows the story of 21-year-old Rose Pamphyle (Deborah Francois) who escapes her predictable life in a picturesque French village and travels to Lisieux in Normandy, where she meets charistmatic and handsome insurance agency boss Louis Echard (Romain Duris). Though her interview to be his secretary ends in disaster, Louis notices that Rose has a special talent for speed type and subsequently enters her in the national championship. Not your average Hollywood plotline, huh? Bolstered by a supporting cast that includes The Artist's Bérénice Bejo, Populaire appears immaculately styled and instantly likeable.
Michel Gondry's Stunning Surrealism Returns In 'Mood Indigo' With Audrey Tautou And Romain Duris (Trailer)
Judging by the latest trailer from Michel Gondry for 'Mood Indigo' starring Romain Duris (The Beat That My Heart Skipped) and Audrey Tautou (Amelie, Priceless), he's once again back to his stunningly surreal The Science of Sleep best for another French language cinematic beauty.
Based on a 1947 novel by Boris Vian called Froth on a Daydream, the movie sees Colin (Duris), a wealthy and successful inventor of a smell-based musical instrument named a Pianocktail. Through his friend, Chick, he meets Chloe (Tautou) and falls head over heels in love. They get married in a whirlwind romance, but while on their honeymoon, Chloe falls ill and in the ensuing weeks and months her health deteriorates. As she gets worse, so the film devolves into an increasingly dark world.
By Pete Croatto
A movie like L'Auberge Espagnole should feel like an embrace. You should be pulled into the close-knit environment of seven young, smart, sexy Europeans living together in a Barcelona flat (The title translates to "Euro Pudding). You should feel the confusion of the movie's young protagonist as he struggles with his feelings for three women.
Though it is a solid movie with some astute observations, L'Auberge Espagnole constantly pushes you away like a busy parent on a deadline. The movie never makes a connection because it's too busy tackling too many subjects, instead of focusing on doing one thing well.
Continue reading: L'Auberge Espagnole Review