With the only real connective tissue among them being the grey and somewhat mournful Mediterranean and a certain cluelessness about their lives, the three women whose stories constitute Jellyfish seem specialists in not getting what they want. The most painful to behold is Batya (Sarah Adler), a dizzy-headed and recently-dumped young woman who waitresses at a wedding reception hall and always seems on the verge of getting fired. (And who could blame her? It's the kind of place that requires waitresses to wear bachelorette party-style tiaras while working.) Unable to connect with her father, a clueless old fool with a nervous anorexic of a new girlfriend who's about Batya's age, or her mother, who's too busy organizing charity functions to pay much attention to her child, Batya only seems to focus when she finds herself the unwitting guardian of a nameless and mute young girl (Nikol Leidman) who seemed literally to wash up on the beach.
Continue reading: Jellyfish Review
To get as complete of picture as possible of the theatrical lifestyle at the time, interviews with the remaining Burnstein family members are mixed with those of their peers and archival footage from their more popular shows. The various discussions and images provide an eclectic glimpse into the past, along with the interesting journey of just how the Burnsteins managed to carve themselves a piece of spotlight.
Continue reading: The Komediant Review
The routine is boring but exhausting at an Israeli army outpost atop a snowy mountain along the Lebanese border. The dozen or so soldiers in the dilapidated camp do little more then go out on practice ambushes and dig trenches. There's plenty of time left over for joking with the cook, dancing in the barracks with the beautiful young women who also serve, and letting petty jealousies simmer.
Continue reading: Yossi & Jagger Review
The movie's main character is Eyal (Lior Ashkenazi), a stoic killer who works for the Israeli government. Though he is still excellent at his job, he's having personal problems. Sensing that he needs some time to regain his footing, Eyal's boss assigns him to find an elderly Nazi officer. Eyal dismisses the assignment as unnecessary -- the officer is close to death -- but his boss is adamant: "I want to get him before God does." The Nazi's whereabouts are unknown, but his adult grandchildren are in Israel. Pia (Caroline Peters) is working on a kibbutz, and her schoolteacher brother Axel (Knut Berger) is visiting from Berlin. Eyal poses as Axel's tour guide, while the recording device in Pia's dorm covers what he misses.
Continue reading: Walk On Water Review